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Please add an more chord options to Band-in-a-Box. Please add the following chord options:
add9
maj7b3
sus4
sus2
7sus4
7sus2
7add9
add2
9sus2
9sus4
chord/chord
and more
It is really important that I have the option to have both a sus2 and a sus4 plus the extensions of the suspended cords. Also what I mean by chord/chord is when you want to add a chord that doesn't necessarily follow a traditional chord structure. Ex: D7/Bm
Computer: Macbook Pro, 16 inch 2021
DAWs: Pro Tools, Logic, and Maschine
plays drums, percussion, bass, steel pan, keyboard,
music producer/engineer
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All of those are already in BIAB. The list below is from the manual
Major Chords
C, Cmaj, C6, Cmaj7, Cmaj9, Cmaj13, C69, Cmaj7#5, C5b, Caug, C+, Cmaj9#11, Cmaj13#11
Minor Chords
Cm, Cm6, Cm7, Cm9, Cm11, Cm13, Cmaug, Cm#5, CmMaj7
Half diminished
Cm7b5,
Diminished
Cdim, Cdim5, Cdim7 (Note: see setting in Display Optionsfor Cdim treatment.)
Dominant 7th Chords
C7, 7+, C9+, C13+, C13, C7b13, C7#11, C13#11, C7#11b13, C9,
C9b13, C9#11, C13#11, C9#11b13, C7b9, C13b9, C7b9b13, C7b9#11,
C13b9#11, C7b9#11b13, C7#9, C13#9, C7#9b13, C9#11, C13#9#11, C7#9#11b13
C7b5, C13b5, C7b5b13, C9b5, C9b5b13, C7b5b9, C13b5b9, C7b5b9b13,
C7b5#9, C13b5#9, C7b5#9b13, C7#5, C13#5, C7#5#11, C13#5#11, C9#5,
C9#5#11, C7#5b9, C13#5b9, C7#5b9#11, C13#5b9#11, C7#5#9, C13#5#9#11,
C7#5#9#11, C13#5#9#11
Suspended 4 Chords
Csus, C7sus, C9sus,
C13sus, C7susb13, C7sus#11, C13sus#11, C7sus#11b13, C9susb13, C9sus#11, C13sus#11, C9sus#11b13, C7susb9, C13susb9, C7susb9b13, C7susb9#11,
C13susb9#11, C7susb9#11b13, C7sus#9, C13sus#9, C7sus#9b13, C9sus#11, C13sus#9#11, C7sus#9#11b13,
C7susb5, C13susb5, C7susb5b13, C9susb5, C9susb5b13, C7susb5b9,
C13susb5b9, C7susb5b9b13, C7susb5#9, C13susb5#9, C7susb5#9b13,
C7sus#5, C13sus#5, C7sus#5#11, C13sus#5#11, C9sus#5, C9sus#5#11, C7sus#5b9, C13sus#5b9, C7sus#5b9#11, C13sus#5b9#11, C7sus#5#9, C13sus#5#9#11, C7sus#5#9#11, C13sus#5#9#11,
Add 2 Chords
Cadd2, Cmadd2
Notes:
- It is not necessary to type upper or lower case. For example type c6 to get the C6 chord. You should never have to use the Shift key, as Band-in-a-Box will sort this out for you.
- Any chord may be entered with an alternate root ("Slash Chord") e.g.: C7/E = C7 with E bass.
- Separate chords with commas to enter 2 chords in a 2 beat cell, e.g., Dm, G7.
- Use the letter B for a flat; e.g., Bb7
- Use # or 3 for a sharp; e.g., F#7. The pound sign (#) is the uppercase symbol of 3, so you can actually type f37 to get F#7. Band-in-a-Box will sort out the case, saving you the effort of using Shift+3 to type the # symbol.
- Use "=" for "+"; the program automatically converts "=" to "+" so that chords like C+7 can be entered without using the shift key.
- You can type C-7 for Cm7 (i.e. use the minus sign) or C7-9 for C7b9.
Tricky Chords:
C5b This is "C flat 5." It is spelled this way to avoid confusion.
C2, C5, C4, C69, C7alt, Cm7#5
Shortcut Chords:
If you enter a lot of songs, you'll appreciate these shortcut keys.
J = Maj7
H = m7b5 (H stands for Half diminished)
D = dim
S = Sus
Example: To type CMaj7, just type cj (it will be entered as CMaj7).
Add your own chord shortcuts.
Have you found a chord that Band-in-a-Box doesn't recognize? If so, add it to the chord shortcuts file, and Band-in-a-Box will allow you to type in that chord in the future. This also lets you define chord "shortcuts," one-letter abbreviations for longer chord names ("J" for "Maj7" etc.). If you find a chord that Band-in-a-Box won't accept like Csus2, when it expects C2 instead you can enter this on a single line (without the quotes) "Csus2@C2." Then Band-in-a-Box will enter the chord C2 if you type in Csus 2.
The text file c:\bb\Shortcut.txt allows you to add new chord shortcuts. Note that this file doesn't ship with Band-in-a-Box (or it would overwrite your file!). The file \bb\pgshortc.txt for shortcuts is supplied by PG Music. You can add your own shortcuts in a text file you make yourself and name \bb\shortcut.txt.
Asus Q500A i7 Win 10 64 bit 8GB ram 750 HD 15.5" touch screen, BIAB 2017, Casio PX 5s, Xw P1, Center Point Stereo SS V3 and EWI 4000s.
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good answer but still you can't do Minor sus other than cheating by doing Am/d or other oddball quartal chords, and you can't identify a parent scale like melodic minor, some times you can cheat to get the desired results like ab minor maj7/G for 7th mode of melodic minor for g7 chord but in other cases you can't, also there are rootless chords (bill evans, allan holdsworth) if you want to do them you have delete the biab tracks and create your own.
I had to come up with my own algorithms
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Islansoul, there are two entries in your list that bear special attention.
The last one, chord/chord, is called a polychord. It is not supported in BIAB and makes a good Wishlist request.
There is also your entry, maj7b3. That is supported in BIAB in this form: mMaj7.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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A min sus chord can be written Xm11, if you don't care about the 7th and 9th being in there. As you can see from the list most of the chords you want are there. Ray
Asus Q500A i7 Win 10 64 bit 8GB ram 750 HD 15.5" touch screen, BIAB 2017, Casio PX 5s, Xw P1, Center Point Stereo SS V3 and EWI 4000s.
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yeah good point, I guess i lived in the Mick Goodrick world of harmony too long, he uses lots of chords with just 4th and not the 7th and 9th, but yes this is not standard usage, so not a big deal for most people
but if you trying to do very good voice leading it is major problem
and yes hexatonic harmony (triad over triad) would be awesome
i would think this would be simple
but again U would need to change interface (to pick base note)
and also i think the restriction to only allow triad/triad with no over lapping notes would be in order
Also one more point, lets say biab supported triad/triad you type in am/bm
This is ambiguous, it could imply key of Gmaj or key of C melodic minor
So this why I support the idea of allowing the assignment of parent scale
How will the soloist know what to play?
Last edited by sonicBling; 01/27/16 06:53 PM.
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Yes but which one is melodic or harmonic minor the maj7 minor chord that is in harmonic major scale (sorry i for get which chord maybe the 4th)
biab sort sucks at some things, yeah in terms of the chord it doesn't matter much what the parent scale is.
But for solo or melody it matters.
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Islansoul,
Just in case you don't already know this....
You find all the different chords that PG Music supports if you have a look at Chord Builder.
Regards,
Noel
MY SONGS...Audiophile BIAB 2026
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If you want to work in MIDI you can change and/or delete notes as well as change inversions and voicings. I do this all of the time.
Life is short so make sure you spend as much time as possible on the Internet arguing with strangers.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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yes i still use version 12 and have never used real tracks
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One of the ways you can customise chord voicings quickly is to output a chord track to the melody or soloist channel and then use the melody menu convert all the patterns to C7. Make sure your chord track covers all the chord types to bring out any special voicings for sus, alt 7th or min7b5 chords etc.
Converting all of them to C7 in the melody channel will get rid of embellishments or added notes embedded in the patterns in one go. It will also render any macro patterns that used to reside on a single note available for editing.
Then you can then do one of three things.
1 Reimport all the patterns to a copy of the style from the melody channel. From the stylemaker select the velocity command and get it to target specific midi notes..say Bb on midi notes 46 58 and 70 for example if you want to get rid of 7ths. Turn down the velocity on each of these to kill the 7ths from playback. Then make sure that embellishments are turned off for the whole instrument by setting them to 0.
2 Or you can output the track to a sequencer or DAW with a Mapper function. There you can select all occurrences of say a 3rd (E) by its midi note number. ( most likely 52 64 76 etc)and map it to another note of your choice.
Save then reimport the patterns directly from the midi track back to the BIAB style without using the style wizard.
3 Or once you've converted all the patterns to C7 select a low root melody harmony. Adjust the octave range. Then to add a note to each of the patterns in one go simply type in the name of the note you want to add in a new chord sheet (with the piano chords still there in the melody channel). On playback that one note will be added in the range of your choice.
Save and reimport as before making sure you turn off embellishments to zero in the stylemaker.
These methods should go a long way to giving you any voicing you desire.
One thing I like to do is strip all voicings down to a root and a 7th plus with a doubled root on octave C3. You can then get a row of three seconds in a chord by typing C7/A or Cmaj7/Bb for a dissonant sound. You can then use the procedure in 3 mentioned above to add another note to that.
Alan
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On the subject of chords that BB doesn't recognize I have noticed I can't input a Maj7b5. e.g. Cmaj7b5 is not recognized which means I have to input Cmaj7/gb which, technically, has the same notes but I don't want the b5 at the bottom. Any suggestions ???
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CMaj7b5 works fine for me. What version of BIAB do you have?
If you're doing jazz, you can also try Cmaj9#11
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Hi Matt. I have BB 2015 for Mac and there's no way the b5 will be recognized with a maj7. Appreciate the tip though and will try it. Thanks.
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Perhaps the update to version 2016 for Mac will fix this. To ensure PG Music knows, I suggest you start a new thread requesting support for this chord, mention Mac in the title, and point out that the Windows version supports it.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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What poly chords would you be writing? G7/E7 would be written G13b9 for example.
Asus Q500A i7 Win 10 64 bit 8GB ram 750 HD 15.5" touch screen, BIAB 2017, Casio PX 5s, Xw P1, Center Point Stereo SS V3 and EWI 4000s.
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Ray, you confused me on that one. I'm not a pianist but wouldn't E7/G7 make G13b9?
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Yes. That's what I meant. I should have put the E7 first to represent the upper functions of the chord.
Last edited by raymb1; 02/01/16 05:59 AM.
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BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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All of those are already in BIAB. The list below is from the manual
Major Chords
C, Cmaj, C6, Cmaj7, Cmaj9, Cmaj13, C69, Cmaj7#5, C5b, Caug, C+, Cmaj9#11, Cmaj13#11
Minor Chords
Cm, Cm6, Cm7, Cm9, Cm11, Cm13, Cmaug, Cm#5, CmMaj7
Half diminished
Cm7b5,
Diminished
Cdim, Cdim5, Cdim7 (Note: see setting in Display Optionsfor Cdim treatment.)
Dominant 7th Chords
C7, 7+, C9+, C13+, C13, C7b13, C7#11, C13#11, C7#11b13, C9,
C9b13, C9#11, C13#11, C9#11b13, C7b9, C13b9, C7b9b13, C7b9#11,
C13b9#11, C7b9#11b13, C7#9, C13#9, C7#9b13, C9#11, C13#9#11, C7#9#11b13
C7b5, C13b5, C7b5b13, C9b5, C9b5b13, C7b5b9, C13b5b9, C7b5b9b13,
C7b5#9, C13b5#9, C7b5#9b13, C7#5, C13#5, C7#5#11, C13#5#11, C9#5,
C9#5#11, C7#5b9, C13#5b9, C7#5b9#11, C13#5b9#11, C7#5#9, C13#5#9#11,
C7#5#9#11, C13#5#9#11
Suspended 4 Chords
Csus, C7sus, C9sus,
C13sus, C7susb13, C7sus#11, C13sus#11, C7sus#11b13, C9susb13, C9sus#11, C13sus#11, C9sus#11b13, C7susb9, C13susb9, C7susb9b13, C7susb9#11,
C13susb9#11, C7susb9#11b13, C7sus#9, C13sus#9, C7sus#9b13, C9sus#11, C13sus#9#11, C7sus#9#11b13,
C7susb5, C13susb5, C7susb5b13, C9susb5, C9susb5b13, C7susb5b9,
C13susb5b9, C7susb5b9b13, C7susb5#9, C13susb5#9, C7susb5#9b13,
C7sus#5, C13sus#5, C7sus#5#11, C13sus#5#11, C9sus#5, C9sus#5#11, C7sus#5b9, C13sus#5b9, C7sus#5b9#11, C13sus#5b9#11, C7sus#5#9, C13sus#5#9#11, C7sus#5#9#11, C13sus#5#9#11,
Add 2 Chords
Cadd2, Cmadd2
Notes:
- It is not necessary to type upper or lower case. For example type c6 to get the C6 chord. You should never have to use the Shift key, as Band-in-a-Box will sort this out for you.
- Any chord may be entered with an alternate root ("Slash Chord") e.g.: C7/E = C7 with E bass.
- Separate chords with commas to enter 2 chords in a 2 beat cell, e.g., Dm, G7.
- Use the letter B for a flat; e.g., Bb7
- Use # or 3 for a sharp; e.g., F#7. The pound sign (#) is the uppercase symbol of 3, so you can actually type f37 to get F#7. Band-in-a-Box will sort out the case, saving you the effort of using Shift+3 to type the # symbol.
- Use "=" for "+"; the program automatically converts "=" to "+" so that chords like C+7 can be entered without using the shift key.
- You can type C-7 for Cm7 (i.e. use the minus sign) or C7-9 for C7b9.
Tricky Chords:
C5b This is "C flat 5." It is spelled this way to avoid confusion.
C2, C5, C4, C69, C7alt, Cm7#5
Shortcut Chords:
If you enter a lot of songs, you'll appreciate these shortcut keys.
J = Maj7
H = m7b5 (H stands for Half diminished)
D = dim
S = Sus
Example: To type CMaj7, just type cj (it will be entered as CMaj7).
Add your own chord shortcuts.
Have you found a chord that Band-in-a-Box doesn't recognize? If so, add it to the chord shortcuts file, and Band-in-a-Box will allow you to type in that chord in the future. This also lets you define chord "shortcuts," one-letter abbreviations for longer chord names ("J" for "Maj7" etc.). If you find a chord that Band-in-a-Box won't accept like Csus2, when it expects C2 instead you can enter this on a single line (without the quotes) "Csus2@C2." Then Band-in-a-Box will enter the chord C2 if you type in Csus 2.
The text file c:\bb\Shortcut.txt allows you to add new chord shortcuts. Note that this file doesn't ship with Band-in-a-Box (or it would overwrite your file!). The file \bb\pgshortc.txt for shortcuts is supplied by PG Music. You can add your own shortcuts in a text file you make yourself and name \bb\shortcut.txt.
I use a Mac so I I'm not sure how to add my own shortcuts.
Computer: Macbook Pro, 16 inch 2021
DAWs: Pro Tools, Logic, and Maschine
plays drums, percussion, bass, steel pan, keyboard,
music producer/engineer
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Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
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