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Forum des Utilisateurs Français de Band-in-a-Box
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Joined: Apr 2015
Posts: 3
Newbie
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OP
Newbie
Joined: Apr 2015
Posts: 3 |
Bonjour,
J'ai découvert BIAB 2014 et je suis fasciné par ses possibilités.
Je travaille également avec Cubase.
En fait, je voudrais créer un morceau MIDI avec Cubase, l'exporter vers BIAB pour profiter des styles et des RealTracks. Sauvegarder. Exporter à nouveau dans Cubase. Je l'ai fait et ça marche. Mais la piste créée dans Cubase contient toutes les pistes du style (bass, batterie, etc). Je voudrais les obtenir sur des pistes séparées dans Cubase. Est-ce possible? Une manip spéciale à l'export?
Merci d'avance.
Gad
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Forum des Utilisateurs Français de Band-in-a-Box
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Joined: Dec 2013
Posts: 293
Apprentice
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Apprentice
Joined: Dec 2013
Posts: 293 |
Bonsoir, n'ayant pas Cubase, je réponds avec les réserves qui s'imposent ... Créer un morceau midi tout en profitant des styles BIAB + Realtracks/Realdrums, sur des pistes séparées, n'est possible que sous la forme de fichiers spécifiques BIAB (SGU/MGU). L'exportation d'un tel morceau vers un logiciel "étranger" (autre que BIAB ou Realband) ne pourra se faire à priori, qu'avec des pistes regroupées dans un format unique classique (wav, mp3, ...) Je pense que la solution pourrait être d'exporter séparément chaque piste dans son format adapté (midi, Wave) et de les synchroniser dans Cubase. Si un utilisateur de BIAB + Cubase passe par là, il aura certainement un conseil plus complet à te donner ...  Cordialement boowoo3
Last edited by boowoo3; 04/17/15 09:23 AM.
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Forum des Utilisateurs Français de Band-in-a-Box
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Joined: Apr 2015
Posts: 3
Newbie
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OP
Newbie
Joined: Apr 2015
Posts: 3 |
Merci Boowoo3.
J'attends "l'utilisateur de BIAB + Cubase qui passe par là".
Mais je vais essayer tout de même l'export piste à piste.
Cdlmt
Gad
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Forum des Utilisateurs Français de Band-in-a-Box
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Joined: Apr 2015
Posts: 3
Newbie
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OP
Newbie
Joined: Apr 2015
Posts: 3 |
Bonjour,
En fait j'ai trouvé la solution.
A la préparation de l'export en WAV (de BIAB vers Cubase), quand on veut n'exporter qu'une seule pîste, il ne faut pas cliquer sur Mute (qui ne désactive que l'écoute), mais il faut cliquer sur geler (le glaçon), 3ème à droite sur chaque piste. Et là, SUPER!!!
J'ai donc réalisé mon rêve:
- 1°) partir d'une piste MIDI de Cubase
- 2°) l'importer en MIDI sur BIAB
- 3°) la travailler avec des RealTracks/ Drums, etc (les sons extra de BIAB)
- 4°) exporter chaque piste du style en WAV (c'est un peu long, mais ça vaut le coup)
- 5°) récupérer les WAV sur Cubase de façon à les caler et les mixer avec le reste.
Le rendu est fabuleux: guitare électrique, contrebasse, balais super humains, super naturels. Ca sonne tout de suite et ça donne une autre classe aux maquettes.
Encore merci à BooWoo3.
Cordialement.
Gad
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Forum des Utilisateurs Français de Band-in-a-Box
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Joined: Dec 2008
Posts: 110
Apprentice
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Apprentice
Joined: Dec 2008
Posts: 110 |
J'utilise moi aussi les deux logiciels, mais face aux limitations de BIAB, je me contente d'exporter les pistes depuis BIAB vers Cubase en audio et/ou MIDI une fois que mon travail de programmation est terminé dans ce logiciel.
Le mode Plugin de BIAB étant une vaste blague, j suis obligé de me contenter de ça en espérant un jour voir PG se décider à développer un veritable mode Plugin permettant, par exemple, d'ouvrir BIAB "DANS" Cubase sous forme de plugin VST, ou, à défaut, d'implémenter une technologie de synchronisation type Rewire de Proppelerhead.
En attendant, on est obligé, soit de se satisfaire d'un travail distinct sur les deux logiciels, soit de se tourner vers Real Band qui n'est clairement pas la panacée face à Cubase...
Sorry for my bad English. I'm from France...
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Forum des Utilisateurs Français de Band-in-a-Box
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Joined: Dec 2008
Posts: 110
Apprentice
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Apprentice
Joined: Dec 2008
Posts: 110 |
Pour préciser un peu ma façon de faire:
Cubase reste mon logiciel principal depuis 1987 (dur de changer d'habitudes dans ces condition)...
De fait, j'y enregistres toutes mes pistes instrumentales et/ou vocales. Mais généralement, je pars d'une idée mélodique de base et d'une grille d'accords de base plus ou moins avancée selon mes besoins.
Une fois que j'ai la trame harmonique de base (merci à la piste ACCORDS de Cubase qui fait gagner énormément de temps m^m si perfectible), j'exporte ma piste mélodique avec ses éventuelles pistes d'harmonisation (guitares à la tierce, quinte, ou autre, ou choeurs, etc...) en WAVE, puis, j'ouvre un nouveau projet BIAB dont je règle le tempo à l'identique, avant d'y importer la piste WAVE en question. A partir de là, je vérifie le calage du tempo, j'apporte les éventuelles modifications de tempo et de signatures rythmiques, ainsi que les changements de clefs, et je place les changements de parties en respectant ma structure "à plat", c'est à dire que j'ai abandonné l'idée d'utiliser les fonctions de direction (reprises, coda, etc...) de BIAB qui ne fonctionnent pas toujours à la perfection et tendent à rendre le projet chaotique.
Ensuite, je charge un style d'accompagnement simple, genre "FEUDECAMP" pour peaufiner la grille d'accords, et ajouter les éventuelles pêches, anticipations, silences, bref, les breaks. Une fois que je suis satisfait, j'explore les différents styles en plaçant certaines pistes en solo car il arrive qu'une piste d'une style donné (par exemple Raggae) fonctionne bien dans un arrangement d'un autre style (hard-rock ou autre).
Du coup, il m'arrive souvent de "sauvegarder sous" différents noms de manière à récupérer facilement les pistes diverses qui m'intéressent.
Il m'arrive en effet souvent de récupérer sous Cubase jusqu'à 12 ou 15 pistes de BIAB uniquement pour les instruments non-percussifs.
Pour récupérer les pistes, j'utilise la fonction "Mode Plugin" dont le seul intérêt réside dans le fait de pouvoir drag&droper les pistes de BIAB soit directement dans la fenêtre principale de Cubase, soit dans un dossier de Windows.
Dans tous les cas, je récupère le tout sur Cubase, et là, je monte ce que je veux en conserver en coupant certaines pistes du les couplets ou en les conservant sur les refrains etc...
Comme je suis guitariste, les pistes de guitare que je récupère de BIAB, je les retravaille pour les jouer moi m^m autant que faire se peut.
Ensuite, je mixe et je fais mes prises finales sous Cubase le cas échéant.
Si BIAB offrait le mode Plugin VST ou REWIRE dont je rêve, on pourrait alors faire tourner les deux logiciels ensemble et gagner un temps fou ainsi que des capacités de mixage accrues. Il suffit de voir les possibilités du couple Cubase/Reason pour s'en convaincre.
En espérant t'avoir un peu aidé.
Sorry for my bad English. I'm from France...
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
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Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
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