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edshaw Offline OP
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Yeah, I want to give credit to John Jarvis (piano) and Brent Mason (guitar) when I post a song using Bent Piano, a song that includes a guitar track by Ed Shaw. So, I say, Guitar and vocals by Ed Shaw. People hear Brent and say, "That ain't Ed Shaw. That's Brent Mason, famous guitar player. Who's Ed Shaw trying to fool." Or, I go another way and write, "Guitar by Brent Mason." People hear it and say, "That's Brent Mason? I though he played better than that!" Oh, no, that's Ed Shaw, the amateur." See what I mean? Now Brent Mason is ticked.
Now, I know, we don't have to worry about Brent Mason. He's doing fine. He knew what he was getting into. But still, it is the principle and the dilemma. How am I supposed to handle this?
While on this topic, I am amazed at how these Real Tracks seem to adapt to their surroundings. Anyone know how this can be?

Last edited by edshaw; 11/02/19 12:55 PM.

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I think the general consensus is that it’s preferable not to name the artist. Hardly anybody does. I just say RealTracks and RealDrums with a shoutout to PG Music.

FWIW

Bud


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I agree with Bud. In fact there were threads here recently that clarify:

Naming RealTracks Artists policy 1


Naming RealTracks Artists Policy 2


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edshaw Offline OP
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Thank you for that, folks. I'll just cite Real Tracks. That's a relief for me, not having known. smile


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If I am sending a BIAB file to my musician friends I will occasionally drop a name like Ron Carter and Louis Nash on them as my sidemen. Otherwise I just say they are real tracks

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The truth is those track were originally played by those artist, but they have been sliced and diced up and recreated by the software. So tech nickley it is not them actually playing the track. Or something like that. Now my head hurts!


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I go with the majority on that.

I won't even mention they are tracks unless someone asks or is curious. I don't hide it either. For most people it's TMI anyway.

Notes


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I don't give HP a credit even though my computer is a critical part of my writing & production process.

I don't give Microsoft a credit even though I use Word for my lyrics.

I don't give Reaper a credit even though it is my DAW.

And I don't give PG a credit even though I used RealTracks.

And no one cares!

It was always a fairly meaningless gesture but even more so today when no one will ever read your credits anyway.

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Videotrack gave us the answer. PG Music has provided clear instructions on what it does not want, and what it would appreciate.


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The only place I name the players or the tracks is here in the PG forums because it's protocol to do so. Anywhere else .... nope. Just my name as the writer and singer....

I've had very few folks ask the details about my studio band.

When I place the tracks/songs/cues into libraries for commercial use the only thing that matters to the publisher or library is that I retain 100% of the rights to the music and the tracks. They don't require anything other than me signing off as owning the rights.

Last edited by Guitarhacker; 11/05/19 04:06 AM.

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In Soundcloud I always put "the rest are played by Band-in-a-Box". Hopefully that will make others interested in BiaB.


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Originally Posted By: RobH
The truth is those track were originally played by those artist, but they have been sliced and diced up and recreated by the software. So tech nickley it is not them actually playing the track. Or something like that. Now my head hurts!


I think RobH sums up the reality in this statement.
I also believe that the use of "Named" artists by PGM is also a marketing and sales strategy. Yes, these musicians are good and can probably be relied on to turn up and record quickly and efficiently. There are likely many anonymous session musicians out there who could do as good a job, maybe better, in their own style or in the style of a "Named" artist, but due to their anonymity, don't add marketing value.

Each time this question of credits comes up, the old cynic inside asks;
Is this about marketing and sales/inferring a connection with the "Name", or a genuine ethical conundrum?

Vintage

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Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!

We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!

Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.

Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!

Special offers until December 31st, 2025!

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Learn more and listen to demos of XPro Styles PAKs.

Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!

XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!

Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!

We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!

Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!

In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!

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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

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