Hi Josie,

When in my little mancave, I always use my nearfield studio monitors, which are home built by yours truly, 8" poly drivers and titanium tweeters with a passive corssover that I designed in an attempt to alleviate crossover phasing problems somewhat.

When using my laptop on the road, I use Altec Lansing BX1220 USB powered speakers.

I very rarely use headphones for listening because I cannot stand what they do to the stereo imaging field (string sections coming from somewhere down around my collarbone, etc.) but there is something else that you must consider about your little survey here:

You are asking a bunch of recordists how they listen.

That is going to give a skewed result as compared to what the greter number of listeners, casual listeners and other types that make up the non-recording segment of humanity. The reality is that our recordings are quite often going to be played or presented on less than the highest quality systems and that is why Mastering by someone who knows the process well can make a big difference in how your musical presentations are heard. A good Mastering Engineer is going to know how to massage your sonic creations such that they sound prety good when played back on all sorts of systems, speaker or earphone, within the limits of what the two extremely different methods offer.

--Mac

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