Hi Mike I thought the only restrictions were the amount of Mike positions and articulations This compares all three but I dont know why that is not working for you .So you are NOT dumb nor is their a restriction lol H https://www.spitfireaudio.com/bbcso/#compare
Last edited by Hugh2; 06/05/2001:31 AM. Reason: miised a word
Re BBC Symphony Orchestra Discover, I can't get the velocity to make a difference to the sound. Whether the velocity is at 127 or 0 the volume is the same. Is this a restriction of the free version or I am being dumb? Mike
Mike - I think you need to use Modulation to change the volume (at least that is what I had to do...)
Thanks Floyd. I used the volume nodes (under each on track in RealBand) to change the volume in the BBC Discover, but with other instruments,I can adjust the power/impact of the notes by adjusting the velocities. Cheers, Mike
Thanks Floyd. I used the volume nodes (under each on track in RealBand) to change the volume in the BBC Discover, but with other instruments,I can adjust the power/impact of the notes by adjusting the velocities. Cheers, Mike
I'm not very "MIDI-fluent"... but I think it is a matter of what a VST designates as the properties of the available CC control. In the video of Guy M demonstrating Discover, he mentions that the Mod wheel (or CC 7 ) controls volume (I don't know what CC7 usually does??). I found that the velocity did me no good either...
Thanks Floyd. I just drew some rises and falls in CC1 (the mod wheel) and it seems to work better (not as abruptly) as the volume nodes (CC7). There are some velocity settings when you click on the three dots on the Discover interface but they don't seem to make any obvious difference. I'll keep experimenting. Thanks again for your help. Stay well, Mike
Many brass, woodwinds, and orchestral VSTis us the Mod wheel (CC1) for expression. Expression changes the volume setting based on the main volume (CC7). If CC7 is set to 127, the loudest setting, then the expression (it can be either a Mod wheel, foot pedal, or and other assignable MIDI like a slider or knob) range is from 0 - 127, i.e. no volume to max volume.
But if CC7 is set to say 90 then although the expression range is still from 0 - 127 the volume at 127 is set by the CC7 volume. In other words in this example an expression value of 127 is equal to the CC7 value of 90.
The reason for expression. If you need to raise the track volume and you used CC7 to change the volume you would need to raise each and every volume node. If you used expression for volume changes then all you need to do is to raise the CC7 volume, which should be a straight line through out the track, and the expression nodes will follow proportionally. Much easier and faster.
Apparently BBC Symphony Orchestra Free Version is not influenced by velocity; I don't know for sure as I am still waiting for mine. I do know that the sounds are one layer each so no matter what the velocity is the sound will be the same. In multi layer sounds one will get a slightly different tonal quality with each velocity range. For instance a velocity range of 0-50 may yield a soft sound with soft transients and a 100-127 range would yield a louder sound with many hard transients. This of a trumpet played softly then very loudly.
I hope this makes some sense.
Love is grand. Divorce is twenty grand!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
Thanks Mario. I must admit I haven't used expression much. I tend to use the volume controller CC7 or the volume nodes underneath each track (CC87). And velocity of course. I think you will enjoy the Discover when it arrives. It has great sounds and so many instruments. Cheers, Mike
Re BBC Symphony Orchestra Discover, I can't get the velocity to make a difference to the sound. Whether the velocity is at 127 or 0 the volume is the same. Is this a restriction of the free version or I am being dumb? Mike
The velocity is NOT restricted in the free version. It appears to be fully functional as needed. Here is illustration of my "velocity sensitive" keyboard for a section of soft and hard keystrokes. But has been mentioned, there is no impact to what you hear from velocity since there is only a single level. I guess that may be considered a limitation. Therefore if you want loader or softer you need to use the mod wheel which does impact volume?
Re BBC Symphony Orchestra Discover, I can't get the velocity to make a difference to the sound. Whether the velocity is at 127 or 0 the volume is the same. Is this a restriction of the free version or I am being dumb? Mike
The velocity is NOT restricted in the free version. It appears to be fully functional as needed. Here is illustration of my "velocity sensitive" keyboard for a section of soft and hard keystrokes. But has been mentioned, there is no impact to what you hear from velocity since there is only a single level. I guess that may be considered a limitation. Therefore if you want loader or softer you need to use the mod wheel which does impact volume?
I think the guys have covered this pretty well.
Dan is correct. Velocity not only does not change volume it also does not change timbre,i.e. it is the same sound regardless of velocity or volume. The mod wheel will slightly adjust the volume via expression, CC11. Note this is generally the rule for all free or entry level sound sources.
If one is looking for large volume changes, crescendos, or diminuendos using a DAW is the best option.
Love is grand. Divorce is twenty grand!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
I got my download email today. Upon downloading the installer Windows Defender came up with a message window strongly suggesting to not run the installer??? It says it is malicious.
Has anyone experienced this? Flipped me out for sure.
Mike
Last edited by mbsmike; 07/08/2006:39 PM.
Focusrite 2i2 2nd Gen Windows 10 pro 1709 16299.125 Intel core i7 6700k CPU @ 4.00GHz 4.01 GHz 16 gig memory BIAB UltraPak version is 2025 (Latest) Cubase pro 9
Here's a video describing the template written for Reaper. There are templates for several DAWs. They're all on the Spitfire site. The Reaper one is listed in the video.
I got my download email today. Upon downloading the installer Windows Defender came up with a message window strongly suggesting to not run the installer??? It says it is malicious.
Has anyone experienced this? Flipped me out for sure.
Mike
Installed several weeks ago and can't say I remember this happening. If it did happen I would have scanned the file with another AV app. Or I would have downloaded a second time and then double scanned. Good luck.
I got my download email today. Upon downloading the installer Windows Defender came up with a message window strongly suggesting to not run the installer??? It says it is malicious.
Has anyone experienced this? Flipped me out for sure.
Mike
I did not get that message. I would contact Spitfire Audio and tell them what happened. It may be a false positive or their server got infected.
Love is grand. Divorce is twenty grand!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
PowerTracks 2026 is here—bringing powerful new enhancements designed to make your production workflow faster, smoother, and more intuitive than ever.
The enhanced Mixer now shows Track Type and Instrument icons for instant track recognition, while a new grid option simplifies editing views. Non-floating windows adopt a modern title bar style, replacing the legacy blue bar.
The Master Volume is now applied at the end of the audio chain for consistent levels and full-signal master effects.
Tablature now includes a “Save bends when saving XML” option for improved compatibility with PG Music tools. Plus, you can instantly match all track heights with a simple Ctrl-release after resizing, and Add2 chords from MGU/SGU files are now fully supported... and more!
Get started today—first-time packages start at just $49.
Already using PowerTracks Pro Audio? Upgrade for as little as $29 and enjoy the latest improvements!
Band-in-a-Box 2026 for Windows Special Offers End Tomorrow (January 15th, 2026) at 11:59 PM PST!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Windows® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PST on Thursday, January 15, 2026!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Windows®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the new AI-Notes feature, which can transcribe polyphonic audio into MIDI. You can view the results in notation or play them back as MIDI, and choose whether to process an entire track or focus on specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Windows®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Upgrade your Band-in-a-Box for Windows to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 for Windows® Special Offers Extended Until January 15, 2026!
Good news! You still have time to upgrade to the latest version of Band-in-a-Box® for Windows® and save. Our Band-in-a-Box® 2026 for Windows® special now runs through January 15, 2025!
We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Windows®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PST on January 15th, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Upgrade to Band-in-a-Box® 2026 for Windows® today! Check out the Band-in-a-Box® packages page for all the purchase options available.
Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
In this video, we explore the updated Piano Roll, complete with a modernized look and exciting new features. You’ll see new filtering options that make it easy to focus on specific note groups, smoother and more intuitive note entry and editing, and enhanced options for zooming, looping, and more.
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.