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Band-in-a-Box for Macintosh
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Joined: Jul 2004
Posts: 48
Enthusiast
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OP
Enthusiast
Joined: Jul 2004
Posts: 48 |
I've been creating bass & drums only backing tracks to work on a Charlie Byrd type jazz trio (classic guitar, bass & drums), and also including a one chorus real track bass solo in each tune. This allows me to focus on comping for a bass soloist. This has worked very well for swing jazz tunes, but when I try it for any bossa the software doesn't seem to generate an actual solo, but just gives the same type of bass rhythm track. There are a very limited number of acoustic bass soloist real tracks, but there are a couple of bossa acoustic bass soloist real tracks. I've tried them with no good result, then actually tried the jazz acoustic bass soloist tracks that have given me satisfactory results with my swing tunes. But even that still gave me a walking bass type rhythm track. Is there some problem with the straight 8ths setting for bossas that somehow cancels out the soloist generator? I'm stumped (and disappointed). I really want to work on some Brazilian tunes in this way. I'm running BIAB 2010.5 build 20 with Mavericks on a Mac mini.
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Band-in-a-Box for Macintosh
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Joined: Jun 2012
Posts: 32
Enthusiast
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Enthusiast
Joined: Jun 2012
Posts: 32 |
hello dkm,
If I understand ... you should to try solos "Neil Swainson (soloist bossa ev 140)," they are more powerful! But, above all, do not hesitate a moment ... take the version 2014! it is a treat. Now, I only play with the new sounds of "pollwinners" ... simply fantastic! good music to you, Jacques
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Band-in-a-Box for Macintosh
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Joined: Jul 2004
Posts: 48
Enthusiast
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OP
Enthusiast
Joined: Jul 2004
Posts: 48 |
I finally contacted the support staff and got clued in to what I was doing wrong. I didn't fully understand how the bar settings work. Since my bossa tunes has intro bars, and my bar settings were starting on bar one (part of the into), the settings were not taking effect during the repeated body of the tune. Once I reset the bar settings starting from bar 10 (after the intro and the beginning bar of the repeating choruses) everything worked fine. I had to experiment a little to figure out how to start the settings from bar 10. One must simply click on that bar to activate it, then open bar settings. It's too bad the help files are not more clear about this. If I get time I'll do a little instructional video on this and put it up on YouTube. I'm sure there are others who would like to do that same thing I'm doing. For a guitarist a jazz trio is about the most demanding thing one can do. Learning to cover the harmonic duties as well as improvise, and then comp for a bass solo takes a lot of practice, and BIAB gives one the ability to do that practice in just about the closest way as playing with real musicians. BIAB has been hugely beneficial to my development as an improvising musician. Here's a link to a video I've done using BIAB backing track (including a bass solo by Neil Swainson) for a Charlie Byrd type jazz trio (classical guitar, bass & drums): http://youtu.be/mo5Y8D901Ig
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Band-in-a-Box for Macintosh
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Joined: Aug 2005
Posts: 483
Journeyman
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Journeyman
Joined: Aug 2005
Posts: 483 |
I just listened to "Just too marvelous...." Very nice. I have a question-I understand what to do as far as getting from BIAB to Garageband and finishing an arrangement there BUT what is the process after garageband to getting the finished project on video as you did on Youtube?
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Band-in-a-Box for Macintosh
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Joined: Jul 2004
Posts: 48
Enthusiast
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OP
Enthusiast
Joined: Jul 2004
Posts: 48 |
Let me see if I can describe the process. First I use the DAW mode to put the individual tacks into Garageband. This gives me more control over the mix so I can set the volume of each track. I find it necessary to boost the gain on the bass solo over what BIAB itself does. When I record the video I'm listening to the playback of the backing tracks as I record my guitar and vocal, and I'm recording the guitar and vocal into the same Garageband project as I'm also recording the video. In my earlier attempts I used earbuds to listen, but I found this to be problematic for my vocal performance; I couldn't hear myself well enough singing and had some intonation problems with my vocal. But I found that simply listening to the backing tracks over my speakers solved this problem. Just turn off monitoring the actively recording tracks. And my microphones are cardioid patterned so they didn't seem to pick up too much of the playback to be a problem. My video camera is a Logitech c10 HD webcam that has its own microphone. I use Quicktime to capture the video. The draw back is Quicktime has a 720p limitation, but I have no alternative since the Logitech software doesn't work with Mavericks, and since the c10 is an old camera I know they will never upgrade the software. (With my previous computer running Lion I could get full 1080p video.) After importing the raw video into iMovie and editing the video with its beginning theme and ending graphics, I drag the completed Garageband sound file onto the video. The GB sound file then exists as an addition to the movie. You can see the wave forms of both the audio recorded from the camera, and that of the GB file. Then it's a matter of syncing up the two. This is a simple process of dragging the GB file to the left or right such that the wave forms look as though they match. Listen back. When the echo disappears (or becomes negligible) you've got it. Pull the volume line all the way down on the audio that is embedded in the video, which completely mutes it, and you are left with the Garageband audio file. Save and upload to Youtube. Hope that helps. Don't hesitate to ask if anything is unclear. Thanks for checking out my video.
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Band-in-a-Box for Macintosh
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Joined: Sep 2003
Posts: 1,082
Expert
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Expert
Joined: Sep 2003
Posts: 1,082 |
Well, Don, what can I say:
your performance is just too marvelous for words.
Cool studio. What mics are you using there ???
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Band-in-a-Box for Macintosh
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Joined: Jul 2004
Posts: 48
Enthusiast
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OP
Enthusiast
Joined: Jul 2004
Posts: 48 |
The guitar is recorded with a Rode nt1 (first generation) and the vocal with a Rode nt1a. Both are excellent mics--large diaphragm condensers--that are very reasonable. I'm running them through a Focusrite Scarlett 2i2 usb interface to my Mac mini to Garageband. The guitar is a Cordoba c10 all solid wood classical, spruce top, rosewood back and sides, and ebony fingerboard. Thanks for checking out my video and your kind comments.
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Band-in-a-Box for Macintosh
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Joined: Aug 2005
Posts: 483
Journeyman
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Journeyman
Joined: Aug 2005
Posts: 483 |
Thanks for the explanation. I've got some work to do but you've given me a good place to begin.
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Band-in-a-Box for Macintosh
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Joined: Sep 2003
Posts: 1,082
Expert
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Expert
Joined: Sep 2003
Posts: 1,082 |
Here's a link to a video I've done using BIAB backing track (including a bass solo by Neil Swainson) for a Charlie Byrd type jazz trio (classical guitar, bass & drums): http://youtu.be/mo5Y8D901Ig Any chance of you uploading to some cloud your BinaB backing track/bass solo u used in that great video ? (Incidentally, the audio track from the video is going into my iTunes library collection.)
Last edited by w; 07/14/14 09:14 PM.
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Band-in-a-Box for Macintosh
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Joined: Jul 2004
Posts: 48
Enthusiast
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OP
Enthusiast
Joined: Jul 2004
Posts: 48 |
How about this: it's a video I made on how I create these backing tracks in BIAB. http://youtu.be/gjflOiSuSdI
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Ask sales and support questions about Band-in-a-Box using natural language.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
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Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
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- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
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- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
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