The 1st question that popped into my mind was "Why program the acoustic when he plays so well?" Then I figured it was a case of "..because I can..". That's my little side bar to self. Lovely song lovely arrangement and texture. You've focused on the intimate, small moments and things that actually mean a lot to the participants while your vocal brings this listener in from being a voyeur to part of the story. There was one kick drum hit that seemed odd but it didn't when I re listened. Excellent.
Thanks, ray..."...the intimate, small moments and things that actually mean a lot to the participants while your vocal brings this listener in from being a voyeur to part of the story."...a nice way to put that. I am aware of the odd kick. The acoustic vst is a very popular sound in many of today's country productions...and fun to play with....
FJ, Big Sound love tune! Vocals one of your best! Nice harmonies. Fantastic work on VST guitar. Good one. Thank you for sharing!
Misha.
P.S. Congrats on your recent album release!
Thanks for the fine comments, Misha. And for the mention of the new "album" - it is just a vanity project - mainly so I can listen to it on Apple Music... Your new on Blew me Away...
Originally Posted By: Derochette
Hi floydjane,
Very pretty love story and it'beautiful lyrics. I enjoyed playing your well-chosen guitar which perfectly accompanies your lovely voice. It's addicting and well done. I apprecied it a lot.
Kindly regard Derochette alias JaniJackFlash
Thank you, Derochette....
Originally Posted By: robsmusic
This is a beautiful song!
i like your phrasing throughout ...
for example in the chorus, where you tie "things that only lovers do moments that only"... very nice!
Well, it's finally happened. My favorite Floyd Jane song.
It certainly wasn't this alone, but the harmonies on "do" are excruciatingly beautiful. I'll have a hard time explaining this one to the one I love, but it'll be fun. Trust me.
Thanks, Tangmo...
Originally Posted By: gruverider
Beautiful melody!!! Loved every second of this song! And you're mix captured the beauty perfectly.
Very few things inspire me to write like a good riff and this is an excellent one.
Outstanding!
And the intro and outro sound effect are a creative addition.
I appreciate all of that, Lawrence....
Originally Posted By: MarioD
The guitar VSTi was programed perfectly, your vocal was outstanding as usual, the harmonies were great, the lyrics fantastic, and the mix was super. This may be your best to date.
Love that acoustic guitar melody—really catchy and engaging; grabs you right from the start and keeps you until the last. Just the right percussion choices along the way—subtle but adding so much to the song. Among your best vocals. Just a real pretty song, too! First rate all the way!
Your voice is in fine form here. I really like this song. Excellent lyrics and melody. Just a top notch composition and performance.
Thanks, Scott...
Originally Posted By: Leon1
Hi Floyd Very nice indeed. The lyrics are excellent, you sing them beautifully (your upper register sounds real good to me) and the guitar sounds great. Another top quality song. Regards, Leon
Great song Floyd. Everything about this track just works. Your vocals are particularly impressive. I have used the Ample guitar as well and for a free VST it terrific. I recently invested in Native Instruments' Session Guitarist Picked Acoustic and I love the sounds and patterns available. If you're interested you can hear picking and strumming examples throughout my song Wandering
This is so awesome, I decided to rip off the riff and try it on my Yahama.
Sounds nice.
Man, I got something coming up.
Thanks!!!
* Seriously, this is great. But it DID make me run straight for my guitar, which is a good thing, and it DID give me an idea immediately.
Thank you, Mr. Snyder!!
Originally Posted By: rsdean
Floyd,
Such an excellent song and mix. Your vocals are outstanding - you are such a strong singer.
This belongs on the radio...
Bob
Thanks, Bob!! (great to have you back!)
Originally Posted By: BabuMusic
"Once I had it, I thought I might as well write a song with it..." Haha. Might as well. No one can do it better, Floyd. You're the kind of songwriter that can pick up a handful of dust and make humans... smile and sing, and be glad to be alive. Glad I found your music! Another brilliant performance.
Marty - thanks for the great review!! Always appreciated...
I really enjoyed it. I like how you get directly into what a good song needs in your performance and producing...
Uffe - I appreciate that...
Originally Posted By: Soundchaser
Really like the arpeggiated guitar and how the melody moves against it. Love the composition.
Thanks, SC...
Originally Posted By: mkg50 (Mike G)
Great song Floyd. Everything about this track just works. Your vocals are particularly impressive. I have used the Ample guitar as well and for a free VST it terrific. I recently invested in Native Instruments' Session Guitarist Picked Acoustic and I love the sounds and patterns available. If you're interested you can hear picking and strumming examples throughout my song Wandering
Mike - Thanks for having a listen. I enjoyed hearing your use of a vst acoustic guitar... they open up different (good) possibilities...
So, So SWEET!!! Love the way that riff carries the song along like a gentle train ride!! Floyd, your vocals just get better and better!! This is the first time I heard the bridge........a great one!! You write damn good bridges........oh yeah, and verses and chorus too!!! Beautiful song in every way!!!! Take care. Greg
Excellent song and a great performance. One of your best IMO.
Even though I am a guitar player I still occasionally use Ample guitars and basses. I think they have a free bass as well - worth checking out. I have occasionally used BB midi files to play Ample sounds - especially their upright bass (unfortunately not a freebee).
So, So SWEET!!! Love the way that riff carries the song along like a gentle train ride!! Floyd, your vocals just get better and better!! This is the first time I heard the bridge........a great one!! You write damn good bridges........oh yeah, and verses and chorus too!!! Beautiful song in every way!!!! Take care. Greg
Thanks, buddy. Appreciate all of that (and the early ears).
Originally Posted By: Chris Dent
Excellent song and a great performance. One of your best IMO.
Even though I am a guitar player I still occasionally use Ample guitars and basses. I think they have a free bass as well - worth checking out. I have occasionally used BB midi files to play Ample sounds - especially their upright bass (unfortunately not a freebee).
Chris - thanks for dropping in for a listen. I really enjoy using the Ample guitar to add a different element to a production. I have the (free) bass, too, and have used it a few times for some basic bass lines. I thought about trying them with some BIAB midi styles, but haven't gotten around to that (there's just SO much to explore in BIAB!)
The verse is going along pleasantly enough and then that chorus comes along and takes you soaring into musical sky. Wonderful song, and always, that world class voice.
Windows 11, Intel Core I5 10400, 16 gig ram, Scarlett 2i2, Sony Acid Music Studio 10, BIAB 2020 UltraPlus Pak
I’ve listened to this song a number of times. It’s an outstanding creation. Seriously! I love the riff. I have never once thought about using an ostinato to underlie any of my musical arrangements. When I listened to this, though, I was incredibly impressed. Apart from a few notes that change in the fourth bar, the guitar riff remained constant throughout. To my ears, this is impressive ostinato-based arranging!
One famous ostinato that I recalled as I listened to your song is “The Theme from Peter Gunn” by Henry Mancini. In this work, it’s the bass that takes the repeated riff. The clip below shows the Qatar Philharmonic Brass playing this theme. How the tuba player manages to keep the ostinato going is beyond me. He’s awesome.
As is often the case, your lyrics also captured my imagination. The first thing I noticed was the use of perfect rhymes. These definitely give a more settled aural feel and rhyming lines 3 and 6 in each verse gives good closure. I found myself wondering if such balanced rhyming acts to bring some stability to the tension created by the ostinato as the chords change. I don’t know. It’s just a thought that came to mind.
At every one of the many Pat Pattison, weekend workshops sessions that I’ve been to over the years, Pat always says, “Verses show and choruses tell.” This is Pat’s show-and-tell approach to lyric writing “Lover’s Secrets” is a perfect example of how songwriting show-and-tell works. In the verses, you show the listener specific list-items that are unique to an intimate relationship. Then, in the chorus, you provide the listener with the context that surrounds these items. I like it a lot! It’s very effective writing.
I’m always excited when I come across a song that has so many good features that it can be used as a template for songwriting and song-arranging. “Lovers’ Secrets” is definitely one such song.
Lyrically, emotionally and spiritually, this song, your voice and the simplicity of an arrangement that brings all the complexities of the things lovers do. I agree with Alan (Al-David), this is romance in the sweetest way.
Maybe it's my choice of songwriters on here that I end up listening to, but you people on here are determined to make me cry (in the best way possible) when I listen to your songs, it seems.
The first word which comes to mind is: AUTHENTIC. Your sound drips authenticity. When you sing, people sit up and listen. Authentic and sincere.
Not much more to say, just this: this is what so many of us want to say to that special one in our lives, and don't know how to say it. I'm single now, but next time I meet someone special, I hope you won't mind if I play her this song. It'll be either this or my incoherent usual babbling, and I think she'd appreciate hearing this more :-) Bravo.
With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.
Band-in-a-Box® 2026 for Mac is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 100 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
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Upgrade to Band-in-a-Box® 2026 for Mac and save up to 50% on most upgrade packages during our special offer—available until May 15, 2026. Visit our Band-in-a-Box® packages page to explore all available upgrade options.
2026 Free Bonus PAK & 49-PAK Add-ons
Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Mac packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49.
Band-in-a-Box® 2025 for Mac® users: Build 904 now available!
If you're already using Band-in-a-Box® 2025 for Mac®, make sure to grab the latest update! Build 904 is now available for download and includes the newest additions and enhancements from our team.
PowerTracks 2026 is here—bringing powerful new enhancements designed to make your production workflow faster, smoother, and more intuitive than ever.
The enhanced Mixer now shows Track Type and Instrument icons for instant track recognition, while a new grid option simplifies editing views. Non-floating windows adopt a modern title bar style, replacing the legacy blue bar.
The Master Volume is now applied at the end of the audio chain for consistent levels and full-signal master effects.
Tablature now includes a “Save bends when saving XML” option for improved compatibility with PG Music tools. Plus, you can instantly match all track heights with a simple Ctrl-release after resizing, and Add2 chords from MGU/SGU files are now fully supported... and more!
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