Finally been able to record something with my own vocals again! I wrote this a few weeks ago but I've not been too well, so I was glad to finally be able to actually put the song together.
I have found that there it is so much harder to put together a song with a vocal recorded at home than the vocal samples I've been working with. My singing is improving but I still struggle with pitch control but it's also the other sounds in the room which is making it harder to mix it all. I'm not sure if the microphone is part of the problem as well. I've used a De-Verb plugin on this one but it's hard to get the balance right between removing the sounds in the room and taking away from the vocal performance. Any tips for improving recordings at home will definitely be appreciated!
I mixed this in Studio One and used the CLA Vocals plugin and a saturator plugin on the vocals as well as Waves Tune for pitch correction. I also used Waves AudioTrack on the instruments and the vocal, I do like that plugin for compression and EQ.
_NEONROK.STY. Neon 80's Rock w/ Synths RD: RETROPOP^08-a:Bass, LoudSnare, b:Bass, HardSnare :Ed (Great Oz) Clare RT639: Guitar, Electric, Rhythm HardRockThrash Ev 085 , Darin Favorite RT642: Guitar, Electric, Rhythm HardRockThrashHollow Ev 085 , Mike Durham RT2324: Synth, Rhythm Rock80s Ev 120 , Miles Black
Lyrics: When I look right through the crowd I can see that you're standing alone And you're looking right back at me
I take the time to catch my breath And find the courage to take a step Cause somehow I know we're meant to be
Now that I've found you I know that I see
When I look in your eyes I hope that I Find The future in your eyes I can leave the past behind
As I move across the room I don't know what it is that I should do But so much is said without words
I can't picture the words to say But it doesn't matter anyway Cause you take my hand and speak first
Now that you've found me I hope that you see
When you look in my eyes I hope that you Find The future in my eyes And you can leave the past behind
When I look in your eyes I hope that I Find The future in your eyes I can leave the past behind
And when you look in my eyes I hope deep down that you find The future in my eyes Cause when I look in your eyes I know what it is that I find I can leave the past behind
When I look in your eyes I hope that I Find The future in your eyes I can leave the past behind
There are reflection filters for reducing room reverb, but as this video points out, what you really want to do is minimize the reflections that are coming in from in back of you. If you can somehow hang a blanket behind you, that can be pretty effective. So can placing the microphone in a clothes closet, albeit often not very convenient.
Oversaturating your vocals makes sense in this style, but personally I think your voice sounds better without effects.
Thanks for the suggestions. I'm not sure I have any way of hanging a blanket behind me at the minute. But I've ordered one of those things Rustyspoon recommended. Hopefully it'll help!
Thanks for the suggestions. I'm not sure I have any way of hanging a blanket behind me at the minute. But I've ordered one of those things Rustyspoon recommended. Hopefully it'll help!
It's isn't perfect but it's a cheap start & portable etc. I use a pop filter and screen that curves across the back of the mic. I'm lucky enough to have a room for my noise and it's filled to the brim with stuff including book shelves and 1000s of cds to help diffuse any reflected sound. I also have a couple of bass traps etc. The more stuff in a room the better - the more uneven surfaces and soft things to break up & partly absorb stuff the better too. Better still is an uneven room with bass traps for the corners, diffusers, clouds and good monitoring but that's expensive and unattractive in the living room or spare room in rented premises. Rustyspoon uses one and his vocals are pretty clean.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
There's a lot of skill on show here from creating the song through to arranging it, performing it and producing it. You've got talent!
In relation to recording... my setup is similar to rayc's. I have a mic with a sponge rubber semi-circle behind it (to absorb some sound echos) and a pop filter in front of the mic.
Recently, I've also started using 'subtracting' background noise in Reaper using a Reaper plugin called ReaFir. I like this.
With this plugin, what I do is to find a section of vocal track where the mic is on and recording and there no vocals. I then build up a noise-frequency profile of this section and subtract those frequencies from my vocal. I find this works well. If you are interested in how this is done, have a look at the 13 minute video clip below...
That's a good suggestion, hopefully that plugin works in Studio One and I can give that a try. I've been using the SPL De-Verb Pugin and it's OK but it seems to take a lot away from the vocal when you set it at any high levels.
Thank you very much for the positive feedback and taking the time to listen to the song. I'm glad you enjoyed it!
Thank you very much for taking the time to listen and give feedback. I've put together a slight remix with different effects on the vocals but I'm not sure which version is better so I thought I'd link it on here.
zplane recently interviewed Peter Gannon, the founder and creator of Band-in-a-Box, about the software's early days, what sets it apart from AI, how zplane's audio algorithms are used in Band-in-a-Box, and more!
Special thanks to the team at zplane for their continued support.
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
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I thought it flowed nicely, and you made good use of those RealTracks. Nicely catchy as well. Thanks for sharing!
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