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Songwriting
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M4 pro Mac mini 1tb HD 24GB mem M3 MacBook Air 16GB mem casio wk7500 presonus audiobox i2 usb interface
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Songwriting
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Joined: Apr 2018
Posts: 266
Apprentice
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Apprentice
Joined: Apr 2018
Posts: 266 |
Thanks for posting this. I shared it in about ten songwriting groups where I'm a member on Facebook and re-posted it on my Facebook timeline.
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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Songwriting
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Joined: Apr 2017
Posts: 2,141
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Well, it's an interesting talk and he's described problems have been known a long time. I can't discuss much of what I did at ASCAP for all those years but the PROs absolutely know how bad this is and why.
His proposed solutions, likewise, are spot on but Björn and Benny don't even have the clout to get Spotify to change their wicked ways… It would surprise me if ABBA hadn't brought more revenue into Sweden than Spotify. If they can't get the major offender from their own country to behave, it's more dire than he lays out. And it is.
What I was hoping for are suggestions about what can be done by the public to put pressure on the streaming industry to actually make those changes. The real problem is that the public doesn't care—they want it free.
The European Union is ahead of the US in this regard but both are way behind considering the work that must be done. Continued pressure must be brought down from the EU and Congress. They let this system be born broken and the industry has no desire to fix itself. Repealing the DMCA and replacing it with a law that had teeth would be a start.
The great promise of the internet is that you can get anything you want whenever you want it.
The big lie is that it should be free.
BIAB 2026 Audiophile Mac 24Core/60CoreGPU M2 MacStudioUltra/8TB/192GB Sequoia/Tahoe, M1 & M5 MBAir, 2012 MBP Digital Performer11, Logic, Finale27/Dorico/Encore/SmartScore/Notion/Overture
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Songwriting
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Joined: May 2016
Posts: 368
Journeyman
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Journeyman
Joined: May 2016
Posts: 368 |
Basically - nothing should come for free, and EU + USA could lead by example, by securing a minimum payout per play count. That would in some respect deal a bit with Spotify Free and Youtube, whom IMHO are the worst, when it comes to pay out.
MacMini M1 - BIAB2021 - Logic Pro X - iZotope Music Production Suite - Scaler 2 - far too many Waves plugins and Line 6 Guitars and boards + a fantastic Yamaha THR10ll mini Amp - Avid MBOX Studio
Peters' Garage is available on all major streaming services
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Songwriting
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Joined: Apr 2018
Posts: 266
Apprentice
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Apprentice
Joined: Apr 2018
Posts: 266 |
Well, it's an interesting talk and he's described problems have been known a long time. I can't discuss much of what I did at ASCAP for all those years but the PROs absolutely know how bad this is and why.
His proposed solutions, likewise, are spot on but Björn and Benny don't even have the clout to get Spotify to change their wicked ways… It would surprise me if ABBA hadn't brought more revenue into Sweden than Spotify. If they can't get the major offender from their own country to behave, it's more dire than he lays out. And it is.
What I was hoping for are suggestions about what can be done by the public to put pressure on the streaming industry to actually make those changes. The real problem is that the public doesn't care—they want it free.
The European Union is ahead of the US in this regard but both are way behind considering the work that must be done. Continued pressure must be brought down from the EU and Congress. They let this system be born broken and the industry has no desire to fix itself. Repealing the DMCA and replacing it with a law that had teeth would be a start.
The great promise of the internet is that you can get anything you want whenever you want it.
The big lie is that it should be free. According to a comment at the bottom of the following article from two years ago, "Spotify pays the labels (or whoever owns the master) VERY WELL. The labels in turn however, do not fairly account to their artists. And of course, songwriters get screwed." So, it seems that the best and easiest way for songwriters to rectify this situation in the short term is to have their own label company that owns the masters and publishes their songs because, as another comment further down states, "It is also much easier and cheaper for songwriters to be master and label owners today. Indie distributors make this possible for all." https://www.shellypeiken.com/blog/songwriters-vs-spotifyThen there's the following article that further complicates this situation: https://www.musicbusinessworldwide.com/spotify-vs-songwriters-publishers-remain-confident-that-streaming-platforms-will-be-forced-to-increase-royalties-in-the-us/
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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Songwriting
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Joined: Apr 2018
Posts: 266
Apprentice
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Apprentice
Joined: Apr 2018
Posts: 266 |
This quote from the following article confirms the statement I quoted in my previous comment: "The music publishers’ plan, quite deliberately, is to go in impossibly high. As Israelite tells it, in the world of synchronization, licensing fees in the US are broadly split 50/50 between publishers (and songwriters) and record labels (and artists). Yet when it comes to streaming, a very different equation shakes out: publishers/songwriters are paid that 10%-15% headline share of Spotify’s revenues (divided up by their market share), while the major record labels are understood to be paid a 52% share (divided up by their market share)." https://www.rollingstone.com/pro/features/songwriters-spotify-amazon-crb-royalties-war-1015116/
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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Songwriting
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Joined: Jan 2020
Posts: 3,694
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Veteran
Joined: Jan 2020
Posts: 3,694 |
i really enjoyed the thoughtfull Bjorn abba vid. doesnt it show a sad state of affairs in the music industry ?
lets look at it from the viewpoint of a talented young person with a lot of creative song ideas. and starting on the songwriting journey. on the one hand this young person is often told... "ya gotta buy all the right big boy tools to get a hit... big name computer/daw/plug ins/mics/interfaces/speakers etc etc and oh btw if ya want that vintage sound better get an old vintage console/mics/24 trak 2 inch MTR and treated room etc etc"...lbut then at the end... "oh btw youll make bout 20 buks a month revenue from your songs". less than working couple of hours minimum wage at retail. kinda lopsided dont ya think ? completely out of whack imho. ie investment vs income return.
the other issue is how does that new young keen songwriter get exposure ? yes they can use an internet site. but do the millions of the music listening public really spend lots of their time trolling through the tens of thousands of new songs uploaded to the net each month ? some maybe..but most peoiple dont bother i suspect due to laziness.
the above points are why ages ago i decided on a big rig big big downsize to a very small project (refurb computer based) studio. (i saw this whole problem possibly coming when i was working in tech.) also i just wanted a very quiete life with my wife.
i sincerely worry where future generations of songwriters are going to get an income from. i was looking at a high end mac tother day. lovely machine starting at 6k if i remember. would like one. but at 20 bukkies a month royalties would take something like 25 years to pay off. how can i justify the purchase ?
remember when henry ford intelligently realised that workers needed a decent income in order to buy cars ? does one see parallels today ? in conclusion i believe lack of royalties will impact gear purchases. truly its a sad state of affairs.
best OM
my songs....mixed for good earbuds...(fyi..my vocs on all songs..) https://soundcloud.com/alfsongs(90 songs created useing bb/rb) (lots of tips of mine in pg tips forum.)
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Songwriting
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Joined: Apr 2018
Posts: 266
Apprentice
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Apprentice
Joined: Apr 2018
Posts: 266 |
Perhaps the boom that's allegedly coming to the music industry will help make it possible to "rebalance the song economy." https://journalofmusic.com/focus/2021-music-boom-coming
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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It's not a good idea for anyone to quit his/her day job over the Pollyanna nonsense in that article.
BIAB 2026 Audiophile Mac 24Core/60CoreGPU M2 MacStudioUltra/8TB/192GB Sequoia/Tahoe, M1 & M5 MBAir, 2012 MBP Digital Performer11, Logic, Finale27/Dorico/Encore/SmartScore/Notion/Overture
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Ask sales and support questions about Band-in-a-Box using natural language.
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Peter Gannon Talks Band-in-a-Box with zplane
zplane recently interviewed Peter Gannon, the founder and creator of Band-in-a-Box, about the software's early days, what sets it apart from AI, how zplane's audio algorithms are used in Band-in-a-Box, and more!
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Check out the full interview here: https://products.zplane.de/blog/peter-gannon-interview-pg-music
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Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
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