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Joined: May 2000
Posts: 38,502
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Veteran
Joined: May 2000
Posts: 38,502 |
Quote:
It sounded good. And, disregard what I said about ribbon mics. I'm going to tell all the studios that have used them on me that they were wrong.
Hey Matt,
I didn't say that you could not use a ribbon mic on a Trumpet.
What I said was that a Trumpet can indeed generate enough Sound Pressure Level to SHRED one, or at least risk damaging the ribbon.
But this also must depend upon the particular player and more importantly, the STYLE of their playing at the time of recording. A lot of Latin style Trumpet, and especially Flugelhorn, isn't likely to be the same kind of playing that a Section might have to belt in a bigband or the likes.
But you know that.
The advice was given to someone recording at home with their own limited amount of equipment available and regards the purchase of - or not - a new microphone, one microphone. At that point, we shouldn't be looking at specialty tool as much as a tool that is *easy to get good results, *doesn't pick up much of the room, which is very likely not going to be studio acoustics, *covers a wide dynamic range such that any type of music style could be conceiveably recorded with the least amount of technical setup and provision to the user, that sort of thing was where I was headed.
At a well-equipped studio, if charged with the Tracking Engineering, I might go to the well-equipped mic cabinet and select a Ribbon mic for you as well, after auditioning what was to be recorded. Or maybe not. A lot depends upon other factors as well, such as what type of mic each particular engineer favors, what type of preamp they intend to use, sometimes it grinds down to what they feel most comfortable with using.
Bear in mind that in the studio there is typically another person involved at least, that Tracking Engineer can manually "ride the gain" if need be to prevent overdriving inputs or other possible means of distortions that can occur while the recording is being done. A person playing by themseles in the home studio is likely better off concentrating on the playing and using a mic/preamp combination that is pretty much "set and forget" in order to git-r-done.
--Mac
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Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
Join the conversation on our forum.
Band-in-a-Box 2025 for Mac Videos
With the release of Band-in-a-Box® 2025 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll also keep this forum post updated so you can easily find all the latest videos in one convenient spot.
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Reference this forum post for One-Stop Shopping of our Band-in-a-Box® 2025 Mac Videos — we’ll be adding more videos as they’re released!
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Band-in-a-Box 2025 Italian Version is Here!
Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box 2025 - Italiano
RealBand 2025 - Italiano
Band-in-a-Box 2025 French Version is Here!
Bonjour à tous,
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
BIAB 2025 - francisation
RealBand 2025 - francisation
Voilà, enjoy!
Band-in-a-Box 2025 German Version is Here!
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Stay up to date—get the latest update now!
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