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Songwriting
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Joined: Aug 2011
Posts: 10,928
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OP
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Joined: Aug 2011
Posts: 10,928 |
Do you think some artist performances are so strong they make a song that wouldn't otherwise be popular, popular? Or that sometimes a song is so good that it would be popular regardless of the artist?
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Songwriting
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Joined: Jul 2019
Posts: 253
Apprentice
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Apprentice
Joined: Jul 2019
Posts: 253 |
Absolutely.
My favorite example is "Tutti Frutti". If you listen to Little Richard's version, it's pure magic. Then go listen to the Pat Boone version.....
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Songwriting
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Joined: Jun 2012
Posts: 3,853
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Veteran
Joined: Jun 2012
Posts: 3,853 |
I kinda feel like, in the past, it was the record companies and radio stations that made the songs popular. They would choose what they considered the best (or most likely to catch on) and then they would play them over and over and over until they became earworms.
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Songwriting
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Joined: Jun 2012
Posts: 1,081
Expert
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Expert
Joined: Jun 2012
Posts: 1,081 |
I don't know but I have always found it interesting that how the Rolling Stones were labeled the bad boys (to the Beatles good guys) and then when they started writing their own songs they actually were able to write to their image. That's pretty amazing. I think most artists form their image around the songs they write or are given.
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Songwriting
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Joined: May 2008
Posts: 5,085
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Veteran
Joined: May 2008
Posts: 5,085 |
What a thought provoking question. I suppose both senarios can be true.
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Songwriting
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Joined: Apr 2009
Posts: 10,669
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Veteran
Joined: Apr 2009
Posts: 10,669 |
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Songwriting
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Joined: Aug 2014
Posts: 8,442
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Veteran
Joined: Aug 2014
Posts: 8,442 |
It may entirely explain the phenomenon of the one hit wonder.
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Songwriting
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Joined: Oct 2008
Posts: 734
Journeyman
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Journeyman
Joined: Oct 2008
Posts: 734 |
My wife asked if I had seen the dog bowl. I told her I didn't even know he could.
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Songwriting
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Joined: Oct 2008
Posts: 734
Journeyman
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Journeyman
Joined: Oct 2008
Posts: 734 |
I kinda feel like, in the past, it was the record companies and radio stations that made the songs popular. They would choose what they considered the best (or most likely to catch on) and then they would play them over and over and over until they became earworms. The music business has been turned upside down. I am sure many companies employ people to just "like" videos, instagram, facebook, twitter, spotify you name it. Just like the old days but you don't have to go to the DJ's and pay em off.
My wife asked if I had seen the dog bowl. I told her I didn't even know he could.
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Songwriting
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Joined: Jul 2015
Posts: 2,729
Veteran
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Veteran
Joined: Jul 2015
Posts: 2,729 |
In general, I think it is both and sometimes neither. There are of course exceptions to everything. Some things are totally illogical. For example... Who is PSY? A little hint...Najeneun ddasarowun in-ganjeogin yeoja Keopi hanjaneui yeoyureul aneun pumgyeok ittneun yeoja Bami omyeon shimjangi ddeugeowojineun yeoja Geureon banjeon ittneun yeoja Marketing is likely the biggest single factor. We drink Coke because we are told to drink Coke. When advertising budgets for The Coca-Cola Company were cut sales dropped by large percentages. Who is Billy Ray Cyrus and how did "Achy Breaky Heart" become a hit? Ask Mercury Records how many millions they spent promoting the line dance and record. Timing is a major factor. If The Chordettes were to be a new group today, would "Mr Sandman" be a hit? It is not "kids" who buy music. It is sold to older people. Here is a pretty good article that will give you an idea of who is buying music. https://spinditty.com/industry/Who-is-Buying-the-Most-Music-Its-Not-Who-You-ThinkSo...the answer to the question can not be answered by a single yes or no. Billy
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
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Songwriting
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Joined: May 2016
Posts: 368
Journeyman
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Journeyman
Joined: May 2016
Posts: 368 |
In the past you needed a contract with a record company and promotion, and over time you could earn enough street credit to sell solely on your b(r)and name.
Today you pay a distributor for getting your music public available, but to get heard you still need marketing/promotion to stand out from theist amount of music just waiting to be heard. If you're an already established b(r)and - your way to do well commercially is more likely to happen.
Essentially you are more prone to get a lot of streams/getting A rotation if you're well established. To stay on top you need to publish songs with a certain quality or have a back catalogue that keep your star shining forever.
Does this mean that all good songs are purely written by top 100 artists or their song writer teams? -It all comes down to taste
I've heard a lot of songs from members of this forum with very high quality, but very few (if any) became hits. I think promotion has been and always will be the keyword.
*Disclaimer - the above post is not me mourning about lack of commercial success*
MacMini M1 - BIAB2021 - Logic Pro X - iZotope Music Production Suite - Scaler 2 - far too many Waves plugins and Line 6 Guitars and boards + a fantastic Yamaha THR10ll mini Amp - Avid MBOX Studio
Peters' Garage is available on all major streaming services
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
In this video, we explore the updated Piano Roll, complete with a modernized look and exciting new features. You’ll see new filtering options that make it easy to focus on specific note groups, smoother and more intuitive note entry and editing, and enhanced options for zooming, looping, and more.
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Watch the video.
You can see all the 2026 videos on our forum!
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Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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