Newbie question: How do you use punch in recording? My understanding is that if I make a mistake, I can re-record over a section of a recording. So for example, I messed up a solo from bars 66 - 70, What values do I enter in the 8 Punch in boxes below to be able to do this?
From [1] : [-1] : [1] : [1]
Thru [1] : [-1] : [1] : [1]
This is what is displayed in the Record Audio window but obviously I need to enter more numbers that 66 - 70.
Of course, if I am completely misunderstanding the purpose of punch in recording, let me know. Maybe there's a better way?
These boxes in BiaB have to do with Bar and Chorus number .. I've never understood it and never try to record audio in BiaB. sorry Someone should be along shortly to answer
Last edited by rharv; 02/07/2103:20 AM.
I do not work here, but the benefits are still awesome Make your sound your own!
The 4 numbers are Chorus | Bar | Beat | Tick. The first 3 are self-explanatory, and the last one is the exact position within a beat - generally best to set this to 1.
For bar 66 to 70, assuming you're recording on Chorus 1, enter 1:66:1:1 to 1:70:1:1.
There are two reasons why it can be difficult to get the number of ticks to match exactly where you want; one is tick resolution and the second is the amount of time from when the command is given to when it is carried out.
Go to Options > Preferences > MIDI File to open the MIDI File Options window. The bottom window entry is the Resolution for MIDI File selection box. The selection ranges from the default of 120 PPQ to a high of 1,920 PPQ. PPQ is the abbreviation for Parts Per Quarter Note. Ticks and PPQ is essentially the same thing.
You don't want to automatically select the highest setting though as high settings can cause the program to spit and sputter and your computer to slow down.
Generally speaking a setting of 480 PPQ is a good compromise.
As for the second reason, it takes time for the program to switch from playback mode to record mode or vice versa. There are too many moving variables for the time to be consistent. One way to minimize this variance is by choosing where to place your punch in and punch out points. The further apart they are the less variances there will be. It's easier to punch in and punch out a bar than it is a beat. It's easier to punch in and punch out a musical phrase with a natural pause than a bar. Punch in or out when there is no audio means there won't be any overlapping audio highlighting old and new audio.
Newbie question: How do you use punch in recording? My understanding is that if I make a mistake, I can re-record over a section of a recording. ......... Maybe there's a better way?
Others have instructed you how to do it in BB & RB.
Personally, I think there's a better way to do that. It does involve a DAW such as what I use....Sonar.
I have imported my tracks from RB into the tracks in Sonar. I record my live stuff in other tracks in the project. When I make a mistake and need to fix something, I simply set the resolution to what I prefer which is often "Measure" but can be "Quarter" note or something else entirely. I use the cursor to highlight the part of the track with the mistake that needs fixing and drag through the mistake. I set the punch recording and activate the points which appear at the start and end of the highlighted area. I click in the track, in the highlighted area and delete what's there. I now have a hole in the track....
I now set the start point a few measures ahead of the punch in point and hit RECORD.... it gives me a count in and starts playing. As soon as it hits the PI point, it starts grabbing and printing my guitar or vocals and when it hits the PO point it stops. All in and out transitions occur at a zero crossing of the wave so there's no click or pop in that transition on either end.
Personally, I find this to be the most expedient way for me to work. Your Mileage and experience may vary
Edit: I've used this where the punch point was in the middle of a held note. I was expecting a noticeable change..... nope.... nada..... zip. It was like it was one continuous good take. Of course, the object was to duplicate as close as possible the original take so it wasn't done 2 distinctly different ways. That matters in situations like this.
Last edited by Guitarhacker; 02/15/2105:44 AM.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
Newbie question: How do you use punch in recording? My understanding is that if I make a mistake, I can re-record over a section of a recording. ......... Maybe there's a better way?
Others have instructed you how to do it in BB & RB.
Personally, I think there's a better way to do that. It does involve a DAW such as what I use....Sonar.
I have imported my tracks from RB into the tracks in Sonar. I record my live stuff in other tracks in the project. When I make a mistake and need to fix something, I simply set the resolution to what I prefer which is often "Measure" but can be "Quarter" note or something else entirely. I use the cursor to highlight the part of the track with the mistake that needs fixing and drag through the mistake. I set the punch recording and activate the points which appear at the start and end of the highlighted area. I click in the track, in the highlighted area and delete what's there. I now have a hole in the track....
I now set the start point a few measures ahead of the punch in point and hit RECORD.... it gives me a count in and starts playing. As soon as it hits the PI point, it starts grabbing and printing my guitar or vocals and when it hits the PO point it stops. All in and out transitions occur at a zero crossing of the wave so there's no click or pop in that transition on either end.
Personally, I find this to be the most expedient way for me to work. Your Mileage and experience may vary
Edit: I've used this where the punch point was in the middle of a held note. I was expecting a noticeable change..... nope.... nada..... zip. It was like it was one continuous good take. Of course, the object was to duplicate as close as possible the original take so it wasn't done 2 distinctly different ways. That matters in situations like this.
Exactly how I do it in Cunase. Never an issue and very precise. Thumbs up for sure!
Mike
Focusrite 2i2 2nd Gen Windows 10 pro 1709 16299.125 Intel core i7 6700k CPU @ 4.00GHz 4.01 GHz 16 gig memory BIAB UltraPak version is 2025 (Latest) Cubase pro 9
Band-in-a-Box® 2026 for Windows® Special Offers Extended Until January 15, 2026!
Good news! You still have time to upgrade to the latest version of Band-in-a-Box® for Windows® and save. Our Band-in-a-Box® 2026 for Windows® special now runs through January 15, 2025!
We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Windows®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PST on January 15th, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Upgrade to Band-in-a-Box® 2026 for Windows® today! Check out the Band-in-a-Box® packages page for all the purchase options available.
Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
In this video, we explore the updated Piano Roll, complete with a modernized look and exciting new features. You’ll see new filtering options that make it easy to focus on specific note groups, smoother and more intuitive note entry and editing, and enhanced options for zooming, looping, and more.
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Windows®
With your version 2026 for Windows Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
Android Band-in-a-Box® App (included)
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Join Tobin as he takes you on a tour of the new user interface in Band-in-a-Box® 2026 for Windows®! This modern GUI redesign offers a sleek new look with updated toolbars, refreshed windows, and a smoother workflow. The brand-new side toolbar puts track selection, the MultiPicker Library, and other essential tools right at your fingertips. Plus, our upgraded Multi-View lets you layer multiple windows without overlap, giving you a highly flexible workspace. Many windows—including Tracks, Piano Roll, and more—have been redesigned for improved usability and a cleaner, more intuitive interface, and more!
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean