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What a heart-touching story lyric. Everything about this sounds good, particularly the guitar sound and the melody. Just as Ray said, the chorus stays with you. This one just shot up the Floyd chart. Thanks, Scott... It's a good thing the tempo wasn't any slower or I might have ended up sobbing. Clever use of the 21,32,43. I always know the mix will be good, the choice and editing of the real tracks will be good and your harmonies will be spot on. So I concentrate my listening to your lead vocal and how the emotion hits me. Yes it worked-great job! Of course I study the write which is my favorite part of your work. This one is high up there along with many of your greatest hits catalogue. You are just really good at this, especially love songs. Looking forward to the next one, Tom Appreciated, Tom.... Hi FloyD I agree this is a bar razor. loved the way you choose instruments, for me the lyrics were very thought provoking and bittersweet express nicely. a well written story thanks for sharing, Eric Thanks, eric... Hey Floyd, I'm back!  This is such a nice listen. For sure up to your normal excellence! I love that chord progression. (Always have) The instrumentation is wonderful. I really like the cello in the bridge! The story caught me a little off guard... wasn't expecting her to die. Anyway, another song that proves what a talent you are! Nice job! Greg PS I'm finishing up a new song and should be posting it soon. Good to see you back, Greg...
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Posts: 252
Apprentice
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Apprentice
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This is my favorite song of yours. Great job-- I was right there with you in the mall--
Bob
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Nicely done....
I liked how you changed the lyrics in the choruses to move the time line along.
I liked the twist at the end. Wasn't expecting that. I had to go back and reexamine the lyrics in V1 after that.
Good work. For me personally, the bass was a bit light but it worked well in the context of the song as you recorded it. Thanks, Herb... Seriously Floyd, give a guy/gal a warning! Do you not realize that people might listen to songs in their vehicle, in heavy traffic, that's not moving, with people looking staring at them with concern? Not cool. Not cool at all. Anyway... It's hard for me NOT to go into all the things I hear you and Bill are doing so well. There are just too many. The phrase "next level" is used a bit too often these days, but in this case, I really do believe it applies. There are a number of words I wouldn't think to put together as "rhymes" that you made work so well. Once quick example green grass/cactus. There are others obviously as well, but it's THAT kind of thing that notches everything up. The time progression treatment with numbers, as others have mentioned, uniquely creates interest. Also 1st chorus sitting in the hot Georgia Sun then later clear Georgia night. Brilliant. Small view being day to night, larger view being early life to a passing. Crazy good! Of course, I always like it when someone can lead into a chorus lyrically as well as musically... i started a new life, i thought i'd relearn how to smile
and sometimes i'm better, but way more than once in a while
i find i'm back in athens
when i was married and thirty-two I'm not sure what's yours and what would be Bill's so you reach get a prize. The choice and placement of instruments also had me wowed. Again, without going into too much, adding lap steel in the second chorus really moved it in a slightly different way without being too obvious. I hate using the phrase "ear candy" because people seem to throw that phrase around a bit too much in my opinion however how you did it…THAT is how it's done! Fantastic! How else? Well, let's add cello for the bridge! Loved that! Final chorus, why not fiddle? NONE of it was obnoxious, maybe at times for a lot of people, not noticed. But without it, a song can become a bit repetitive and boring without knowing why. THAT is what ear candy is supposed to take care of...as though you didn't know that.  The last thing I will say is I also REALLY appreciate that you do NOT do. Everything has it's pacing and isn't rushed. You allow the melody and sections of the song to breathe when they need to. It's not filling every space. I don't mean from an orchestration standpoint, but from that combination of arrangement and production that is very difficult to truly teach. Example you say? Just one would be the space between the 2nd chorus and the bridge. PERFECTION in my opinion. Nothing long, just time to pause for a moment and take in what you've already taken in before moving on. You do this in your individual lines as well, as I'm sure you know. Anyway, this is one reason I don't post as much. I could go on and on and spend 2 days on a reply. Instead I speak it and have the voice to text do it's thing...poorly I might add. If something's not clear or seems way off in what I said, my apologies in advance. I've really learned I don't care for leaving comments. They are much less conversation and edited...aside from me obviously not proofing mine. This time, I just felt overwhelmed in the need to say something. If you knew how much I dislike writing comments, you would understand how much I loved what you have done with this song. Thanks a million for sharing a song of this caliber. The forum is very lucky to have your and Bill's contributions ! Again, consider a slight heads up though. $268 later my therapist agrees it's a great song.  C - thanks for the great review/comments. Most of the things you mention regarding the lyric is all Bill's doing. He is an excellent lyricist with a terrific sense of prosody. I can take credit for the music/instrumentation/etc... Your therapist can take credit for whatever she chooses A melancholic story turned into a beautiful song.
Bill and you did a wonderful job!
Rob and Anne-Marie Thanks, y'all... Floyd,
Love the ascending chord progression on the acoustic guitar in the opening (and thereafter)--nice production choice there. Terrific write--sadly sweet and touching. Great vocal and harmonies to go with a stellar production. Not much I can add to the many deserving accolades above. Just so, so well done!
My best to you,
Deej Appreciated, Deej... Your interpretation of Bill’s lyric is powerful (as Janice just said.) Those sublime vocals and your melody, along with the stellar arrangement and clean, open mix made this sad story somehow hopeful. I want to learn how to use RT’s the way you do when I grow up.  The way you bring them in and out to subtly enhance the melody is remarkable. Great collab! J&B Thanks! (I think you know just what to do with those RTs already... )
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"i traded our green grass for cactus and rocks on the lawn
threw out my old red bulldog sweatshirt, the one you always had on
two golden rings are stuck way in the back of a drawer
along with the pictures i can't bear to see anymore"
I loved these particular lyrics, but the whole song is beautiful. I cried. Well done - that doesn't happen so often any more.
You have this particular voice that is recogniseable a mile away ... no-one can beat you at what you do, and this kind of song is easily something you excel at, i.e. that kind of experienced, mature voice - looking, somewhat wryly, back over the years - understating things and letting them speak for themselves. Most importantly, you've moved me - and, I suspect, many more - to tears. Well done.
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Hi Floyd
Another first class song. Beautifully sung as usual, lovely choice of instruments and an unexpected twist in the story. Kudos to Bill on the lyrics.
Regards,
Leon Thanks, Leon. Floyd,
I payed special attention to how the realtracks worked together on this track and couldn't hear anything that sounded out of place or awkward as they sometimes will in conjunction with chord changes and how they fit the melody! You did a brilliant job making sure this sounded top shelf!
It's another beautiful FJ Country ballad, with excellent lyrics, performance and production!
Thanks, T Thanks, Torrey.... This is my favorite song of yours. Great job-- I was right there with you in the mall--
Bob
Appreciate that, Bob... "i traded our green grass for cactus and rocks on the lawn
threw out my old red bulldog sweatshirt, the one you always had on
two golden rings are stuck way in the back of a drawer
along with the pictures i can't bear to see anymore"
I loved these particular lyrics, but the whole song is beautiful. I cried. Well done - that doesn't happen so often any more.
You have this particular voice that is recogniseable a mile away ... no-one can beat you at what you do, and this kind of song is easily something you excel at, i.e. that kind of experienced, mature voice - looking, somewhat wryly, back over the years - understating things and letting them speak for themselves. Most importantly, you've moved me - and, I suspect, many more - to tears. Well done. Thanks, James...
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Posts: 4,497
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Hi, Floyd !
Your best undoubtedly (so far) !
that´s for sure !
I just loved those chords, the
lovely background and your sublime
singing !
Number one hit, straight for the charts !
Another Masterpiece !
Thanks Dani
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Holiday Weekend Hours
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Saturday, May 16: Closed
Sunday, May 17: Closed
Monday, May 18: 8:00am - 4:00pm
Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Don't wait - order today!
Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
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