|
Log in to post
|
Print Thread |
|
|
|
|
|
RealBand
|
Joined: May 2003
Posts: 8,021
Veteran
|
Veteran
Joined: May 2003
Posts: 8,021 |
Houston we have a problem!
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: Apr 2003
Posts: 886
Expert
|
|
Expert
Joined: Apr 2003
Posts: 886 |
"The PCI card mux's the outs into a firewire cable that goes to the MOTU and demux's to feed 8 outs. (So it is not 8 physical cables from the computer to the MOTUs."
OK, so you said that you were not using USB, that it was just PCI cards...and now there is a Firewire send involved? Did I miss this bit of info somewhere along the line?
i5 3.20GHz, 32gb RAM, 1tb SSD OS, 12tb HDD, 4gb gForce vid card, 32" monitor, Audient id44, Win10 x64, BiaB/RB 2023, Reaper 6,IK Multimedia Total Studio 3.5 MAX, Waves 10
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Quote:
"The PCI card mux's the outs into a firewire cable that goes to the MOTU and demux's to feed 8 outs. (So it is not 8 physical cables from the computer to the MOTUs."
OK, so you said that you were not using USB, that it was just PCI cards...and now there is a Firewire send involved? Did I miss this bit of info somewhere along the line?
Okay, not PCI CARDS. PCI CARD. One card. One single card.
The PCI card sends multiplexed data to the MOTUs with 1 (but up to 4) firewire cable and demux's back to 8 channels at the MOTU box, from where you have 8 outs to feed the mixer. The PCI card has 4 firewire outputs, and RB sees all of them, clearly defined as 424-1, 424-2, 424-3, 424-4 in the output drivers section. The card, made by MOTU, is designed to feed four of the 2408 rack mount units, which this very card did with both of these MOTUs (and 2 more) at a studio in LA. And I did a video chat with the guy I bought the stuff from and saw it work as he was teaching me a few things.
Now, John Silvertones hit on something quite provocative when he mentioned MME/WDM and referred to "4 PAIRS OF OUTS." I never looked at it that way. 4 pairs, obviously 4x2 being 8.... when I try to send to that 9th out there is no mo mojo to be sent.
As much as I whine about this kind of stuff, I LOVE IT!!! Discovering, learning, experimenting, deducing during troubleshooting, expanding my knowledge base and idea pool.....
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: May 2003
Posts: 8,021
Veteran
|
|
Veteran
Joined: May 2003
Posts: 8,021 |
Haven't heard a thing back from PG on this. Unusual.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: Jan 2002
Posts: 7,913
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 7,913 |
One note about the PCI card Firewire outputs - they might not be firewire spec in terms of data transfer, but only in functional form. This is the way that RME cards work between either PCI or other interface cards of theirs. The Firewire cable and interconnects are only using the form factor, not in terms of the actual data transfers. I think that's how the MOTU PCI card works, but I'm not entirely sure.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: May 2003
Posts: 8,021
Veteran
|
|
Veteran
Joined: May 2003
Posts: 8,021 |
It's RB. If you read the last few posts. It happens to me with over 4 pairs on my system, it happens to Eddie on his system & it happens to rharv on his system. Identical issue totally different sound devices.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Can you guys who have tested this send me a PM on what hardware you used? Up until the two of you also tested the multiple out everybody blamed my hardware. And I mean everybody. It was my hardware, I set it up wrong, I don't know what I am doing, I am an idiot, etc.... now 2 more users tested multiple outs exceeding 8 outs and had the same problem, it tends to hold a little more water, particularly because I doubt you have same exact hardware.
I am going to email Dr Gannon once I have more info.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: May 2003
Posts: 8,021
Veteran
|
|
Veteran
Joined: May 2003
Posts: 8,021 |
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: Apr 2003
Posts: 886
Expert
|
|
Expert
Joined: Apr 2003
Posts: 886 |
i5 3.20GHz, 32gb RAM, 1tb SSD OS, 12tb HDD, 4gb gForce vid card, 32" monitor, Audient id44, Win10 x64, BiaB/RB 2023, Reaper 6,IK Multimedia Total Studio 3.5 MAX, Waves 10
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: Jan 2002
Posts: 7,913
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 7,913 |
Eddie,
If you re-read my posts in this thread, all along I have been suggesting mixing in the single box but using a hardware control surface. I still stick to this as the least trouble free option. You can even do this with a crappy motherboard based soundcard and it will have less noise issues than what you will introduce through the out to mixer to a different computer system you are building.
However, I realize that doesn't involve as much sleuthing and soldering and wiring that this will involve which might ruin some of the fun.
-Scott
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: May 2003
Posts: 8,021
Veteran
|
|
Veteran
Joined: May 2003
Posts: 8,021 |
Quote:
Eddie,
If you re-read my posts in this thread, all along I have been suggesting mixing in the single box but using a hardware control surface. I still stick to this as the least trouble free option. You can even do this with a crappy motherboard based soundcard and it will have less noise issues than what you will introduce through the out to mixer to a different computer system you are building.
However, I realize that doesn't involve as much sleuthing and soldering and wiring that this will involve which might ruin some of the fun.
-Scott
OK Scott,
I'm absolutely serious. If you have the funds send me a PM and I'll give you my address. Send me the $$$$$$ to buy a control surface and I'll never mention it again.
Got to try!
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: Jan 2002
Posts: 7,913
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 7,913 |
John, I'm absolutely serious - I don't have the funds to give away control surfaces. However you can get into this for as little as $210. See here: http://www.sweetwater.com/store/detail/BCF2000There's 8 sliders to keep your fingers busy during mixing. If you don't like Behringer, spend another $100 for much more capability with this Novation unit: http://www.sweetwater.com/store/detail/SLmk2zero/Keepin' it in the box, but making the fingers happy with faders and knobs...... With most DAW software, you should be able to map the sliders to volume automation on individual tracks. With the Behringer unit, the faders are motorized, so as you play back a mix, you can watch the live action on the faders for entertainment purposes. -Scott Actually on the really cheap is the Korg Nano Control which has 8 faders and 8 knobs and transport controls, for $59! http://www.sweetwater.com/store/detail/nanoKON2bkSeveral of the M-Audio controller keyboards that are under $500 also have assignable sliders. I got my M-Audio Oxygen 61 for just over $100 at Audio-Midi a few years ago. It's got assignable faders, though I've never bothered to use them with my DAW software. They aren't real smooth operation like a mixer slider.
Last edited by rockstar_not; 01/10/12 10:02 AM.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Quote:
There's 8 sliders to keep your fingers busy during mixing.
Where do I send outputs 9 thru 16?
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: May 2003
Posts: 8,021
Veteran
|
|
Veteran
Joined: May 2003
Posts: 8,021 |
Irregardless of what is the best way to do things the bottom line is that RB has an issue. It should be able to access more then 4 pairs of outputs with WDM drivers without throwing up access violations.This is my real interest at this point. To help PG decipher this.
I've emailed Peter, Andrew & Rob so at this point until they call on me for more help I have no interest in trying to convince Eddie how to do things one way when he has his mind set on another.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Quote:
I have no interest in trying to convince Eddie how to do things one way when he has his mind set on another.
I read this with a smile while adding the implied "Because it is obvious at this point that his head is harder than cement and we will not change him anyway...."
Spot on, John. Everybody, good intentions understood and appreciated, is missing the bottom line.
I don't WANT alternatives. I am a hacker. Hackers live to push things beyond accepted norms and make hardware do what it has never been able to do. REAL hackers do not do damage. REAL hackers explore and push limits.
And the most recent suggestion, once again, stops at 8 tracks.
Everyone please stop thinking about audio recorded tracks and start thinking about physical outs. I want 16 recorded tracks to go through the 16 outs on my 2x8 MOTU hardware, into my 16 channel Mackie mixer, and out to my speakers. That is the goal. Anything else is failure to me. (See: I am a hacker.)
I seriously (there's the phrase again!) don't care about "control surfaces". I want to make Real Band do what I stated above. 16 recorded tracks flowing through 16 discreet outs into my mixer.
So many comments come back to "and get back to the business of making music". I am not in the business of making music. Diane Warren is in the business of making music. Taylor Swift is in the business of making music. Brad Paisley, Keith Urban, Brent Carter.... I am in the business of keeping a network at a major company running. My hobby is music. I don't gig, I don't have any interest at all in moving all my gear down a flight of stairs, packing it (somehow) into a Kia Rio, setting up, playing for people who likely won't understand, and then moving it all back up the flight of stairs and setting it all back up. I don't have the financial luxury of "home gear" and "road gear". I just want to write songs FOR ME, and write them on a system I know how to use that doesn't require a 3rd trip through college.
Please refocus on the goal here. 16 tracks, running through 16 discreet outs, into a 16 channel mixer. All analog. I don't even use MIDI anymore. There is no need for it. If I want to layer, I clone the track and play the same thing on a different patch and record it. When I played live, my rig was a marvel - MID everywhere. MIDI patch bay controlled by a keypad.... That was 18 years ago. Now I just want this to do what I want this to do. And now I have 2 other people who have exposed this deficiency, so it may now get more attention and get resolved.
To pull a line from one fo my songs... "And I'll be dying to tell you 'I told you so'!"
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: May 2003
Posts: 8,021
Veteran
|
|
Veteran
Joined: May 2003
Posts: 8,021 |
Not implied or otherwise. I also want more then the 4 pairs. For me it's for live.16 channel mixer with stereo outs from my harmonnizer in 2 channels, bass out from Stealth interface running AT3 in another channel. 8 outs from my A2ZSNB to 8 channels. I have the gear. I've had it for a long time. I'm NOT going to buy new stuff to overcome an issue. PG is aware of it and will fix it. That I am confident. It's been identified by 3 of us with different systems. It's out of all of our hands.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: Jan 2002
Posts: 7,913
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 7,913 |
Quote:
Quote:
There's 8 sliders to keep your fingers busy during mixing.
Where do I send outputs 9 thru 16?
You don't send outs anywhere - you keep them inside the DAW software for the whole thing.
Look, you can reliably fade 8 or so channels at once unless you have multiple persons on deck. If you were going there - that is, fade over 8 tracks at once, then my suggestion doesn't work.
The way this works, Eddie, is you simply use the control surface to lay out what the volume level of each track will be for the song inside your DAW software. There's no 'sending' at all.
This is how most of the mixing that your friend with the ProTools rig is doing it, unless he sends every channel out for outboard processing (highly unlikely), he's mixing in the box - the computer that is.
He's not recording to a second computer or even a second program. He's putting a stereo mix down as another track right inside the same project.
If you want to send out some tracks to outboard processing, it's still possible, and they would need to return back into the interface and get recorded to new tracks. This is still possible with your MOTU gear, just not both modules unless you really need to send 16 tracks out to 16 different processors. If you can live with 8 outs and ins, then the control surface should work a treat (If PG software can make use of the control surface communications info).
But I submit that you will have better results mixing entirely inside the computer.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: Jan 2002
Posts: 7,913
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 7,913 |
Oops, several posts between when I started to reply and when I hit send.
I thought that your question Eddie, opened up the discussion again. I see that it hasn't.
The interesting thing is that I'm guessing this has always been an issue but since so few people have any interest to physically fade 16 channels simultaneously, it's never been an issue that has raised it's head.
I still get confused that your goal was to mimic your buddy's pro-tools rig and capability, but with other software and hardware. Sorry if I missed the point that now it's down to only using the MOTU units to allow 16 physical channels of fade.
Just trying to help.
Best wishes. I really shouldn't look in this thread any longer.
-Scott
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Quote:
This is how most of the mixing that your friend with the ProTools rig is doing it, unless he sends every channel out for outboard processing (highly unlikely), he's mixing in the box - the computer that is.
He's not recording to a second computer or even a second program. He's putting a stereo mix down as another track right inside the same project.
Incorrect Scott, very likely. He runs Protools on his G5, playing back what he recorded live, and sending it out through 3 MOTUs into a 28 channel mixer, mixing it there and sending it to a second computer into something much like Abobe Audition and "printing" it there. He has an analog 28 channel Soundcrafter mixer. Nobody I know can afford a digital board that costs what "Studio B at EMI" can afford. I can barely keep my mortgage paid much less blow a month's pay on a mixing board to sit in an attic in Akron Ohio. I do not have a pro level studio.
Your use of the term "outboard processing" makes me wonder if we mean the same thing. Yes, there are effects (processors) bussed through the mixer, but this is essentially mixing levels, just levels, and recording one left an one right to burn to a CD.
And that's what I want to do. 16 channels down to 2 on my Mackie mixer. Old school mixing like I did 40 years ago, not because I am a Luddite, but because I already know how to do that pretty well and don't have months to learn digital technology at age 60.
The base questions remain the same. Is this a bug in RB? If anyone wants to continue to answer "no", then explain why this method, and equipment, works with Sonar and Protools. Saying RB has a bug is not putting RB down. It means that now 3 of us have found something in the coding that needs to be fixed. When people find a bug in any other software they are called beta testers. In other threads I have been called many things because I dared tread on Real Band.
What Sonar and Protools don't do is generate music. That is all I really care about, that RB can play music better than I can. If I have to, I will write in RB, export to WAV files, import those WAV files into Sonar, and be on my way, but believe me, I WILL make these MOTUs work with RB somehow. I'm a hacker. That's what hackers do.
|
|
|
|
|
|
|
|
|
|
|
|
|
RealBand
|
Joined: May 2000
Posts: 22,654
Veteran
|
|
Veteran
Joined: May 2000
Posts: 22,654 |
I used a Delta 1010lt
8 outs and ins was fine. 10 ins recorded fine. As soon as I enable the 10th out and hit play I get access violations.. as mentioned previously I didn't listen to the recorded tracks play back, but they 'appeared' fine. Each wrote on its own designated track, none looked skewed in the waveforms..
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Holiday Weekend Hours
It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:
Saturday, May 16: Closed
Sunday, May 17: Closed
Monday, May 18: 8:00am - 4:00pm
Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Don't wait - order today!
Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics86,506
Posts805,798
Members40,139
| |
Most Online64,515
Apr 8th, 2026
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean