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Real tracks are real recordings from 1-8 bars. I got that. But if I use real tracks with a different style, it changes. How is this possible if it is a real fixed recording?
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LeoK,
The Realtrack cannot change. Because as you have said, it's a fixed recording. What might be happening is that the Realtrack is being automatically substituted for another one that's a better fit. BIAB does that, too. If substitutions have occurred, the substitute will have ~~ in front of the name.
Regards,
Noel
Regards,
Noel
MY SONGS...Audiophile BIAB 2025
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Also, RealTracks have more than one way to play something. The other style may favor different choices from the same RealTrack.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Band-in-a-Box for Windows
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Ok, got it. Thanks for the replies. I thought real tracks changed somehow. It also sounds different if the tempo changes.
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Band-in-a-Box for Windows
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That's right because they are different recordings at different tempos. Things change all the time but when this came up some time ago I think there are three discrete sets for each Real Track both for key changes and tempo. The Elastique handles the spaces in between those.
Also, when you break an RT down from a 1 bar phrase up to an 8 bar phrase and then consider the variations of tempo or key changes there's a lot happening. PG doesn't publish much about this, maybe they're doing partial bars now. If so that would increase the possible combinations a lot. Don't forget too the other instruments affect your perception of any one RT. If you solo'd it there may be little change but radically change the other instruments and it can fool you into thinking that one track is different.
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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Yes, there is more, but it is hard to figure out what. Maybe they are gluing single notes together. Technical it should be possible. I have a vocal software named Vocaloid. This is a recording of a real artist. You can type in any text you want and the software/singer singes the songs. This is build up by the individual letters. So individual notes for every pitch should be possible too I think. Music libraries are build up like that too.
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I disagree on one thing.... Real Tracks can and do change.
I have songs to prove it. In any given song, note the identifying number of the real track and use Real Band to generate that same exact track a second, third, fourth, fifth time and so on into a new track each time. Especially if that track is a SOLO track, you will end up with as many uniquely different generations as you have tracks. While the tracks will all tend to be similar, there will be noticeable differences in them that are useful. In other words, it doesn't simply replicate the recorded lick note for note each time. There's some kind of cool stuff going on below the surface that makes each track fairly unique each time it's generated. This is also evident in BB when you're using RT's.
Other users here as well as myself, have used this to good advantage in constructing a unique and well played solo or fills in song projects.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Herb is right. That's what I alluded to above, but he said it better.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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And for any RealTrack, if you load the audio file for a RealTrack, you will find that for each one, there is a LOT of content recorded, which means that there is a lot to choose from. They don't just record one riff for each potential chord; they record a very long session that captures all (most of) the chords, and has many different riffs on (especially) the common chords. That means there is a lot to slice and dice and provides for many variations.
John Laptop-HP Omen I7 Win11Pro 32GB 2x2TB, 1x4TB SSD Desktop-ASUS-I7 Win10Pro 32GB 2x1.5TB, 2x2TB, 1x4TB SATA BB2025/UMC404HD/Casios/Cakewalk/Reaper/Studio One/MixBus/Notion/Finale/Dorico/Noteworthy/NI/Halion/IK http://www.sus4chord.com
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Is it not possible each note is recorded, instead of chords? With individual notes it is easy to make each chord and you have all the options.
With all 12 notes in one key, you have many more chords. No idea how many. You can invert chords.
Last edited by LeoK; 12/08/16 09:18 AM.
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My understanding is, No. You can do what you are suggesting in MIDI, though.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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The single note thing comes up all the time. To put it simply single note recordings are all over the place right now. They're called samples and are played by a sampler. You can buy Kontakt or Sampletank and play as many single notes as you want using midi.
The whole reason RT's were invented was to get away from that because single notes cannot capture the nuance of a real performance. A sax player for example does not play a series of individual single notes during a solo. He will slur them, spit them, hum them, do all kinds of things with them as groups of phrases not single notes and that's what you hear with a Real Track.
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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Bob is right ... how to use RT's? Well, have a listen... I played a couple of guitar parts, but let BIAB do the rest... and with success, I might add. Trick was to generate multiple times, until I got the right feel for this Lazy Blues. I apologize for the shameful self-promotion, but, it is for the benefit of BIAB customers/fans, as to what you can do... especially with 2017!
Cheers, Mike My Music * Asus ROG Strix G15CF 32 GB DDR4 4TB HDD + 1 TB SSD NVIDIA GeForce RTX 3060 8GB Win 11 AKAI EIE PRO Sound Interface. BIAB/RB 2024 UltraPak Build - Latest
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The single note thing comes up all the time. To put it simply single note recordings are all over the place right now. They're called samples and are played by a sampler. You can buy Kontakt or Sampletank and play as many single notes as you want using midi.
The whole reason RT's were invented was to get away from that because single notes cannot capture the nuance of a real performance. A sax player for example does not play a series of individual single notes during a solo. He will slur them, spit them, hum them, do all kinds of things with them as groups of phrases not single notes and that's what you hear with a Real Track.
Bob I am not saying they are individual notes. I am also guessing. I am working with Kontakt and midi > samples has more options as you think. Each note is recorded with different volumes, because a harder played note is not only harder, but sounds different. Second, if you can play with different articulations, you can also record it. I have string libraries with 10-15 different styles ( staccato, sustain, pizzicato, etc). With key switches you can switch to a different style. Even for one note. It can come very close to the real thing.
Last edited by LeoK; 12/08/16 11:09 PM.
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I usually use BiaB to find a style and outline the song structure.
Then I load it into Real Band and generate additional versions of the BiaB Tracks. For Solos, I will generate about 3 versions.
After that, I may add other additional Real Tracks.
Once that's done, I render to wave & midi files and import to my DAW, where I pick out the best parts, slicing & dicing to get the best performance.
Boyd
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New RealTracks Released with Band-in-a-Box 2025!
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- Look Ma! More MIDI 13: Country & Americana
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In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
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Learn more and listen to demos of XPro Styles PAKs.
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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