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#18158 03/27/09 10:37 AM
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I just got BIAB/Real band and love it. I'm amazed how quickly you can make good backing tracks!

Right now I play solo guitar/vocal gigs. I should be able to put together a nice selection of backing tracks for my busy gigging season (May-Oct). Here is my question...What should I use for playing backing tracks through my PA? I considered a laptop, but worry about crashes, and computer reliability on the road.
Should I copy tracks to a CD, and use a CD player? How about a MP#, such as an iPod?: would the quality be good enough?

Thanks
Brian

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Welcome to the forum Brian.

You will get as many variations for live play setup as we have members on the forum, with all of them working just fine for each respondent. I guess the best answer I can give you is to take into consideration what everyone else is using (as varied as they may be) then choose what you feel will work best for you.

Personally I go the simply route, BIAB via IBM Thinkpad laptop earphone jack right into the stereo jacks of my Yamaha PA System. I also use a Roland Cube powered monitor, which is built into the rack where the PA Head sits. I have done and continue to do many gigs with this setup since I started using BIAB and (not looking for a jinx here) I have never had one single issue with this setup.

If you would like to see my setup just send me a PM and I will email you photos.

Later,

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Here is my setup at the present.I've made stereo .wav files to CD for the "just in Case" I'll explain what I do for recording and then for live. First the equipment.
1. Toshiba laptop with RealTech built in card
2. Audigy2ZS Notebook card in the pcmcia slot
3. Behringer 802 mixer. Has 2 Mic channels, 2 stereo line channels, 1 aux send, 1 stereo aux return.
WDM drivers no ASIO
Now the cabling. Stays the same for both.
1. Mic in Mic #1
2. Bass in Mic #2 with DI
3. Headphone out from RealTech to Stereo Channel 5/6
4. Line out from Audigy to Stereo aux return
5. Aux send to line in on Audigy.

Real Band Audio Setup:
1. Output Driver Real Tech
2. Input Driver Audidgy

PFL the Mic channel to get a good signal on the mixer. Do the same with any other input my case bass. This applies to both scenarios.
Recording:
Note: Your headphones are plugged into the mixer!
1. Select the track you want to record
2. open the view meters
3. Using the Aux send for the channel keep turning up until you have a good signal. Some yellow. NO RED
4. I set the recording in the Audidgy to Line In
5. I enable effects in the Audidgy
6. I adjust the Aux return on the mixer until I get just a little effects.
7. Make sure the music is at a comfortable level and matches the vocal input
8. Hit record audio and sing away
This setup lets you monitor your vocals with effects but records dry as it should be.

For live playing my setup anyway.
The audidgy now is used as an effects unit.
1.Turn off effects in the Audidgy.
2. Open Sonar with 1 Audio track.
3. Insert the Lexicon reverb in the track, choose your reverb and set to be totally wet
4. Arm the track.
5. Adjust the Aux send and return as you would with any effects unit.
I do it this way as I can have a nice Lexicon reverb unit in software. There is no latency that you can here.
This also lets my live setup be just:
1. Computer
2. Mixer
3. Bass
4. Mic
5. Speakers


John
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I've been using an IBM think pad since 2002. I bought a cheap, used spare and I've only needed it once. The hard drive on my main Think Pad started making a grinding noise (sure sign it was going to fail) so I cranked up the spare. I replaced the HD the next day and it's been playing ever since.

And I play music for a living, doing one-nighters. So the ThinkPad bounces around on a keyboard stand a few times per week, gets hauled around in the van twice as many times (to and from the gig), sometimes plays outdoors where it is hot, or indoors where it can be very cool, and has outlasted a couple of iPods that I use to play tunes in the car. Whatever you use you need a spare, and IMHO using the computer is the easiest way to go. And I've tried everything from feeding disks into a player to using the computer.

Whether it is an iPod or computer, sooner or later the hard drive will fail. Even a CD player will eventually go (the laser on my home CD player got weak, and it cost more to replace the unit than to replace the laser).

Here is my setup
1) IBM ThinkPad with over 500 .mp3 files that I made myself
2) Edirol USB-Audio interface
3) Samson Mixer
4) BBW Sonic Maximizer
5) QSC Amp
6) Carvin Speakers

The full instructions on how I make and use the backing tracks on stage can be accessed here http://www.nortonmusic.com/backing_tracks.html

It's a bit long and many here have read it already, so rather than re-typing each time someone asks, I've written the web page. Feel free to link to it if you find it worthy.

It's also the result of years of experience, I've been in a sequenced duo since 1985 and this is the easiest and most reliable method I've found.

Insights and incites by Notes


Bob "Notes" Norton smile Norton Music
https://www.nortonmusic.com

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& Fake Disks for MIDI and/or RealTracks
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I do not play out often, but when i do i use a laptop as well, a Compac older one, 80 gig drive. and an external drive with the songs and programs on it 320 gig. I use a four channel 60 watt Kustom PA with two 10 inch cabs, and one or two small powered monitors placed where i need. I have about 50 songs so far and growning all the time. Plug my guitars into the Kustom adjust the levels andd a touch of reverb and let 'er rip.

Once in a while i add a small mixer if the PA head is to far away. Next purchase will be a harmonizer, a TC helicon harmony G for backup, and a second pair of speakers, most likely 12" this time and turn the 10s into monitors. Then later upgrade the PA head into a 200 watt 8 channel.

I did play a outside show earlier this year with a four guest performers invited up from the audience, and we had about 120 in the audience, and the 60 watt head was plenty for our needs.

Funny i bought the Kustom on a whim a few years back just cause it was on sale for $150 for the head and two speakers, and i have used it now for about 9 years with no issues. A nice investment for fun!


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I play several nights each week using a new Dell M1530 laptop. Had nothing but trouble until Dell installed new audio and video drivers. Now, everything seems to be working OK with BIAB 2009. At least the snap, crackle, and pops are gone. One point about laptops, if you use the earphone output into the PA, consider a laptop that has the output on the side or back. Mine's on the front which gets in the way of using the pad. What an inconvenience. I've tried the iPod and CD players as well in live play. Guess I prefer the laptop, since I like to see the chords and lyrics scrolling in BIAB. BIAB sounds great into the Bose Model II setup. However, my preference in sound is my stereo Yamaha head into powered speakers. It's nice to have options.

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I prefer a USB to Audio connection to the earphone jack because it sounds better. The earphone jack has less bandwidth than the USB-Audio connection. So using USB you get more high and low frequencies.

I heard an engineer at a recording studio I am on the call list for call the headphone jack "telephone quality" and the USB-Audio interface "audiophile quality".

That might be an exaggeration, but I can hear the difference on my PA set.

Insights and incites by Notes


Bob "Notes" Norton smile Norton Music
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I have a very old creative mp3+ usb goes to a box with a volume knob and rca jacks and mini jacks. It has worked with every setup I've had. The Sony laptop had the audio jack out the front and if I touched it while fooling with the mouse it cracked so loud people jumped.

The other advantage is that if you use a Dxi syth the sound output goes to the box and you can plug in headphones and listen and use the mixer for sound back into band in a box for recording.


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Quote:

I prefer a USB to Audio connection to the earphone jack because it sounds better. The earphone jack has less bandwidth than the USB-Audio connection. So using USB you get more high and low frequencies.

I heard an engineer at a recording studio I am on the call list for call the headphone jack "telephone quality" and the USB-Audio interface "audiophile quality".

That might be an exaggeration, but I can hear the difference on my PA set.

Insights and incites by Notes




Will BIAB play through USB out on a PC laptop? Would like to know how to do that. Thanks, Ray


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USB output would require the purchase, installation and use of a USB Audio Device.

Time and technology have marched on.

The old adage about laptop soundcards not being up to snuff has outlived technology, especially as far as the output side of things is concerned.

The general public has expressed such consumer interest in the playback of media files, DVDs especially, which utilize 96KHz samplerate, that the DACs and output circuitry in today's laptops (and even desktops with built in sound) is actually very good indeed. Certainly usable for live performance with BIAB thru your PA.

Rcording is another issue. The laptop and desktop builtin soundcards have not caught up in that regard, their INputs are still rather noisy in nature, the A to D converters not up to the task and if you are contemplating doing multitrack recording you should look into an aftermarket soundcard solution such as the aforementioned USB Sound Devices available today.

I use the built in soundcard of my laptop and the earphone output as Line Out to PA in live performance and it works very well. My laptop is a three year old HP business laptop. Just be sure to turn the Master Fader and Wav fader of the soundcard's software mixer applet up all the way and use proper stereo adaptors to plug into a line input on your PA. Adjust levels at the PA using hard knobs, not in the software mixer. This is because an Audio Line should be *driven* for best signal to noise ratio and full sound.



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Mac #18168 03/28/09 10:05 AM
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I've totally converted to RB. This is my screen layout. First audio track is drums cause I'm a bass player. 2nd audio track is solos. Verses are blue & choruses are green but so are solos so I can see when the solo is. Chord sheet & words. Good setup for us old guys.


John
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Quote:



Will BIAB play through USB out on a PC laptop? Would like to know how to do that. Thanks, Ray




Definitely yes.

It's plug-and-play. If any adjustment is needed, go to your Control Panel, choose Sounds And Audio Devices, click the Audio tab and make sure the interface is selected. In my system I find that if I plug the USB-Audio interface in before I turn on the computer, I don't have to go to the control panel at all.

And another advantage to USB-Audio interface is there is no static that can happen when the audio jack into the sound card is moved.

On stage I use the very bottom-of-the-line Edirol USB-Audio interface. My PA is very high fidelity with very good speakers. I can hear the difference between USB-Audio and the sound card jack (and my ears are slightly damaged). Admittedly the difference is minor, but for a less than $100 piece of equipment that has served me reliably for years, it is to me a worthy investment.

But then music is my product, and I want it to sound as good as I am capable of making it sound. If all the little things I do to improve my product add up to making me sound better than the competition, I stand a better chance of getting the gig in a competitive market.

Insights and incites by Notes


Bob "Notes" Norton smile Norton Music
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Silvertone, you have a PM.

Later,

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Silvertones, why not use the chords and lyrics window it can fill the screen from below the controls. and you do not have to split the screens up and have those small little boxes. Just thinkin out oud here?!


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I burnt Biab files onto a cd and use a cd player. I have an 8 measure intro for each song and that's enough time for me to get ready for the next tune. The downside is that someone asks for a request I have to stop everything to find it. I'm usually just doing back ground music so it's not that big a deal. For a dance gig I'd want something more flexible.


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I find entering lyrics tedious and have never been successfull at it. I prefer this arrangement.


John
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Quote:

I burnt Biab files onto a cd and use a cd player. I have an 8 measure intro for each song and that's enough time for me to get ready for the next tune. The downside is that someone asks for a request I have to stop everything to find it. I'm usually just doing back ground music so it's not that big a deal. For a dance gig I'd want something more flexible.




That's the up-side of using a computer. I can get any one of my 500+ songs up in less than 3 seconds. So if someone comes up and lays a $20.00 bill on me and says, "Can you play a Waltz Across Texas" (or anything else we know) I can do it immediately.

Plus I can go from song to song seamlessly, and I can decide what song to play next 5 seconds before the present song ends and still get to the next song with no dead air between the songs.

The technique is simple and explained at http://www.nortonmusic.com/backing_tracks.html

Insights and incites by Notes


Bob "Notes" Norton smile Norton Music
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Makes sense, the lyrics are slow, i mostly search until i find a .kar file and it has the lyrics with it and i start with that for cover songs, for originals i do not input the lyrics. There are tons of midi files but the .kars are growing as well, i have downloaded about 200 so far and still adding as i find them available. RB makes it so easy, the chords and lyrics appear and all i have to do is a little chord cleanup, and work the midi tracks over, andd a RT or two and let 'er rip. I have scrolling lyrics and chords for my silly bad memory thing. ..... what were we talking about?


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Many years ago I tried biab on a Win98 laptop onstage. Didn't like it. Later I burned CDs
and used a discman-type player with a footswitch hardwired into the pause function.
A little better, but what stress having to worry about pausing it just at the right time
at the end of a song. Recently I bought a Stanton S.352 DJ CD player ($90), and I love
it. It's a big ugly black box with a big CUE button front and center. Song plays then
stops and waits. I talk to audience then reach back and hit the button, and it's off to
the races with the next tune. No thinking or breaking the flow.

The obvious drawback is that there's no random access, but for now I'm fine with a
predetermined setlist. Besides, I don't work in the same town as Bob Norton, so I
don't have to sweat the competition.

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I'm a big believer in the KISS principle - Keep It Simple Stupid. I only use BIAB live. Here's how I'm set up -

BIAB on an old(er) Mac laptop.
USB to MIDI adaptor connected to Yamaha MM6 keyboard.
Realtime playing through a second keyboard.
Both keyboards run through a Peavy KB400 keyboard mixer/power amp - 400 watt power amp to a JBL4612 speaker.
PB400 output is also sent to the sound system

I have over 300 arrangements in the Mac. I can get to any song with 2 mouse clicks.

You can hear (and see) what this sounds like here - http://www.lovesongband.com


Dru

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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!

We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!

We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!

If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!

Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!

Learn more and listen to demos of XPro Styles PAKs.

Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!

XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support

Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.

Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support

Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins

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