SOOOO true! This applies to every person involved with the song. There are songs that call for "busy-ness". Most songs don't though.
The discipline in my opinion is stripping everything down to the essential. That is SO hard to do. It's about what the song needs, not what the ego needs. It doesn't matter if it's drum, guitar, flute, lyrics...it all applies.
I know with my own postings in drumming recently, I have some overplaying on purpose. That is because these are not songs, but testing the software, and sounds choices.
Thanks for the posting. It's great to hear things like this!
Chad (Hope that makes it easier)
TEMPO TANTRUM: What a lead singer has when they can't stay in time.
I watched the video and was pleasantly surprised by the drummers stance.
I've always thought that a drummer should keep the beat and never draw attention to themselves. If someone listens to a song and thinks "that drummer is great!", then the drummer is probably doing it wrong.
Did anyone else think it odd how much more applause he got after "good drums?" It's almost like they got the point and missed it at the same time. Or just missed it?
I have a regular "gig" at a local beach, actually outside the surf club, where a bunch of us get together to play some jazz - we don't get paid, but there is a donation bucket for the surf club that goes out.
Until recently when he decided he'd had enough (not gettin' any younger you know) I had the privilege of playing with one of the finest drummers I've ever heard and who was part of this little group.
His tempo is rock solid, understands jazz.., understands DYNAMICS, communicates well; especially with the bass player, knows that less is more, doesn't over play, doesn't under play... everything you could want - I'm really sorry he's pulled out
--=-- My credo: If it's worth doing, it's worth overdoing - just ask my missus, she'll tell ya --=--
Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
Band-in-a-Box 2025 für Windows Deutsch ist verfügbar!
Die deutsche Version Band-in-a-Box® 2025 für Windows ist ab sofort verfügbar!
Alle die bereits die englische Version von Band-in-a-Box und RealBand 2024 installiert haben, finden hier die Installationsdateien für das Sprachenupdate:
Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!
Already using Band-in-a-Box 2025 for Windows®? Download Build 1128 now from our Support Page to enjoy the latest enhancements and improvements from our team.
Already using RealBand® 2025 for Windows®? Download Build 5 now from our Support Page to ensure you have the latest enhancements and improvements from our team.
PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!
First-time packages start at only $49. Already a PowerTracks Pro Audio user? Upgrade for as little as $29!
Video: Summary of the New Band-in-a-Box® App for iOS®
Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.
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