Quote:

The fundamental problem is that some of the chords just don't resolve properly. The tune I'm working on has a lot of am7 to d7 progressions and instead of resolving the traditional 1/2 step, they are all over the place.



First of all, Am to D7 resolves to G, not a half step. That's what most of us think of as a 2-5-1 in the key of G. What's a "traditional 1/2 step"? Still, your chord changes may not do that anyway. If you put in Am-D7 and enter the next chord as a Db, that's what Biab will play including the B3 RT. It's not going to resolve it and play the G automatically for you. If you write in Am7-D7-G, that's what will play.
We just went round and round about this in another thread and the guy never posted the details of his complaint in spite of several requests to do so including one from Peter. If you can, post the Biab song on a website so you can post the link to it here. If you can't do that then post the style, key sig, tempo, chord changes and instruments you're using both midi and RT's so we can load it into Biab and see what's up. Or, you can send me a PM, I'll give you my email address and you can send it to me.

Just thought of something. Did you mute the bass track? The jazz B3 RT's includes the bass pedals, if you don't mute the bass track, you could be hearing a conflict between the style's bass and the organ's bass pedals. The blues B3 RT doesn't include the pedals, another reason we need to know exactly what you're doing.

Bob

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