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It's available gratis with a wide range of their mixers and audio recording gear. Details at link below. http://www.behringer.com/EN/tracktion/index.aspx
"My primary musical instrument is the personal computer."
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Just waiting for the U-PHORIA UMC204 interface to become available, so hopefully this deal will still be going.  I dropped Tracktion back in the 2x days... 
i5 3.20GHz, 32gb RAM, 1tb SSD OS, 12tb HDD, 4gb gForce vid card, 32" monitor, Audient id44, Win10 x64, BiaB/RB 2023, Reaper 6,IK Multimedia Total Studio 3.5 MAX, Waves 10
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I use tracktion 3. Unless something has recently changed the new version 4 does not include all the Mackie plugs.
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The new version does not include the excellent Mackie plugins. However, if you have your Tracktion 3 installer files, I'm told that you can re-install the Mackie plugins into the T4 installation - which is great news. The Mackie/Acuma plugins are top drawer.
Behringer have really upped their game with their purchase of Midas and Klark Teknik (sp?). I have used their new X32 digital mixing board and accompanying digital personal monitor systems - excellent flexibility and sound quality. The board was supposedly a Midas design that Behringer came alongside and brought to market. It shows. I think it's the easiest to use of the 3 different digital mixing board series that I've used (Roland, Behringer and PreSonus). The channel strip on the Behringer runs circles around the other two.
-Scott
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Behringer have really upped their game with their purchase of Midas and Klark Teknik (sp?). I have used their new X32 digital mixing board and accompanying digital personal monitor systems - excellent flexibility and sound quality. The board was supposedly a Midas design that Behringer came alongside and brought to market. It shows. I think it's the easiest to use of the 3 different digital mixing board series that I've used (Roland, Behringer and PreSonus). The channel strip on the Behringer runs circles around the other two.
-Scott Strong words, Scott. I have liked Behringer since the days when their gear, especially their large mixing desks, had a just reputation for being flimsy. (I lost one of their early multieffects processors to a static charge, but have remained loyal.) They've come a long way, haven't they?
"My primary musical instrument is the personal computer."
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They've come a long way, haven't they? When Sweetwater Music started carrying their line a couple of years ago, I think that is what put them into the 'finally being considered legitimate' category for some folks. There are still those who will automatically disregard them, but I've been using the V-Amp series of products for 10+ years, and yes I had a failure with the V-Amp 2 that I own - promptly repaired free of charge by Behringer. That was about 8 years ago. I also own a Bass V-Amp Pro rack mount unit. And our church is now using the X32, and loving it. -Scott
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I just picked up a used Bass V-Amp at a July 4th sale. It must be about 10 years old, but it works great (and is incredibly deep--the Tap button can control eight functions. Thankfully, I got a photocopied manual; it's no longer available on the Behringer site). It must be my dozenth or so piece of Behry gear.
"My primary musical instrument is the personal computer."
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B********* is hated for many more reasons than poor quality gear. Their penchant for copying/ripping off other manufacturers is legendary. Here is an interesting discussion on the subject, by people who make their living doing live sound:
http://forums.prosoundweb.com/index.php/topic,136246.0.html?PHPSESSID=rrtrl9rf4mjh4vtqhklbbualn3
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I read the first page of the discussion to which you provided the link. I assume if their ostensible theft was actionable someone would have done so, so that's a nonstarter.
No, it's not Crown or Allen & Heath, but for me it has, with one notable exception which I mentioned above, been perfectly serviceable. At the time I got them my Truth B2031A biamped active 8-3/4" monitors were equivalent to gear going for three times the price. I recently bought back a Behringer Blue Devil guitar amp I had traded in on a used bass because it is uniquely suited to what I do. I don't know anyone who makes its equivalent at any price. Your mileage, of course, may vary.
FWIW, I made my living at live sound for many years, but well before B. came on the scene. I ain't mad with nobody--I'm just sayin'.
Last edited by Ryszard; 07/08/13 08:23 AM.
"My primary musical instrument is the personal computer."
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"I assume if their ostensible theft was actionable someone would have done so, so that's a nonstarter." FCC good enough for ya? $1 million fine? http://transition.fcc.gov/eb/News_Releases/DOC-263862A1.html"Legal cases[edit] In June 1997, Mackie accused Behringer of trademark and trade dress infringement, and brought suit seeking $327M in damages[15][16] but such claims were later rejected by the court. In their suit, Mackie said that Behringer had a history of copying products by other manufacturers and selling them as their own.[17] The Mackie suit detailed an instance, in which Behringer was sued by Aphex Systems for copying the Aural Exciter Type F—in that case Aphex Systems won 690,000 Deutsche Mark.[17] The Mackie suit also mentioned similar cases filed by BBE, dbx and Drawmer.[17] On 30 November 1999, the U.S. District Court in Seattle, Washington, dismissed Mackie claims that Behringer had infringed on Mackie copyrights with its MX 8000 mixer, noting that circuit schematics are not covered by copyright laws.[18][19][20] In 2005, Roland Corporation sued to enforce Roland's trade dress, trademark, and other intellectual property rights with regard to Behringer's recently released guitar pedals.[21] The two companies came to a confidential settlement in 2006 after Behringer changed their designs.[22] In 2009 Peavey Electronics Corp. filed two lawsuits against various companies under Behringer/Music Group umbrella for patent infringement, federal and common law trademark infringement, false designation of origin, trademark dilution and unfair competition.[23] In 2011 The Music Group filed a lawsuit against Peavey for "false advertising, false patent marking and unfair competition".[24]" http://en.wikipedia.org/wiki/Behringer
Last edited by 90 dB; 07/08/13 08:53 AM.
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Niner-Zero, I apologize for not knowing your real name. I know I've seen it before, but please forgive me for not using it here. So's you'll know, as far as I'm concerned we're just having a spirited discussion, not an argument. I'm learning things. I hope you feel the same.  (To the rest of the community, I apologize for hijacking my own thread, but I'm having fun.) Let's address the notice from the FCC. It has nothing to do with theft, but with failing to meet FCC guidelines. In addition, it references a proposed forfeiture. Do you know if it was ever levied? Also, note the date--it's rather old business. FOR IMMEDIATE RELEASE
February 16, 2006
NEWS MEDIA CONTACT:
Janice Wise at (202) 418-7450
Janice.Wise@FCC.GOV
FCC PROPOSES FORFEITURE AGAINST BEHRINGER USA, INC. FOR MARKETING UNAUTHORIZED EQUIPMENT
Washington, D.C. -- The Federal Communications Commission (FCC) today proposed a $1 million forfeiture against Behringer USA, Inc. for apparent violation of the FCC's equipment authorization rules.
The Commission concluded that Behringer apparently violated the FCC's rules by marketing in the United States at least 50 models of unauthorized digital audio devices. The rules require that these devices be tested and verified compliant with FCC technical standards prior to marketing them in the United States.
In proposing its forfeiture amount, the Commission considered that Behringer marketed the unauthorized devices for more than five years overall and for almost a year after it was on notice of the FCC's investigation, and that Behringer derived substantial financial gain from the sale of the unauthorized devices. I'll grant you the court actions, which are new to me, but they are even more dated, going back to the mid- to late 1990s. How long should someone hold a grudge? I know of no ethical or legal issues with their current offerings and, as I said before, their stuff works at least well enough for my purposes, generally vastly exceeding expectations. Richard
Last edited by Ryszard; 07/08/13 09:11 AM.
"My primary musical instrument is the personal computer."
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No problem Richard. No argument. If you're happy using B gear, it's no skin off my nose. I was actually reacting to Scott's statement that Behringer was "finally being considered legitimate" by some folks. I thought it might be instructive to others just why Behringer was considered illegitimate in the first place. To me, their disregard for FCC compliance pales in comparison to their wholesale theft of other company's designs, which is legendary in the SR community. (Just ask Bob Mackie!) The companies that have actually sued are just a few of the victims. 
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BTW, I was aware of the Behringer lawsuits and so forth, when I bought my first Behringer product, the V-Amp 2. I think Aphex may have won the battle with Behringer, though Mackie did not.
In that V-Amp 2 product, I saw usability that outshined the competition at the time in several ways - but primarily with the way that Behringer used optical encoders, with lit LEDs for where the knob position was located, for the almost all of the knobs on the product, when everyone else was relying entirely on LCD readouts.
I bought the V-Amp 2 for darkened stage use, and the lit knobs on the thing gave it a level of functionality that the other products I was shopping at the time, simply did not have:
(Original Line-6 POD, Johnson J-Station, whatever Digitech pedal was similarly priced at the time).
The lit knobs allows one to see what type of preset is being selected, from rather far distance. All of the other units on the market required me to be within a couple feet of the display.
That did it for me. People claimed that Behringer was ripping off the Line-6 POD because it was similarly shaped. The two products were nothing alike, other than they did amp simulation with effects.
As for ripoffs, that CT100 sure does look like a copy of the Swizz Army product. This goes back to before I bought my first piece of Behringer Gear, roughly 2005 or so time frame.
I don't know that they still do this. It appears to me that they have taken a different approach in the past 5 or so years, instead buying music equipment companies outright.
How were they able to do that? Perhaps by saving money on product design and development that other companies spent money on. I don't like that one bit.
-Scott
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No problem Richard. No argument. If you're happy using B gear, it's no skin off my nose. Hmm. I have the CT-100. Had no idea of the existence of the other. The front panel is identical apart from color and very minor variations in text.
"My primary musical instrument is the personal computer."
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Richard this is what various start up companies have done for years. Rip off other companies in order to get themselves off the ground. The thinking is they can get away with it long enough to get established and the owners make some serious cash. Since it takes years for these things to get discovered and then for the lawsuits to start, then more years due to court delays and continuances they're still ripping off stuff and still making money while all that is being litigated. When they finally lose in court and have to pay up, the lawsuits just become the cost of doing business because now the company is big enough to handle it. They simply ate the fines and moved on.
Iow, this was planned from the beginning and the strategy worked. It's a very cynical comment about some businesses but smart people know that no matter how much bad publicity gets generated from stuff like this it's still "inside baseball" and the general public has no clue so from their point of view, no harm, no foul.
Now they're legitimate, now they've cleaned up their act and everything is cool. The question is do you want to reward them for being snakes in the first place because it was totally willful, totally planned out. It was no accident. How do you accidentally sit down at a bench and copy an electronic circuit and then the case and controls that goes with it?
Bob
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Bob,
I believe everything you say. I am disappointed. Uli B. presented himself as an idealist and an optimist. It's a shame that he was so cynical. I was completely unaware of it at the time, but I'm sure I would have acted differently had I known.
Richard
"My primary musical instrument is the personal computer."
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Ok, let's flip the coin over, just for giggles.
/I ain't taken sides, but I had a thought (duck!)
Cars all have an engine, brakes, steering wheel, gas pedal, .. all in the same place and pretty much the same stuff. They all work pretty much the same.
I guess only the original maker should be able to make cars like that.
Ford didn't invent the car; he improved the assembly line.
Do NOT buy Ford; he stole someone's idea and just manufactured it cheaper so more people could afford it!
Yeah, I'm trolling, but it ain't all cut and dried.
One device looks like the other. However if you look under the hood there are differences. You can buy a hand made car .. or a Ford off the assembly line.
Behringer is not the exact same parts/assembly as what they are compared too, but it comes down to bang-for-the-buck. Been that way for a hundred years.
I thought of posting this last night but thought better of it.
I probably got dummer over night.
I do not work here, but the benefits are still awesome
Make your sound your own!
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rharv, I sort of agree with you, but I don't agree as well. The CT-100 example above goes beyond copying function - which unless technology function is patented - it's o.k. to copy function. The blatant stealing of dimensions, layout, etc. seems over-the-top bullying of Behringer on EBTech. MOST of Behringer products today are not like this - in fact, they have quite a few innovative features that other companies would do well to copy functionally - for example, using LEDs around the outer edge of an optical encoder to indicate position of the encoder, the GREAT channel strip on the X32 mixer and the 'view' buttons on same(simply crushes any other digital mixer within the same price order of magnitude), etc. However, this particular example is more than all cars have 4 wheels, therefore the adopters of the 4 wheel cars are in violation of stealing. A Ford Focus is not a direct copy of a Honda Civic, though functionally they have many similarities. Now, Chery motors in China has been guilty of outright dead copying other companies designs - Copied a GM vehicle so closely that the doors interchanged. The Chery model outsold the GM model 6 to 1 in China http://factsanddetails.com/china.php?itemid=2277&catid=9If you look at cable testers at Musician's friend - you'll see 7 products, with 6 form factors. http://www.musiciansfriend.com/search.jsp?sB=r&Ntt=cable+tester Behringer and EBtech identical except for paint color and the Behringer claim that they did all their work in Germany printed right on the side of it, the rest all have different form factors. What is interesting is that I have the Nady format cable tester, but I got mine from Cascade microphones in a deal that they threw in their own branded version of that thing on a ribbon mic deal. Let's say that the innards of the CT-100 and the Swizz Army tester are actually different - but why did they have to copy everything down to LED locations, text orientation, etc? Couldn't they have changed it up even just a little bit? Seems like bullying. I am really torn on this revelation of the CT-100. I like Behringer's new products for the most part - really useful, innovative and inexpensive. But I don't like that it appears that perhaps the way they got that way was through outright intellectual property theft of other products/designs.
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If you look at cable testers at Musician's friend - you'll see 7 products, with 6 form factors. http://www.musiciansfriend.com/search.jsp?sB=r&Ntt=cable+tester Behringer and EBtech identical except for paint color and the Behringer claim that they did all their work in Germany printed right on the side of it, the rest all have different form factors. Actually the Nady, Peavey, and LiveWire all share a form factor. So you're seeing 7 products with 4 form factors. The PlanetWaves and Galaxy are unique.
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Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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