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Well, I have been overwhelmed with work that past few weeks, and working about 60 hours a week. So I haven't had much time for songwriting/producing. So I just broke down and forced myself to write one tonight! It's called Stay Right Here With You. All the instruments are RealTracks/RealDrums, with just a little bit of strings and brass from my keyboard. All the vocals are me. I hope you enjoy it!

Stay Right Here With You

Here are the lyrics...

Stay Right Here With You
Copyright Stephen W. Young

Pictures in my mind
Like an old song I can hear
The words, I've forgotten
But the memories are there
When I look at you I can see so clearly
The things I need to know
And there's nothing I'd rather do
Than just stay right here with you

So I'll take my cup of life
And drink it till I'm full
And if you think I've forgotten
Or yielded to the pull
Just look at me and smile the way you do
You'll see that it's true
That there's nothing I'd rather do
Than just stay right here with you

There's nothing I'd rather do
Than just stay right here with you

And here is the Band In A Box Info...

RealTracks in song: 908:Bass, Electric, SmoothBallad Ev16 065
RealTracks in song: 912:Piano, Electric, Rhythm SmoothPoppy Ev16 090
RealTracks in song: 870:Guitar, Electric, Rhythm ModernRnBRockWarmQuarters Ev 065
RealTracks in song: 568:Guitar, Electric, Soloist Blues Monday Sw 065
RealTracks in song: 675:Organ, B3, Background Blues Monday Sw 065
RealTracks in song: 568:Guitar, Electric, Soloist Blues Monday Sw 065
RealDrums in Song: PraiseWorshipSlow16ths^1-H24,SRC

==

Have a great day!

Steve


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Hi Steve,

This is a great song. The ambiance of the arrangement and mix mesmerized me. You've got my standing ovation with this one. The whole song works totally: lyrics, melody, singing, arranging, mixing. It's a formidable effort.

Regards,
Noel


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Steve, that's a first class song with first class production, and, as per usual, perfect vocals. Very enjoyable indeed! Thanks for bringing this one along, I loved it.

John


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Steve,

This is absolutely great! Love the lyrics, vocal and arrangement. The instrumental track is so crisp and moody - kind of reminds me of a Daniel Lanois produced song.

Of all your music, this is a personal favorite of mine.

Bob

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Wow! Not only are you talented but what a production. From the first drum beat to the last note I couldn't move. Perfect blend all around and just absolutely stellar.

Excellent!!!!

Mike

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What else can I say!! It is just great!! occ

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Steve, that is very smooth, and very nice. The lyrics are very well done, and the whole track is clean. solid and on key. The background vocals are perfect, subtle, soft, and in the right spot.

Well done sir!!


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Steve! Man, this is really a great song. You nailed it my friend. I loved everything about the song,and your vocal groove makes one want more. What else can I say but WOW!!!!
Marty


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I love your voice and I especially love it on this Steve. Did you do anything different recording your vocals?

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Wow Cuz You really outdid yourself this time ! This could easily be a Hit Song ,maybe Phil could hook you up with George Strait ! Incredible Job !

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Noel,

Thanks so much. Your comments are always very appreciated!

Steve


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John,

Thank you very much for your kind words. So glad you enjoyed it! Your time and comments mean a lot to me.

Steve


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Bob,

Thanks so much! Wow, I am flattered to even be remotely compared to a Daniel Lanois production! Your thoughts are always very appreciated!

Steve


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Mike,

Thanks very much. I am honored that y'all take the time to listen and comment. Glad you enjoyed it!

Steve


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Thanks, OCC! Very much appreciated!

Steve


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Robh,

Again, thank you very much for taking the time to listen and comment! So glad you like it!

Steve


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Marty,

Thanks so much for your very kind comments! I always like your productions. So glad you like this one!

Have a blessed day!

Steve


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Josie,

You are so kind! I really didn't do much of anything differently on this one. I am constantly looking for ways to improve the sound of my vocals, and have developed a set of very subtle effects that I use consistently on my lead vocal sound. (Won't bore you with details, but every now and then it just sort of comes together better.)

This song was pretty much a one take song on everything. I wish they all came together like that! Usually I have to do 2 or 3 takes on the lead vocals on most songs. But on this one, I literally just sang it through one take from start to finish, and it worked. Same on all the background vocals. I guess this song just "stylistically" fits my voice.

Anyway, so glad you like this one! I always appreciate hearing from you!

Steve


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Tommy,

Thanks so much, Cuz! So glad you like this one! I may send it to Phillip. You never know what could happen!

Thanks again,

Steve


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Steve, I love your songs. Always well mixed and processed. I really like this one and it's peaceful, easy feeling.

Steve


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Hi Steve, I want to sing those words to my wife tonight. She would melt in my arms. Wow.

BTW, I, for one, would be interested in hearing the boring details of your 'vocal effects'

Kent

Last edited by kerkenat; 10/03/11 02:57 PM.

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Steve,

Thanks so much for your kind words! Glad you like this one!

Have a great day,

Steve


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Quote:

Wow! Not only are you talented but what a production. From the first drum beat to the last note I couldn't move. Perfect blend all around and just absolutely stellar.

Excellent!!!!

Mike




Couldn't put it any better!!

As good as it gets.

Martin


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Kent,

Thanks very much! (But I'll bet your wife gets flowers a lot more often than mine does, though!)

I am at my office now. When I get home this evening, I will try to send you a pm with more details of my vocal channel settings.

Have a great day!

Steve


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Martin,

Thank you very much!

Hope you have a great day!

(Have you had any luck getting your DAW working?)

Steve


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Hi Steve,

You're very welcome. Can't stop playing it - it's my current fav.

Absolutely no luck with Reaper. But I think I may have rushed things a little. It seems I have a program that will do everything I want - Realband!!!

I'll let you know how that works out lol!!

All the best

Martin


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Steve,

If you don't mind post the settings here so everyone can see. I don't think anyone will get bored with the details. Good music is in the details!

Steve


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Wow, excellent lyrics, excellent production. Thanks for sharing!



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My Tunes

Psalm 57:7 My heart, O God, is steadfast, my heart is steadfast; I will sing and make music.
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Martin,

Thanks again! Yes, RealBand should work very well for you. It's a pretty solid DAW in its own right, especially since you can open and further manipulate your Band In A Box files in it. Good luck with it, and I can't wait to hear your next one!

Steve


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Robert,

Thank you very much, as always! Have a blessed day!

Steve


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Steve (Retake) & Kent,

Okay, you guys asked for boring details, so here they are. First of all, here's my disclaimer: I am not, nor do I consider myself a professional recording engineer. A real pro, like Harvey Gerst, may (and is welcome to) come along and correct any ill advised settings that I use. These settings are just what I have come up with, with a lot of trial and error, and the help of a few friends who have offered little tips along the way.

So here we go...

1. I use an Audio Technica AT3525, with a Focusrite Saffire 6 USB Interface. A MacBook running Lion, with LogicPro 9. All the plugins I currently use (and this can change from time to time) are standard plugins that come with Logic.

Here is the Vocal Channel setup, in order...

1. Channel EQ.
For my voice, I use Highpass Filter at 108Hz, 48dB, and a Q Factor of 0.51.
I have a strong, narrow cut in the lows at about 138Hz, -17dB, with a Q Factor of 13.0.
Then I usually cut mids at around 740Hz, -14dB, with a Q Factor of 0.39.
Finally, a Lowpass Filter at 8500Hz, 24dB, Q Factor of 0.10.
I play around with the other Parametric Bell filters, in a very subtle way. ALL of these settings are subject to change to suit my ears, and voice, depending on the genre. (I have a very midrangy voice, so this is what works for me.)

2. Compressor
Strictly set to suit the sound. I play around with this a lot, until I am happy. Don't want it sounding too "overcompressed", but helps even out the sound, and brings out some subtleties in there.

3. Pitch Correction
Only use as needed. Don't overuse.

4. Multipressor (Multi-level Compressor)
This is a 4 band multi compressor. Again, I use my ears to judge. With my voice, I have a lot of midrange that needs to be controlled down, and lower frequencies can muddy up the mix. So I cut the lowest freq (90Hz and down) by -6.0db, and on all the bands, set the threshold to just top off the level, and Ratio 3.0.
Band 2, usually 90Hz - 160Hz. Cut by -11.5dB...
Band 3, usually 160Hz - 4700Hz. Cut by -9.0dB...
Band 4, usually 4700Hz and up. Cut by -6.5dB
All of these settings are subject to change, from song to song, depending on the texture of the instrumentation I am singing to.

5. Delay Designer
Totally subject to the song.

6. Space Designer (Reverb)
Again, totally subject to the song.

My rule of thumb: I will set the delay/reverb plugins to where I can just hear them clearly in the mix, then back them off until they are subtle, and natural sounding (unless the song calls for more effects).

7. DeEsser
I use sparingly, trying to keep it natural sounding. This one changes from song to song, to taste.

There you have it! Boring details. And these are just "starting points". I sometimes use more or less plugins, just depending on my need in the song. Again, if any of the pros out there want to chime in and correct any of this, please do! (I always want to learn more, too!)

Hope you have a great day!

Steve


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It's not that it is boring, Steve.

I'm worried because I really don't have the slightest clue how to even start with all these effects you mentioned. I use BIAB and Reaper and I guess there are a bunch of standard effects built in, but if I start messing around with all that, my songwriting will suffer immediately/immensely.

Is this going to be a big problem. I wish I could just focus on the songs.

In "It's Been an Honor", there aren't any effects at all. I just made the basic song and recorded a vocal on top of it.

I feel that if I could just focus on the songs, and find a techie to fine tune them, and some talented/appealing vocalists and musicians to perform the songs, then I could just 'do my thing'.

Does that severely limit me?

Do I need to break out the old audio processing books?

Kent


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Kent,

Don't despair! If your primary focus is songwriting, keep it there. I'm a little nerdy, and like to tinker with the "sound" side of things also, when I write a song.

Reaper does have everything you need to do what you want to do, including somewhat comparable plugins to Logic, or most any other DAW. But if your pleasure comes from songwriting, and you are daunted by the production process, don't sweat it. With all the tools that Band in a Box gives you, you are able to accomplish what a lot of good musicians can only dream about. Take everything a step at a time.

Keep doing what brings you joy!

Steve


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I've been in "lurker" mode for a while, but the recent postings of songs have brought me back in. I'm not sure how I missed your song, but once again, excellent work. This is another one of those arrangements reminding me that "less is more".

Lovely string builds, and I loved the shift to the minor chord. I like the way you've stuck little acoustic guitar runs into places. Everything comes together on this one - nothing really flashy, just solidly built all the way through.

And thanks for posting the technical details of your vocal mix. Of course, the real magic of your mix is great vocals, but it's given me some interesting things to look at. I hadn't even considered playing around with a multi-level compressor before, and now you've got me curious.

Great job!


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Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?

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Quote:

And thanks for posting the technical details of your vocal mix. Of course, the real magic of your mix is great vocals...



I totally agree!
Quote:

I hadn't even considered playing around with a multi-level compressor before, and now you've got me curious.



Me too

Thanks for all this information, Steve, I found it very useful.

Regards,
Noel


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Steve, thanks for posting the details. I noticed a while ago that you had great sounding vocals. After we talked on PM's a while ago you gave me some ideas of what I could do and I did find a better way to process vocals than what I was doing.

Steve


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Great song, kudos! Love the production, if this was self-produced in a home studio then double kudos!


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"Lurker" David,

So nice to hear from you! Thanks very much for taking the time to listen and post your very kind comments. I always appreciate your input!

Have a great day!

Steve


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Noel,

Once again, thanks! If my "details" help you, then I am a genius. If they don't help you, someone hacked into my account and posted bogus details!

Have a great day!

Steve


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Steve (Retake),

You are welcome! And thanks for your kind words!

Have a great day!

Steve


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Anieyo,

Thank you very much for your very kind words! I have been enjoying listening to some of your music as well!

Have a blessed day!

Steve


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I asked my friend Tommy Cole (Tommyc) to do a guitar track on this song for me. I have changed the link to direct it to the new version, if you care to listen to it. I think Tommy did an outstanding job. I hope you enjoy it!

Thanks,

Steve


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That was fun Cuz ,wish I could write em like you ! Maybe you should make this post titled a new remix of Stay Right Here with You .

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The collaborations on here are getting good.
That was a good song without Tommyc and now it is even better.

Alyn

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Thank You Gibson ! It was fun playing on my adopted cousins song ,he's the most fun of any Preacher I know ! I feel blessed to have him as a friend !

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Tommy,

This is great. You really contributed to the mood and sound of this already excellent song. Your tone and feel remind me of Robbie Robertson - very, very nice...

Bob

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Excellent production, great vocals and a very nice groove. This song is screaming for a bridge though.
It's so dreamy that a nice change maybe before the 2nd verse would make it almost perfect. It's still a beautiful song regardless

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Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!

There are over 100 new features in Band-in-a-Box® 2026 for Mac®.

When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.

Check out the Band-in-a-Box® for Mac packages page to find the best package for you.

Holiday Weekend Hours

It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:

Saturday, May 16: Closed
Sunday, May 17: Closed
Monday, May 18: 8:00am - 4:00pm

Regular hours
resume Tuesday, May 19th!

Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!

Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!

Don't wait - order today!

Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!

Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!

Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!

Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.

Learn more about the Free Bonus PAK and 49-PAK here.

If you have any questions about which package is the best option for you, just let us know. We're here to help!

202 New RealTracks Released with Band-in-a-Box 2026!

With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!

Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!

Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.

Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.

Check out all the 202 new RealTracks (in sets 468-488)!

And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.

The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!

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