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Recording, Mixing, Performance and Production
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What are you using to balance the levels on backing tracks for consistency. I'd like to set the level once at mixer during sound check and not have to mess with it during performance. I use Ozone in the final mixdown. I just wondered if there was any type of program that would balance the outputs in a bulk manner?
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What are you using to balance the levels on backing tracks for consistency. I'd like to set the level once at mixer during sound check and not have to mess with it during performance. I use Ozone in the final mixdown. I just wondered if there was any type of program that would balance the outputs in a bulk manner? As a starting point, I use Wavelab to set all peaks at -4dB. However, that doesn't account for the differing dynamics between songs. For that, you have to use your ears. Regards, Bob
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Recording, Mixing, Performance and Production
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Joined: Jul 2015
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I think I can do that in Ozone as well if I use the same preset.....since it is the last thing in the chain should get it close. What I have done in the past is use headphones and set a volume level then play each one and see if I feel like I need to turn up or down and make notes on which ones to adjust. I didn't know if there was anything out there that would automate the process. Thanks
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Recording, Mixing, Performance and Production
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Nothing works as good as your own ears. Many reasons for this, one is because you wouldn't actually WANT a ballad to be the exact same volume as a power piece. It's all part of the show. Part of a good show is taking an audience up/down .. otherwise there is no 'up'.
I do not work here, but the benefits are still awesome Make your sound your own!
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Recording, Mixing, Performance and Production
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Ditto... that's why they put volume knobs on amps.
If you shoot for a consistent average level, you shouldn't have to grab the volume knob.
Notice as you listen to the radio, the songs from the hard hitting rockers to the soft ballads are all fairly consistent. It's rare that you really need to turn up or down.
I simply record with the meters barely touching the red in my DAW.... from the tracks to the sub buss to the master buss.... keep them clean and green. I export to a wave and run it through a wave editor to normalize the file to around, but less than 100%. That's where all my songs are setting. I find that is generally, sufficiently loud. People can always crank the volume knob a bit more if they want. As I play the music back on my MP3 player, I do not have to adjust the volume between the softer tunes and the rockers.
So..... it must be working OK.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Recording, Mixing, Performance and Production
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Joined: Jul 2015
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Sounds like doing it the same way as I have been is probably correct. I have been doing quick mixes straight from Real Band and they are fine for practice but for performance I will take more time with the final mix and then do comparisons with other backing tracks......just hoping there was a magic tool out there.
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....just hoping there was a magic tool out there. There is. Your well trained ears. EDIT: Go here and get this e-book>>>> http://www.thevintagemusician.com/download/how-to-get-the-ears-of-a-producer/use the password happilysubscribed or register and get your own PW.... this might help point you in the right direction.
Last edited by Guitarhacker; 11/22/15 05:30 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Recording, Mixing, Performance and Production
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My ears are getting old and need some reassurance 
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As far as what you hear on commercial radio, each station applies their own compression. They will squeeze the life out of any song that isn't as loud as their loudest, so you don't have to adjust the volume on your radio. You will lose dynamic range, and there is nothing you can do about it, so there is no need to mix for radio airplay.
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Recording, Mixing, Performance and Production
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My ears are getting old and need some reassurance That's what the user showcase forum can be used for. Simply ask for detailed crits on specific areas of the song, mix, production. We have several folks here who can and will give you more details than you probably want to hear. I used this very method in another forum to learn the things I have learned. Let others with sharp ears, observational skills, and more experience than you, point out issues or confirm your own suspicions. More than once I heard something in one of my mixes, thought it wasn't a big deal and didn't need fixing. And that was the very thing multiple people pointed out that needed to be addressed. Having others review your songs and production keeps you from getting sloppy and lazy. Everyone likes the reviews that say "Hey, great job" .... but the ones I value the most are the ones that point out things that I either missed or tried to sweep under the rug. I don't grow in my skills with pats on the back.... I grow when I'm confronted by the things I didn't do to my best ability.
Last edited by Guitarhacker; 11/22/15 06:01 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Recording, Mixing, Performance and Production
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Joined: Jul 2015
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I didn't think we could do anything with cover tunes here. I've been mixing for years but as you get older your frequencies get diminished. Mainly I want to get each song to a relative level that works. I'll check out the site.....never too old to learn.
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Recording, Mixing, Performance and Production
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Joined: Apr 2009
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I didn't think we could do anything with cover tunes here. I've been mixing for years but as you get older your frequencies get diminished. Mainly I want to get each song to a relative level that works. I'll check out the site.....never too old to learn. You can post cover tunes if you have paid for the licensing rights. Some folks here do that. It's recommended that you also post the license number so the mods will be OK with the cover and know it's legal.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Thank you, Herb. I downloaded the producing doc. Good stuff for a novice like me to see.
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In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
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Learn more and listen to demos of XPro Styles PAKs.
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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