Eddie,

I've listened to some of the tracks and here's my comments:

General: Remove the click count-in's.

What If It Was Love?: I hear no EQ issues. I would put a high pass filter on the recorded track starting at about 80Hz and try pushing up the frequency until things start to thin out.

Got Away, Snowball, Lie to Myself: These start to sound a little 'nasal' as you mentioned in a previous post.

Things That Go Together: The whole bottom end of the track is gone and sounds almost like it might be a mono mix.

Do it All Again: Again sounds like a mono mix, but the EQ on the vocals sounds better than the middle tracks.

Insignificant Other: This one is revealing itself as the one where you did the outboard processing. Record it like the first one. Don't be afraid to mix the vocals louder.

Go back to recording a mono vocal track of the SM58 directly. Then high pass filter it (Hey PG'ers, is there a high-pass filter directly in RB? If not, then get one at GVST here: http://www.gvst.co.uk/downloads.htm Just go ahead and grab all of the plugins - they are all pretty good.

Here's the signal chain I would use for starters, after listening to your stuff:

SM58 into your fast track pro directly, then high pass filter, then lightly compress the signal. After that bus over to some reverb. If you don't like what you are getting, then put some EQ in after the compressor. In the 'raw' track like track 1, it doesn't sound like there is a terrible room resonance playing into the recording, so no need to EQ before the compressor.

That's my 2 cents.

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