I definitely like the Gladys Knight version of Grapevine better.
When Motown was courting us and we got to record in the newer Motown Studios I met the "Funk Brothers" but they weren't called "Funk Brothers" back then. Nice people and very accomplished musicians. Members of the Detroit Symphony used to come in for the string and other parts as well.
Elvis Presley's version of "Fever" is better than the Peggy Lee or the Little Willie John versions.
(disagreement) I like the original Jimmy Jones' "Handy Man" better than James Taylor's and Henry Mancini's version of "Peter Gunn" better than Duane Eddy (although I played the Duane Eddy version a lot) but I guess it comes down to personal taste.
Willie Mae "Big Mama" Thornton (December 11, 1926 – July 25, 1984) was an American rhythm and blues singer and songwriter. She was the first to record Leiber and Stoller's "Hound Dog" in 1952,[1] which became her biggest hit. It spent seven weeks at number one on the Billboard R&B charts in 1953[2] and sold almost two million copies.[3] However, her success was overshadowed three years later, when Elvis Presley recorded his more popular rendition of "Hound Dog".[4] Similarly, Thornton's "Ball 'n' Chain", had a bigger impact when performed and recorded by Janis Joplin in the late 1960s
I like Dwight Yoakam's version of Suspicious Minds better than Elvis's so I guess I'd better duck and hide as well lol.
And yeal, Joe Cocker had a bad habit of taking a song and making it his own with fantastic results (imo of course). Here's another good example: https://www.youtube.com/watch?v=Vrv9slgO7Ic
Of course it helps when the whole band is hotter than firecrackers. Stainton is killin' those Leon licks on piano.
Going off topic a little, but speaking of Stainton, this video is worth watching to the end in spite of bad sound just to see him in action. https://www.youtube.com/watch?v=hktxYR8dIPg
Hound Dog - Big Mama Thornton's is IMHO light years better than Elvis' version.
OK, here come the Elvis fans. :>
Later,
Elvis fan (more with each passing year) coming out of the woodwork!
I agree with you; Big Mama Thornton's version is light years better than Elvis' version!
Some info that I picked up along the way: (Many sources, but probably initially "Rockabilly Road Trip", a radio show.) Wikipedia has a detailed history of the song. (BTW, Wikipedia calls "Hound Dog" Elvis' biggest seller, ignoring the fact that the flip side was "Don't Be Cruel", which spent more weeks at #1, and was on the charts longer than "Hound Dog".)
"Hound Dog" was written for Big Mama Thornton by Jerry Leiber and Mike Stoller. One can argue that they had an emotional attachment because it was their first big hit.
They hated the Elvis version. Then the royalty checks started coming in. But more importantly they got entre to Elvis, something that worked out great for Elvis and Leiber/Stoller.
Turns out that Elvis didn't really cover Big Mama Thornton, per se.
When Elvis played Las Vegas the first time in 1956 (a massive failure, the older casino crowds weren't ready for him), he saw Freddie Bell and the Bellboys, a group from Philadelphia. He kept going back, many times.
Freddie played a rockabilly version of "Hound Dog"; it was this version that "got covered". Freddie had cleaned up the lyrics for radio. Elvis recorded it almost immediately.
"Hound Dog" Freddie Bell and the Bellboys (1956 ???)
This is not Freddie Bell's original recorded version. Included because who knows how they were performing the song in 1956 when Elvis saw them; also for a photo of the group.
This record had been out for 3 (!!!) years when Elvis recorded "Hound Dog". Big Mama Thornton didn't sell less because of Elvis; she sold far more. Freddie Bell, on the other hand...
Post-mortem (unrelated): I saw an interview with a very old guy, one of the Four Aces.
(The Four Aces had mostly ballad hits, harmonized, in the early 1950's. "Sin", "Stranger In Paradise", "Three Coins In A Fountain", "Melody Of Love", and "Love Is A Many Splendored Thing" were each #1 records for them.)
Elvis also went to see the Four Aces when he was in Las Vegas in 1956. He sat in the front row. He asked if he could sing with them.
Reluctantly they said yes.
This man spoke glowingly of Elvis. He said that Elvis knew every part to every song the Four Aces sang!
Elvis Presley was a musical sponge. He may not have had formal training, but he was an incredible musician nonetheless.
I am an Elvis Presley fan, he was a great natural singer, and did some great songs.
IMHO His "Reconsider Baby" is much better than Lowell Fulson's and he did a lot of other great songs. On the other hand, he did a lot of kitsch too; "Rock-a-hula Baby" will never be on my iPod but "Are You Lonesome Tonight" is. His English derivative take on "O Sole Mio" retitled "It's Now Or Never" is even a very nice cut.
But I tend to prefer the older Elvis cuts.
Bobby Darin turned the corny Tin Pan Alley song, "You Must Have Been A Beautiful Baby" into a damned decent rock song, and his take on "Mack The Knife" has stood the test of time to become the definitive version of that song.
I still tend to prefer the vast majority of the originals to the covers, but there are many delightful exceptions.
I agree about the Darin covers of "Mack" and "Baby". I think Bobby Darin also had great covers of "Lazy River" and "Beyond The Sea" ("Le Mer"). I'm probably in a tiny minority, but I prefer Bobby Darin"s cover of Nat King Cole's "Nature Boy", though I love Cole's too.
Originally Posted By: Notes Norton
... Elvis Presley's version of "Fever" is better than the Peggy Lee or the Little Willie John versions. ...
Yes! Yes! Yes!
Elvis does Peggy Lee's version (I think with one more verse), but the things that make it the Elvis version for me are the amazing percussion (Buddy Harmon, I guess) and the significant improvement in fidelity. The percussion sounds surprising and wonderful, each time, to me.
The Elvis recording was the last one I got. Oddly, I got Little Willie John's version first.
Here's a cover of "Fever" that I also love. It's one of the strangest recordings that I have. Though completely different, to me it is the equal the Elvis record.
Elvis and Peggy Lee have a "cool" fever. Ray Peterson is burning up!
"Fever" was Ray Peterson's first recording. A few years later he had success with "Tell Laura I Love Her", "Corrina, Corrina", and "The Wonder of You". He never showed this vocal capability on those records. (I got a Bear Family CD of him.)
The close of Ray Peterson's version is astonishing to me. I'm probably the only one, but that's OK! I've never heard anything quite like it.
I agree about Elvis being an outstanding cover artist!
Here are four that I think are amazing; each is so different from the original that the contrast is startling. The first was mentioned by Notes Norton.
"Reconsider Baby" Elvis Presley 1960
This was a jam session for fun after the session was over, at 5:00 or 6:00 AM. Note that there's no reverb on Elvis (not intended to be a record, but thankfully Bill Porter rolled the tape) and that Elvis is calling the shots. (One of my all-time favorite recordings.) Cover
"One Night Of Sin" was co-written by Dave Bartholomew, Fats Domino's band leader. I have Smiley Lewis' original, Fats' cover, and Elvis' cover. Love the song.
"One Night With You" Elvis Presley 1958 Paradoxically, the Elvis record has cleaned-up lyrics, but compared to the other two, is filthy! (One of my all-time favorite recordings.) Cover
Many songs are performed today (roughly) using Elvis' arrangement. It's unusual to hear "Blue Christmas" done today like Earnest Tubb did it.
"Blue Christmas" Elvis Presley 1957 I love Millie Kirkham's etherial vocal! Interesting info on the Jordanaires arrangement on wikipedia. Cover
"Blue Christmas" Ernest Tubb 1949 This version popularized the song, but strictly speaking was not the original. Original
Scads of Chuck Berry covers, deservedly so. Some are excellent. IMO, this one is the best, and the only one that crushes Chuck's original. An absolutely incendiary recording. This record should be played LOUD!
"Promised Land" Elvis Presley 1974 James Burton ("Suzie Q" lick at age 16, Ricky Nelson's guitarist) on guitar. (One of my all-time favorite recordings.) Cover
... Going off topic a little, but speaking of Stainton, this video is worth watching to the end in spite of bad sound just to see him in action. https://www.youtube.com/watch?v=hktxYR8dIPg
Wow! Chris Stainton's piano solo is long and complicated! (I bought the single of Eric Clapton's "Cocaine" (cover of J.J. Cale) when it came out, cause I couldn't wait!)
Here's a cover with piano play that I really like:
For me, easily Johnny River's best, and heck, to me, a perfect record!
"Rockin' Pnemonia and Boogie Woogie Flu" Johnny Rivers 1972 Larry Knechtel, pianist (One of my all-time favorite recordings.) Cover "Rockin" Pnemonia and Boogie Woogie Flu" Huey "Piano" Smith and The Clowns 1959 Original
Here are a couple of Bo Diddley covers that I really like:
"Love Is Strange" Mickey and Sylvia 1956 (One of my all-time favorite recordings.) Cover
Bo Diddley used his wife's maiden name on the copyright so Leonard Chess would not find out that he gave the song to Mickey and sylvia.
"Love Is Strange" Bo Diddley 1956 (unreleased) Original
"Before You Accuse Me" Creedance Clearwater Revival 1970 My favorite recording from CCR. (One of my all-time favorite recordings.) Cover "Before You Accuse Me" Bo Diddley 1957 Original
"Rockin' Pnemonia and Boogie Woogie Flu" Johnny Rivers 1972 Larry Knechtel, pianist
Knechtel was a marvelous example of what a Jazz/Bebop and gospel trained pianist could bring to sessions.
For the Rockin' Pneumonia thang he called up his knowledge of the New Orleans blues piano styles in between the original pianist's hooks and did it so well that it defined that tune, man. Larry added LEFT HAND BOOGIE to it as well...
He is also the guy responsible for Simon and Garfunkel's "Bridge Over Troubled Water" hit. The story is that Larry went home and worked out that "gospel church" piano part, which completely changed the thing from a strummed guitar tune that he heard Paul play into the classic in its own right.
I agree about the Darin covers of "Mack" and "Baby". I think Bobby Darin also had great covers of "Lazy River" and "Beyond The Sea" ("Le Mer"). I'm probably in a tiny minority, but I prefer Bobby Darin"s cover of Nat King Cole's "Nature Boy", though I love Cole's too.
Yes, Bobby D was a National Treasure AFAIC.
I always dug his kinda "cakey-pop" version of Nature Boy too, although I also always thought that the female background vox were a bit derived, but then along came Kurt Elling around 2000 and:
Another great Jazz Pianist, Laurence Hobgood, all over the arrangement that he likely had the most hand in creating:
Nature Boy was written by a rather odd egg, one Eden Ahbez, who lived outdoors underneath the big Hollywood sign, among other oddities. It was possibly the only song he ever wrote, certainly the only one to become any sort of hit or make money. Go figure.
Anything written by Leonard Cohen - get Jennifer Warned to sing it. As on "Famous Blue Raincoat" album.Awesome! The Beatles "Hey Jude". A great tune ruined by self-satisfyingly indulgent and stupidly unnecessary long, long, long Outro. Check out The Shadows version. Yeah, I am biased!!
Old Guys Rule.The older I get,the better I was! BB2023 ULTRA, 1013, Win 7 and 10
Many times it comes down to which you heard first (and most). I had a guy tell me, after seeing "The Buddy Holly Story", how Buddy did a lot of Linda Ronstadt songs...
I ran into an Eva Cassidy fan who almost wanted to fight because I told him "It Doesn't Matter Anymore" was written by Paul Anka in the 50s. He swore Cassidy wrote it. Meanwhile, the lineage of that song is Anka to Holly to Ronstadt to Cassidy so he heard it 4th generation and just didn't know any better. (I think Ronstadt's version was the best of them. Why? I heard that one first. The original uptempo versions seemed too "choppy" to me after hearing her folkier rendition.)
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
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-For UltraPAK customers, this includes 20 new RealStyles.
Look Ma! More MIDI 13: Country & Americana
Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
MIDI SuperTracks Set 44: Jazz Piano
Artist Performance Set 17: Songs with Vocals 7
Playable RealTracks Set 4
RealDrums Stems Set 7: Jazz with Mike Clark
SynthMaster Sounds and Styles (with audio demos)
128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
Look Ma! More MIDI 14: SynthMaster,
Instrumental Studies Set 23: More '80s Hard Rock Soloing,
MIDI SuperTracks Set 45: More SynthMaster
Artist Performance Set 18: Songs with Vocals 8
RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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