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Who cares?
Multi-millionaire #1 copies the song of multimillionaire #2 and a settlement is awarded and a large amount of cash may or may not be transferred between the accounts of said multimillionaires.
Meanwhile my Spotify account paid me a penny last month!
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And what does this mean for composers who use Biab as well as for those who create styles, both midi and real tracks?
JBlatz
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As far as PGM is concerned anything you create with Biab is yours but if it infringes on a copyright then you could get hit. Very unlikely unless your song zooms to the top and the big people take notice. Otherwise you're just one of the gazillions of wannabe's who might get a few hundred hits here or there online and nobody cares.
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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That's right Bob.
You've got to worry about getting rich first. That seems to be the biggest hurdle (!)
BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
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Same for Norton Music styles. My styles are a tool, and you can use any of my styles that you legally own without ever paying royalties to me for what you create with them. Now if you use my styles to infringe on the copyright of someone else, you accept full responsibility.
Notes
Bob "Notes" Norton  Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
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As far as PGM is concerned anything you create with Biab is yours but if it infringes on a copyright then you could get hit. Very unlikely unless your song zooms to the top and the big people take notice. Otherwise you're just one of the gazillions of wannabe's who might get a few hundred hits here or there online and nobody cares.
Bob I actually like the simplicity that goes with bein' a nobody. When you read about what happens to lottery winners, and how convoluted their lives get once it becomes commonly known that they have money... what a mess! All I want out of life is ENOUGH. I don't crave luxury or fame at all... I crave peace of mind, freedom to pursue my interests without interference, enough food, and enough income to pay the bills that accompany a very frugal lifestyle. To me, that is paradise.
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Sure it's easy to say and I agree that nobody's like all of us on here don't have to care but it's bad for music. And after God and family music is what I've always loved most my whole life - regardless of fame and fortune. I love music from almost all genres. Old and new. So I care when something bizarre like this happens. Because even if I don't like a hit I hear, I respect everything it took to get there for that songwriter/artist/producer to have that hit and make those millions of dollars.
And if this stands, who's to say that next the song fingerprinting technology already in use won't become more advanced and spread way beyond Youtube. All music sites on the internet could start targeting the nobody's making music for fun too just because they used a bass chord pattern, drum groove or have a similar cowbell or something. This could be a future hassle for everybody - all nobody's having fun included.
Josie
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Sure it's easy to say and I agree that nobody's like all of us on here don't have to care but it's bad for music. And after God and family music is what I've always loved most my whole life - regardless of fame and fortune. I love music from almost all genres. Old and new. So I care when something bizarre like this happens. Because even if I don't like a hit I hear, I respect everything it took to get there for that songwriter/artist/producer to have that hit and make those millions of dollars.
And if this stands, who's to say that next the song fingerprinting technology already in use won't become more advanced and spread way beyond Youtube. All music sites on the internet could start targeting the nobody's making music for fun too just because they used a bass chord pattern, drum groove or have a similar cowbell or something. This could be a future hassle for everybody - all nobody's having fun included.
Josie
You make good points and certainly as technology gets better there is a small chance they might come after us nobodies but I just don't see that happening and I don't see this whole thing as much of anything new. George Harrison paid for copying (whether he actually did it or not) My Sweet Lord over 40 years ago and the music industry survived/thrived. Plenty of other cases where someone pinched a song and got caught. As I said, I don't care a lot about these high profile cases and doubt it will ever impact those of us who do not represent any sort of significant revenue opportunity!
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JohnJohnJohn,
We can certainly agree to disagree. In George Harrison's case at least you can hear some of the same melody from He's So Fine.
This will probably get overturned on appeal or eventually settle. One thing about making the big bucks off one song, they can defend themselves and drag it out for years.
I have some thoughts on technology but I'll save those for another discussion with songwriters another day.
Best to you,
Josie
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Chord changes cannot be copywritten so the idea that someone could own the I IV V chord progression is out. There are tons of songs based on those changes but every one of them does have a discrete melody and instrumental hooks like the guitar lick in Satisfaction for example.
Now fast forward to the last 20 years or so. Everybody over 50 has been complaining about how much the majority of modern music is all rhythm feel with minimal melody and few chord changes. How many times have we all said that it all sounds the same or close to it? That a trained monkey could come up with some of these so called songs? One bass groove droning over a loud annoying drum beat with even more annoying kindergarden level "lyrics". I have often thought that now if someone thinks someone else stole their song, how could they argue it? The only thing to argue about is the overall feel based on the rhythm tracks.
This case obviously went that way. I'm thinking (hoping?) that this will push songwriters back to the old days when song structure and melody really mattered.
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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My mother told me all my music sounded the same to her.
I suppose if I was steeped into pop music today, it wouldn't sound so 'same-ish' as it does. I'd hear the differences between songs. I just don't care to because to me most of it is pretty boring, and when I hear a heavily auto-tuned vocal, it just turns me off.
But like any generation, there are some good songs and good performances being released. I remember a lot of crap that we listened to when I was young. I think it's "Sturgeon's law -- 90% of everything is crap."
Copying a rhythm and bass line IMHO shouldn't constitute plagiarism, but I wasn't on the jury.
We do "Blurred Lines" because the women like it and want to dance to it. I guess they never listened to the words, especially the rap part, because it's very misogynistic. We change a few and omit the rap. If I were female, I wouldn't support it, but then there is a lot I don't understand about females. I suppose that works both ways too.
Here is another observation of mine, they could have copied "Got To Give It Up" note for note, melody, bass line, accompaniment and all, changed the words to make it a parody, and it would have been free and "Fair Use".
As far as I'm concerned, since "Blurred Lines" in no way infringed on the profitability of "Got To Give It Up", nothing tangible was actually stolen, and the lawsuit should have never been filed.
But I don't make the laws. And this might make it a bit harder for some to follow the laws.
Insights and incites by Notes
Bob "Notes" Norton Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
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These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
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- Look Ma! More MIDI 13: Country & Americana
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- MIDI SuperTracks Set 44: Jazz Piano
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We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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