I cited a similar problem a few weeks ago and keep having these issues. I'm currently working on a project using a piano soloist track called Pop Vancouver feat. Miles Black. Some great playing but a couple of undesirable passing notes throughout the song.

For example, in one bar on beat 1, I have a Bb chord and on bar 3 a Bb7. Right before the chord change, BB throws in an 'A' passing note which clashes with the minor 7th. In this instance, I simply do not want the major 7th feel. I regenerated the piano track a number of times, but couldn't prevent the major 7th.

In my previous post, Matt Finley and Bob Harvey suggested more specificity when entering chords. So in the example above, if I don't want the A, I simply changed the Bb chord to a Bb7. I like the transition from Bb to a Bb7, but so what; I've eliminated the undesirable note. This method could help in other instances.

I'm sure we'll see timely improvements in the next upgrade.

Percy