a maj7(#11) (R-3-5-7-#11). If you are going for a specific sound you can also spell it maj7(b5). In this case there would be no natural five, it would be a 4 note chord rather than an extension: (R-3-b5-7).
It is not necessary to type upper or lower case. For example type c6 to get the C6 chord. You should never have to use the Shift key, as Band-in-a-Box® and PowerTracks will sort this out for you.
Any chord may be entered with an alternate root ("Slash Chord") e.g.: C7/E = C7 with E bass.
Separate chords with commas to enter 2 chords in a 2 beat cell, e.g., Dm,G7.
Use the letter "b" for a flat; e.g., Bb7
Use # or 3 for a sharp; e.g., F#7. The pound sign (#) is the uppercase symbol of 3, so you can actually type f37 to get F#7. Band-in-a-Box® and PowerTracks will sort out the case, saving you the effort of using Shift+3 to type the # symbol.
Tricky Chords:
C5b This is "C flat 5." It is spelled this way to avoid confusion.
C2, C5, C4, C69, C7alt, Cm7#5
Shortcut Chords:
If you enter a lot of songs, you'll appreciate these shortcut keys.
J = Maj7 H = m7b5 (H stands for Half diminished) D = dim S = Sus
Example: To type CMaj7 , just type cj (it will be entered as CMaj7).
Most chords don’t play correctly. Let’s be clear on this.
If PGmusic says BB “recognizes” chords, it’s incorrect and dishonest. Basically, Band in a box plays all the seventh chords and diminished. Beyond that (11ths, 9ths, even soms basis b9 stuff we play on a daily basis) it either doesn’t play it, or it depends on the instrument or real style. But mostly: BB knows no more than 8 chord types.
I did these videos 2 years ago. Peter Gannon PM’ed to discuss it. BB’s bass part follows the key of the song, not the chord type, is what I learned.
The conclusion must be: Band in a box can display a lot of chords, but can’t play them
Every serious investigation into MIDI and Real Tracks reveals that the harmony is poor inside band in a box.
Midi isn’t any better:
Last edited by Dzjang; 10/29/2204:25 AM.
Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums. Check out these great contemporary Jazz Styles: www.jazzstylezz.com
Dzjang, I remember these videos well and applaud the effort you must have taken to make them. Your discovery about the bass note choices were alarming.
I think I asked questions two years ago, but I cannot remember the answers, so I'll ask again.
1) what is the key signature of the song for all those chords in the bass demonstration? I ask because you say Peter said it matters. Key of C major? 2) I understand the bass lines, but how did you make a piano part play what appears to be the bass line in a higher register, when no style would do that?
Just trying to understand fully. Thanks.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
Ya, I think most of us are now aware of this. Try this simple progression. What would you expect the bass player to do with this? Would he stay on A as the notation is attempting to indicate? Or would he dance around the Am scale? Would it depend on the style selected? Would it depend on the RT or Midi Bass selected? Give it a try.
Fact is, you have less control over this in BIAB than you may think. The conclusion will be, that when your ear becomes trained and your writing becomes specific, you are no longer "playing around" and its time to graduate. In the meantime, have fun. Just don't tell swingbaby.
Couldn't Biab create the notes "intelligently" by using the Playable RealTrack samples ??? and allow custom user chords ??
I tried adding the notes manually and it's sounded perfect using the RT sample set. Short of exporting to Reaper and using Melodyne or doing a deal with Celemony to include Melodyne within Biab internally, this works. Obviously RealTracks can't be recorded with all the chords listed above that Biab “recognizes”. How else would this forever recurring issue ever be solved ?
If Playable RealTracks were shown how they could work years n years ago but were only just implemented recently with users amazed that "PG" worked out how to do it as they didn't think it was possible. Will this be another example suggested here that too will be implemented years down the track ??
RapidCompser is adding the chord note to the phrase below and allows users chords to be added to the library.
See how other companies did that after it was suggested here, with their RealTrack instruments that have all the pre-recorded chord playing phrases but also lets you add notes, so you can drag export a phrases as midi, add notes to it to get the chords or solo you want.
"Virtual Guitarist SPARKLE 2 is your session specialist for chords, octaves and single note electric guitar riffs. A true team player that doesn’t hog the limelight, supporting your songs with just the right amount of swagger and style."
I tried exporting some midi bass from Biab and converting them into a phrase in RapidComposer to fit scale and chord notes, so there's no passing notes. With midi or RC in Biab it should be able to refit it to the notes you need and use in a good bass plugin. I'm not musical but if I were I would get more into it and try and work out a better way.
@Matt: key was C major. It’s the reason why people say their song sounds lydian all of a sudden. They have a song in Bb, but have accidentally left the key signature in F for easier reading or they forgot to change it.
But, you know why I don’t like the idea of key. I had a stand in bass player who didn’t know the changes to All the things you are. He asked what key it was in. A good time was had by all. (Not knowing the changes to ATTYA is no biggie, but we did have a great time laughing. It made for “great” variations on the theme: what key is Giant Steps in? And What key is the bridge to Have You Met Miss Jones in)
What is the key for a Kenny Wheeler tune, Wayne Shorter, Joshua Redman, Beatrice (Sam Rivers’ wonderful tune)? That is the reason I dislike the reasoning behind BiaB’s harmony.
In realtracks it is possible, but you would have to record every possible chord. And the results show that the bassline is often not in line with the piano or guitar. The harmony is all over the place in most styles.
Jjazzlab and Yamaha midi styles stick to the harmony better, but the way midi styles are organized in BiaB is better (random choice of 2 bar, 1 bar, half a bar… patterns). It offers a lot more variation. Three choruses of BiaB with all its’ harmonic shortcomings, still beats one chorus of repetitive Yamaha styles. (The same patterns repeat every four or eight bars in Yamaha styles)
Works for most pop and most standards, though.
Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums. Check out these great contemporary Jazz Styles: www.jazzstylezz.com
Thanks for the reply reminding me of your reasoning. Yes, a lot of adventurous jazz tunes are written in C because it’s just too difficult to assign a key signature, or impractical and confusing to change it rapidly each new key center. So, you are correct that BIAB is at a disadvantage in such tunes because setting the key signature in BIAB does have effects. The irony is that BIAB was originally developed to enter tunes from jazz fakebooks.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
@Musocity What RC does is neat. Instead of using a zillion chords, they refer to the underlying chord scale. That limits the possibilities and you‘re left with diminished, wholetone, 7 church modes, 3 modes of harmonic minor and all the melodic minor modes. Less than 20 different possibilities. I strongly believe all music is limited to these 20 chords. Even Stevie Wonders’ most intricate substitutions are relatable to melodic minor, wholetone and diminished.
Jjazzlab uses the same idea and it makes for great harmony.
That would cover all music, save for Debussy and some obscure modern jazz.
Btw: in your examples you took chords from harmonic major. That’s really advanced. Most of us mostly use the major scale (melodic major, sometimes called), Harmonic Major is “out there”, like Neapolitan Major/minor. Weird stuff is about to happen if you use these scales.
I dig your suggestions, your posts make lots of sense, even the Melodyne idea. Like you say, I also think it will be possible in a few years time to take a rhythm section you love (say, the Miles Davis quintet in the 60’s) put in your own lead sheet and “they will play it”.
Another route is the one taken by Toontracks and others and go back to midi with all these great sounds you have nowadays. Have great players program patterns and there you go. The possibilities are endless, I think.
Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums. Check out these great contemporary Jazz Styles: www.jazzstylezz.com
I posted this for someone that didn't want approach notes. But this can be done intelligently by muting the RealBass note that's out on a chord and replacing with a PlayableRT sample note (Change Select Note to Playable) on the correct note with the green mute section marker notes that can be copied and pasted.
Also you have this but it converts the track into a wav file.
Fix "Sour" Notes
Out-of-tune notes in RealTracks will be auto corrected to match chord tones. This fixes notes that are outside of a desired chord or scale by pitch shifting them. For example, a G# will be pitch corrected down to a G if the current chord is CMaj7. This feature can be used for editing specific regions of an audio track, or it can be applied as a track setting that will automatically pitch correct RealTracks when they are generated.
For the Audio track, highlight the region you want to fix in the Audio Edit window, click on the [Edit] button, and select Fix “Sour” Notes from the menu. Then, when the dialog opens, select the rule to apply for the pitch correction.
For the RealTracks, right-click on the track radio button on the main screen, go to Track Settings - Auto Fix “Sour” Notes, and select the rule to apply for the automatic pitch correction. For example, if Song Chords is selected, a G# note played on a CMaj7 chord (C, E, G, B) will be pitch shifted to a G note. Choose Specific Parameters opens the dialog that describes each rule and allows you customize the rules.
Rules: The defines the rules for the pitch correction. You can see the description for each rule in the above area.
Process MIDI: If this option is enabled, any MIDI on the track will be processes as well. Notes within the selected region will be changed according to the chosen rule.
Sensitivity Level: Increasing the sensitivity level will cause weaker notes to be detected. Decreasing it will cause weaker notes to be ignored and unaffected by the pitch correction.
Transient Level: Increasing the transient level will make transients (e.g. beats like plucking sounds or drum hits) louder. Decreasing it will make transients quieter.
Smoothing ms: This is the length of time that notes will take to change in milliseconds. Increase this for instruments that sound better with slower bending between notes like vocals or pedal steel. Decrease for rigid sounding instruments like piano.
Pitch Correction: This will correct the tuning of notes. For example, a guitar might have one string out of tune, and notes played on that string will be pitch corrected.
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
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Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
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