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Styles and RealTracks Wishlist
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Journeyman
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OP
Journeyman
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I'm looking for jazz styles that have a more variety of time feel to them. Where the beat is broken up more and he bass player doesn't just walk all the time. The drums should also accent in a less predictable manner and be busier with interesting fills and rolls at certain points.
In ballads there should be a more impressionistic feel not so concerned with just keeping time (like "After the Rain" at the very least if not wholly rubato sections a la ECM ballads)
There should be more variety of intensity levels in all of the styles, and for latin jazz there needs to be more styles that are actually played on a jazz kit.
In the more creative modern area, Drums wise there's nothing for example that comes close even to Ed Blackwell's New Orleans influenced style as of yet. and that's 60 years back ! So it's now officially old-time stuff. (compared to a lot of jazz today that works off a sort of unpredictable martial parade ground influenced funk/latin mix a la Henry Threadgill which would be great to have)
It's a long time since I asked for and got the modern styles that came way back in 2005 and I've been grateful for them but after a long break from the program it's a bit disappointing to see Real Tracks for jazz so tame and undifferentiated in basic feel. Certainly there are a none that would replace any of the midi modern jazz styles other than the most mainstream.
I'm not asking for Cecil Taylor, Anthony Braxton or Time Berne for goodness sake. I can do that for myself. But BIAB could do more for the modern definition of creative post bop I think in a more passionate authentic manner.
Hope there are some like minded folks here.
With respect to a great program that is capable of more.
Alan
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Styles and RealTracks Wishlist
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Yes, absolutely. +1
Have you seen some of the threads over the last few months by user Djzang? Hope I got that name right...
His posts praising the playing of Renee Rosnes and Miles Black are very relevant to what you request, at least for the piano. I would especially like to see their playing as MIDI Supertracks.
And he has run tests of what the bass plays (yes, while walking, but it’s about the scales).
Could you elaborate for my understanding about the Latin styles using a jazz kit?
Alan, thanks for posting this request. It’s thoughtful, researched, and timely. About timely, 2005 is three years before any RealTracks.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Styles and RealTracks Wishlist
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Journeyman
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Journeyman
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+1
In modern jazz everybody is listening and interacting to all that happens in the band.
I don´t know how that could be transformed to real tracks , but its the path to go..
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Apprentice
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+1 Nobody plays jazz like that anymore,  For me, to sum it up, jazz in the last 50 years is both more groove oriented and more “free”, more influenced by folk and RnB and at the same time more polythythmic. I have times when, in a band, I hate it when the bass player just “walks” the whole time. There’s so much more to be done. Listen to McBride, Peacock, Blanton, LaFaro, Mingus, Patitucci. Haden, Holland. Drums too. When they can’t stop playing the charleston rhythm on the ride cymbal I turn off. Play some triplets or play straight, play those 16th note triplets, flams... Elvin Jones, Dejohnette, Baron. Same with latin music. Some auto accompaniment sounds like those home organs, Casio-style. There’s the clave and it’s pretty. But, when these modern musicians play the “clave”, there’s stuff happening. Thx Matt for mentioning, but yeah, the Modern Jazz Pianist “disk” on PGMUSIC. That opens up a whole jazz world.
Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums. Check out these great contemporary Jazz Styles: www.jazzstylezz.com
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Styles and RealTracks Wishlist
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Styles and RealTracks Wishlist
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Journeyman
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Thanks for your +1's and comments all. Very insightful as always.
I agree the Jazz Pianist program is a good source of inspiration and Ive managed to make a couple of ok styles out of the tracks.
The threads about the bass not tracking chords are in line with what I've experienced especially in the older styles. I find I have to do a separate bass track with sub chords like an A9susb5 for CmMaj7 which doesn't so much eliminate the b7th but relegate it to an acceptable passing tone.
Chord masks are a continuing problem in BIAB. You cant lump CMaj7#5 with CMaj or Csus anymore than you can equate mMa7 with m7 but that's what BIAB does. As a result it continually plays riffs out of context forcing a regeneration in the hope of hitting a generic pattern.
My workaround was intially to check the option in stylemaker that forces the riff to transpose to the chord but the results were often unacceptable without further edits. Another better way is to reimport the patterns from an output midi file after mapping them to the C7 template.
@ Dzjang. Your styles seem like they're a good answer to some of the issues. The other thing I'd say is that modern jazz is also about breaking away from standard forms and importing a lot of classical music influences. Its also about a more collective band music with more interaction, dynamic variation, motivic ideas over a longer duration and modulations within the overall metre. etc That's hard to do convincing ly in midi without:
a) lot of different sub styles and changes but I think its worth the effort nonetheless.
b) patterns sounding like they're less. short, busy, choppy and block chordy. To that end patterns with more 8 bar sequences in the bar masks would be the way to go or supertracks/teal tracks with the same aim.
Alan
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Lots of truth here. Thank you.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Apprentice
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@ Dzjang. Your styles seem like they're a good answer to some of the issues. The other thing I'd say is that modern jazz is also about breaking away from standard forms and importing a lot of classical music influences. Its also about a more collective band music with more interaction, dynamic variation, motivic ideas over a longer duration and modulations within the overall metre. etc That's hard to do convincing ly in midi without:
a) lot of different sub styles and changes but I think its worth the effort nonetheless.
b) patterns sounding like they're less. short, busy, choppy and block chordy. To that end patterns with more 8 bar sequences in the bar masks would be the way to go or supertracks/teal tracks with the same aim.
Alan
Thx, my aim was less ambitious, focusing on modern straight eights or sixteenth triplets, incorporating the influence of rnb and folk music, like McBride, Kenny Garrett, Redman, Scofield, Jarrett... refer to. Nevertheless, most styles, real or midi have a limited set of patterns, which causes them to quickly go boring. If you take the trouble of making tens of variations, midi styles can be really inspiring. If you would want the same complexity and choice in realstyles, you’d need more than ten hrs of material for each instrument. It would make rendering a song take longer than the song is. Midi styles are (potentially) rhythmically complex with more than 120 ticks per beat. Combining straight parts with triplets, four over 3/4, 10 over 4/4 and so on, are quite possible. Software like melodyne will eventually make transposing realstyles to all kinds of different harmonies possible. But for now, if they only made the right algorithms for the midi-styles, we wouldn’t have the bass play natural 9 ths on altered chords any longer, and it wouldn’t put a huge load on your cpu either. Let’s keep asking PGMUSIC to make Biab harmoniclly better.
Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums. Check out these great contemporary Jazz Styles: www.jazzstylezz.com
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Cheers, Mike My Music * Asus ROG Strix G15CF 32 GB DDR4 4TB HDD + 1 TB SSD NVIDIA GeForce RTX 3060 8GB Win 11 AKAI EIE PRO Sound Interface. BIAB/RB 2024 UltraPak Build - Latest
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Definitely would be appreciated.
+1, no question.
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
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Styles and RealTracks Wishlist
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I'm looking for jazz styles that have a more variety of time feel to them. Where the beat is broken up more and he bass player doesn't just walk all the time. The drums should also accent in a less predictable manner and be busier with interesting fills and rolls at certain points.
...
Hi Alan, Thank you very much for this post. Can you post some youtube links that that would exemplify the kinds of styles you'd like to see?
*************************
Tobin Frank (he/him)
PG Music Inc.
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Apprentice
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@Tobin
Almost everything by Bill Evans (sixties and early 70’s), Jarrett, Charles Lloyd (ECM albums), Gerald Clayton’s trio, Julian Lage. Drummers like Jack DeJohnette, Jon Christensen, bass players like John Patitucci (acoustic bass), Reuben Rogers, Christian McBride. But it “happened” much earlier with Jimmy Garrison in Trane’s quartet, Elvin Jones, Scott Lafaro, Charlie Haden.
Drums are adventurous, bass players tend to not walk continuously.
I have the idea sometimes that styles tend to focus on jazz in the fifties, as if there never was Coltrane, Miles’ quintet with Herbie Hancock, Keith Jarrett or, today, Gilad Hekselman’s trio, Charles Lloyd (still going strong), ECM, Renee Rosnes, Kenny Kirkland.
A long time ago Pgmusic put out some more adventurous styles (Jarrett, Metheny inspired, Oregon style, Danny Gottlieb on realdrums), but then the well suddenly dried up and we were back to the old swing and bebop.
Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums. Check out these great contemporary Jazz Styles: www.jazzstylezz.com
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Styles and RealTracks Wishlist
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@Tobin
Almost everything by Bill Evans (sixties and early 70’s), Jarrett, Charles Lloyd (ECM albums), Gerald Clayton’s trio, Julian Lage. Drummers like Jack DeJohnette, Jon Christensen, bass players like John Patitucci (acoustic bass), Reuben Rogers, Christian McBride. But it “happened” much earlier with Jimmy Garrison in Trane’s quartet, Elvin Jones, Scott Lafaro, Charlie Haden.
Drums are adventurous, bass players tend to not walk continuously.
I have the idea sometimes that styles tend to focus on jazz in the fifties, as if there never was Coltrane, Miles’ quintet with Herbie Hancock, Keith Jarrett or, today, Gilad Hekselman’s trio, Charles Lloyd (still going strong), ECM, Renee Rosnes, Kenny Kirkland.
A long time ago Pgmusic put out some more adventurous styles (Jarrett, Metheny inspired, Oregon style, Danny Gottlieb on realdrums), but then the well suddenly dried up and we were back to the old swing and bebop. Thanks for that list Dzjang, Can you post some youtube links of specific examples that you think would make good RealStyles in Band-in-a-Box?
*************************
Tobin Frank (he/him)
PG Music Inc.
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Journeyman
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Some links that seem kosher (UMG have supplied to Youtube) Keith Jarrett 70's American Quartet. This is one of their Gospel Rock into Freebop pieces. Notice how the drums are very active up there with the front line. Lots of accenting and pay attention to how Motian mixes up the time behind Jarret's solo. Haden plays a mixture of pedal tones in a slower 3 feel behind the 4/4 beat at times and lots of broken up figures as well as walking passages. https://www.youtube.com/watch?v=FwaEe51FsZIAnother by the above group. A masterpiece free or rubato ballad. https://www.youtube.com/watch?v=m3ZR8KMf5s8Peter Erskine - John Abercrombie - Marc Johnson: Furs On Ice Again the rhythm section are as active as the front man. Erskine is all over this 9/4 Its an object lesson on how to PLAY in odd time signatures rather than just state them. https://www.youtube.com/watch?v=WtRWebBlYKUA mid tempo piece by the same band, but showing how bass is playing broken time and drums are playing against and around the basic beat especially behind the guitar solo. https://www.youtube.com/watch?v=lZTNsm_VI_oJohn Abercrombie 70's Trio with George Mraz and Peter Donald "Straight flight" This album is out of print https://www.bing.com/videos/search?q=john+abercrombie+striaght+flight&docid=607986838977013612&mid=875D9E8D620B964781F0875D9E8D620B964781F0&view=detail&FORM=VIRETrack 1 is a perfect example of high intensity 'roughing up" of a standard with drums again up front. Track 4 " There is no greater love" some tradtional walking feel with broken time figures from bass and drums. But all through there are is an against and around the beat/offbeat feel. Henri Texier quintet 1990 with John Abercrombie and Joe Lovano "P.M" A continuous free pulse implying but never stating a fast time feel. Dedicated to Lovano's employer at the time Paul Motian and with the drummer absolutely nailing Motian's approach. Bassist's style is clearer behind Lovano's solo. N.B The drummers solo is almost the same as what he plays behind Lovano if that helps. https://www.youtube.com/watch?v=BhiPBTDAdug"Colonel Skopje2 Same band and album illustrating a similar free pulse in the middle section starting at 5.28 with a more flowing bass feel. The fluid rock section accenting the 3rd beat behind Abercrombie's solo is a good example of how rock is played in with a jazz feel. https://www.youtube.com/watch?v=_kka7zJowcI"Desaparecido" Yet Another from this band. A very instructive album with fantastic material. An Ornette Coleman "Lonely Woman" kind of beat and feel. Abercrombie showing why he was the greatest guitarist of his generation according to his peers. R.I.P. John. https://www.youtube.com/watch?v=PpjUzQWdgqcECM album stuff is hard to find but heres something ECM gave to YouTube Ralph Towner - SAND https://www.youtube.com/watch?v=z3TfjPMwBj4Another classic piece of Jon Christensen. Very active sort of fluid rock funk backbeat showing his characteristic approach where the band seem to be accompanying him. Jan Garbarek 70's Quartet (official freebie suplied by UMG to YouTube) "Bris" https://www.youtube.com/watch?v=BVmqRhswWegRubato opening with the typical piano and drums figurations demonstrated clearly. Followed by 6/4 feel with very up front bass and drums. Joe Lovano Quintet 'Dig this' from his classic 'Landmarks' album https://www.youtube.com/watch?v=v48HjX7xmUUShowing a variety of free form approaches. Staccato free form opening to fast 4/4 time (guitar solo) and then free time (piano solo) This by no means exhausts the modern post 50's or 60's era. All of this is really just for starters.!!
Last edited by alan S.; 02/04/22 05:12 AM.
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Styles and RealTracks Wishlist
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Apprentice
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@Alan S, these are some fine examples.
+1
Weird thing. When I listen to Coltrane’s late quartet with Elvin Jones and Miles’ Quintet in the sixties and Charles Lloyd, a lot of it is already there.
And when you hear Julian Lage or Joshua Redman…. They bundle it all.
Band in a Box should embrace these styles. In MIDI most of this is certainly possible, so, it should be possible in real styles too.
Free form or rubato remains notoriously difficult to emulate with software.
And yes, Abercrombie must be the most underrated guitarist. His solos on Kenny Wheeler’s Widow in the window album (or Deer Wan) are just so incredibly lyrical. And his albums with Beirach…
Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums. Check out these great contemporary Jazz Styles: www.jazzstylezz.com
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Styles and RealTracks Wishlist
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Hi Alan,
Thanks very much for those samples, that's very helpful! I listened through all of those, and I agree that several of them would translate very well as Band-in-a-Box styles. Some of them, however, likely wouldn't be suitable or would need to be modified. For stuff that's rubato, that likely wouldn't work in Band-in-a-Box, which by necessity needs to be "to the grid". Recording odd time signatures also doesn't translate well in Band-in-a-Box. That 9:4 style you posted has a great groove, but if we did that, we'd likely modify it to a 4:4 style (and I think the groove would still be very effective as a 4:4 style). That being said, any 4:4 style could then be changed to a time signature like 9:4 by treating it as 4+3+3, or something like that.
One final comment, the title of this thread was "Jazz as it's played today", but most of the samples listed above seem to be 70s or 80s. That's fine of course, but I just wanted to get a sense of whether or not that was indeed what you had in mind when you started the thread. Are there any examples from within the last decade that you also might think would be along the same lines?
thanks again, I really appreciate the suggestions!
Tobin
*************************
Tobin Frank (he/him)
PG Music Inc.
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Styles and RealTracks Wishlist
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In ballads there should be a more impressionistic feel not so concerned with just keeping time (like "After the Rain" at the very least if not wholly rubato sections a la ECM ballads)
I also want to clarify my comments about "rubato not suitable for Band-in-a-Box". If it's truly rubato, and the musicians are really stretching the time very fluidly, that's not really suitable for Band-in-a-Box. However, what you said above "a more impressionistic feel not so concerned with just keeping time", if it is in fact still "to the grid", but done in a way that's not really hammering home the downbeat, or the 2 & 4, etc., THAT is something that could still work in Band-in-a-Box. If that makes any sense...
*************************
Tobin Frank (he/him)
PG Music Inc.
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That makes perfect sense to me.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
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