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Finally finished. I'm The One
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I like it quite a bit.
1. There is a hum. You hear it at the start. Whack that hum.
2. Vocals, push them harder.
the harmonies are cool.
The bit around 3:00 is very realistic. I'd try to get that sound more often in your mix. Could even be a shorter version.
BUT WAIT: You were the new guy we tried to calm down and suddenly you post great music and you have over 1000 posts and are an EX-purt. Great going.
So if you were messing with things and there was no pg-music around, when would you have gotten a song like that this far?
John Conley
Musica est vita
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eddie, you may want to scribble this on the "oothoos" wall because i agree with john. the vox is buried in there somewhere. the backing tracks seem heavily squashed (compressed) so don't apply more compression there, just your vocal track. nice voice, by the way. if you agree that the vox needs to be out front more then just redo the vocal track and repost. the song is a smidgeon long but lady antebellum has several that are 5+ minutes and it hasn't hurt her even a little bit. it's not so long as to be fatiguing to the listener's ears.
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Quote:
Don: ...but lady antebellum has several that are 5+ minutes and it hasn't hurt her even a little bit. ....
Which ones are over 5 minutes? I just brought up most of their "top tracks" portfolio on Rhapsody and I only see one listed that is over 5 minutes . It is "Hello World" and I don't think it was a radio single. The "Hello World" song sounds pretty good! I had never heard it before -- it is sung by the male singer in the band.
Kevin
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We're not ganging up here, Eddie. I like the song . . .very reminiscent of the Marshall Tucker Band, except you have no flute. You need some clarity in your voice - maybe try rolling off under 125. What I do is test my mixes using Windows Media Player and its graphic equalizer, making sure to roll-off rather than add on frequency clutter when I try to pick out problem areas. You once said you did not have a country voice - sounds authentic Mason-Dixon line. Liked the song and solos you've edited. Happy New Year - Ian What a shock on your link page! I actually saw your picture again - what an improvement over that checkerboard door on the PG Forum. 
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Geez Ian, I thought you'd recognize a snow storm on the Ottawa River. I wish I could still skate. Everyone should skate on the river/canal in Otter wah.
John Conley
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That QR code is still there only because no matter what I try, the function in my settings panel will not change it. I have tried to upload a real picture at least a dozen times and it appears to go through but the avatar never changes.
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I had to make the picture smaller than the size it mentioned.
John Conley
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I took it down to as far as 10x10 and can not get rid of the old one. This has been an issue I have seen reported many time since I joined the forums. I even took my avatar off, logged out, logged back in, uploaded the new one, and the old one came back.
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Weird or what.
I'll try. I think also there was sumpin about bmp / jpg / jpeg but I can't scratch my head too much I might lose hair (insert MORE there).
John Conley
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Quote:
Which ones are over 5 minutes? I just brought up most of their "top tracks" portfolio on Rhapsody and I only see one listed that is over 5 minutes . It is "Hello World" and I don't think it was a radio single. The "Hello World" song sounds pretty good! I had never heard it before -- it is sung by the male singer in the band.
Kevin
there was a thread on the subject of acceptable song length on this forum about a month back. i listen to lady antebellum a lot on pandora and had noticed several 5+ minute songs but i have already forgotten the titles or albums. my point was: a 4+ minute song need not be its death nell. look at ccr's "hoid it true da grapevine." iirc, the uncut version was over 11 minutes but that was in the days of vinyl and the all night djs would spin that then head for the oothoos so it got an inordinate amount of air play. nab cartridges ended that game then canned (tinned) digital discs drove the final nail in the coffin.
today, the ideal song length is a function of "cyber acoustics" (qv). in other words, when do the listener's ears begin to tire and want to move on. john may argue that beethoven's 5th symphony is 50 minutes long. however, it provides a constant change in acoustic stimuli.
young listeners seem content with trace-like music that is very repetitive. i don't think that's what you are trying to do with your music. so, the question remains: what is the ideal song length?
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The right length? One famous Nashville writer whose name escapes me once said: Only a fool takes longer than 3 minutes to tell a story. No malevolent intent here, Eddie  I think it flows nicely. Don, I think the length is somewhere between "Hey I want to hear that again" and "Phew . . . it's over." Ralph Murphy would say: whatever holds the listener between the Coke commercial and the McDonald's commercial in drive-time radio. In other words - there's no set answer. Google Ralph Murphy and read his columns that you find - interesting reading . . . if you're creating for Nashville. Also Shortcuts to Hit Songwriting by Robin Fredericks. Happy and Successful New Year, folks. Ian
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It just came to me. Ian and John. 2 Deaf guys giving advice on a music mix. Ain't we smart.
Having songs a certain length varies in history.
Many gatherings had a time limit.
At a dance every tune had to be dancible, and if it was fast it couldn't be too long, the square dancers got dizzy going round so why where they square?
Anyways DJ's loved the long songs, it was same pay less talk.
And the commercials dictated length.
Taste. It has to sort of come close. Don't let it get too hairy, and make me want to hear it again and again...right?
John Conley
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Thanks for the hearty chuckle my friend. Shhh! No-one else has to know. D'ya think we oughta post a warning with our sound advice???? Used to be in the 60s that I know of that any song over 3 min got additional royalties from radio play - which the stations hated to pay. Are you still at the lake, John?  See any brass monkeys running around screaming???
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Very nice song! Way to start out the new year! Thanks for sharing! My Music
My TunesPsalm 57:7 My heart, O God, is steadfast, my heart is steadfast; I will sing and make music.
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Nope: Back in balmy London where it's 41 on the foreign heat scale. My grandson who's not yet 3 messed with my indoor outdoor electronic gizmo and now it's in F. I have to ask him back to fix it, I can't figure it out. Seems I'm dumber than a 2 year old.  Hey Ian an high Jack! for sure eh: Association of Adult Musicians with Hearing Loss Check that out.
John Conley
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Apologies Eddie. Ian  Hey, your visage has returned - good to see you again!
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Quote:
Finally finished. ...
When you say you are "finished", does that mean that you don't want suggestions/comments? As always, when you get opinions on songs, they will be all over the map -- you have to pick and choose what makes sense for your needs. Here are might thoughts on this tune.
I know I can come across as too negative, but I really hope it is considered more "clinical". I know your stated goal is to get a "cut", so I approach a critique on your stuff from that perspective -- where everything has to be pretty much perfect. But like I tell everyone -- I am not hit writer or super songwriter. So use my advice at your own risk.
1.) You do a mighty fine job blending instruments together. Nothing is too dominating and the lead parts are well placed.
2.) It can't be "finished" with the click start still in there -- ha, ha!
3.) How many tracks are in there -- and what is your panning? Everything seems sort of centered to me. Go here, http://www.billboard.com/charts/country-songs#/charts/country-songs -- these are the top country songs on the billboard charts. Listen to as many as you can (some you can't play here). Notice how far apart some of the instruments are, so they easily stand out. Of course, there is probably some serious EQ sculpting going on also, so the instruments don't collide with each other in the sonic spectrum.
4.) Remove all the effects from your lead vocal -- it sounds like you are in a tin can and it pushes the vocal too far to the back. If you want effects, copy your lead vocal, pan it a bit, add effects to that, offset it ~20-30 ms and turn the volume way down on that track. This will add depth and effects without being "too" much". Again listen to where the lead vox sits on those country hits. That's what folks expect/like to hear.
5.) Shoot the drummer (ha, ha). What happened at 0:59, 1:35-1:36 and every stop in the music? The drummers clunks one a little out of time every time (lot to be said for consistency -- and a lot of it is bad)
6.) Are those auto-harmonies starting at 4:08? -- remove them, they just don't fit in that I can tell. Your "real" harmonies sound good -- keep doing that.
7.) Yup, try and shave another minute off us this one.
8.) OK, my main issue with this tune is that there seems to be way, way too many words -- do you ever take a breath??? The lyrics aren't here, so I can't point out some examples -- but it is almost all the way through. You probably should consider going through and cutting out 1/3 of the words (which will help with the length).
Just a few ideas, Use as you see fit.
Kevin
P.S. Just don't look at my songs to see if I follow these rules -- it's easier to tell someone else to do these things than to actually do them yourself!
Last edited by Kemmrich; 01/01/12 12:34 PM.
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Quote:
Used to be in the 60s that I know of that any song over 3 min got additional royalties from radio play - which the stations hated to pay.
ian, i think that you may have nailed it! it's all governed (prime ministered) by the almighty looney!
another thing that takes the song's length out of the "composer's" hands is the internal mathematics of the overall process. a 32-bar tune at 85 bpm and 3 choruses is about 4 minutes in length and that's more-or-less written in stone. not much we can do about that.
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Quote:
When you say you are "finished", does that mean that you don't want suggestions/comments?
Only a fool closes his mind and ears to suggestion and constructive criticism.
Quote:
It can't be "finished" with the click start still in there
Finished as in "All the parts together in a semi intelligable collective"
Quote:
How many tracks are in there -- and what is your panning? Everything seems sort of centered to me.
8, and everything is indeed dead center.
Quote:
Remove all the effects from your lead vocal -- it sounds like you are in a tin can and it pushes the vocal too far to the back.
This track in this take suffers from "equalizus over effectsus" disease. I tried to EQ the vocals using a plug in effect. This was before I have my MOTU working and can now mix outside the software like I want to. Unfortunately there is no "remove all the bad attempts to EQ" button on Real Band that I am aware of. I plan to someday sing it again dry and direct into the interface.
Quote:
Shoot the drummer (ha, ha). What happened at 0:59, 1:35-1:36 and every stop in the music?
Those pick ups ARE a little late. My fingers on the drum machine keys ain't what they used to be.
Quote:
Are those auto-harmonies starting at 4:08?
They are indeed vocoder.
Quote:
Your "real" harmonies sound good -- keep doing that.
Those were also vocoder.
Quote:
My main issue with this tune is that there seems to be way, way too many words
I will respond to this section by recalling a scene from Amadeus where Mozart was told that there seemed to be "too many notes" in one of his pieces. He presented the score to "his majesty" and asked "Which ones would you like me to take out?"
The story of the song is what it is, and I can't take words out of a story.
By the shores of Gitche Gumee
By the shining Big-Sea-Water
Stood the wigwam of Nokomis
Daughter of the Moon, Nokomis.
Should we shorten that to "Down by the big lake was a tent with a broad in it"?
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an indian broad? yes, definitely.
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my wife told an old cherokee woman that she had just gotten a nice bottle of wine for me.
the old woman said: "Good trade!"
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Lots of talk about song length. Here's the deal.
People ask me a lot "Where do your song ideas come from?"
My answer is always the same. "Songs are stories set to music. And a great place to get stories is from your life experiences. Remember though, that life isn't always happy. Sometimes it is sad. So when you tell a story in song about a sad event, the 'story' will be sad."
Okay, so THIS song is is a story, like any other I have written. It's a story about a relationship that went bad. I knew the girl for 2 years as a friend before we got together as a couple. She came from a HORRIBLE marriage to a Neanderthal who hurt her in every way possible, and I spent that whole 2 years explaining that I did not hurt he, HE did, and I wouldn't do that, and dwelling in past mistakes only keeps those bad times alive in your mind.
NOW go listen to the lyrics. Knowing the STORY, they make more sense. Now this story can not be told in one short verse and one chorus. It HAS to be the whole 5 minutes or it's like tearing the last page out of a book right at "....and the killer is...."
Here is the first verse, bridge and chorus.
I know that there were men before me
Who didn’t really treat you well
But it doesn’t really matter what happened before
And it does you no good to dwell
And I’ve proven it to you time and again
That you could trust me with your love
And I promised you I’d never hurt you that way
But that was something you weren't quite sure of
And you never understood
That the past is the past
And I’ll give you a love
You can count on to last
Tell me what do I have to do?
I’ve been tellin’ you now for over 2 years
That everything you need is standing right here in front of you
If you’d only let me through
I know you built a wall to guard your heart
And I'll tell you again what I said at the start
But you need to believe it’s true
I’m the one for you
Verse 2 if after the dumping, how I felt duped and used.
For a time you really had me believin’
That this was more than just a fling
That maybe you really cared about me
And I’d finally found the real thing
But as time passed by it was clearer each day
That you really didn’t care at all
Still I took a real chance and I gave you my heart
Even knowing I was risking a fall
And you never believed
That my love was for real
That there wasn’t anything
I was tryin’ to conceal
Tell me what do I have to do?
I’ve been tellin’ you now for over 2 years
That everything you need is standing right here in front of you
If you’d only let me through
I know you built a wall to guard your heart
And I'll tell you again what I said at the start
But you need to believe it’s true
I’m the one for you
After the solos, I am talking to her explaining how badly she hurt me.
And it hurt me so bad
When you sent me away
I never really thought
You’d treat me that way
Tell me what do I have to do?
Now, could I really take ANY of that out and still tell the whole story? Music world stuffed shirt penguins demanding 3:43 songs or not, I can not tell the story without all the verses.
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Hey Eddie,
Pretty much everything has been said already on this so I won't plow over the very good advice already given.
I do have one small but important suggestion.
Your lyrics will be stronger if you'll get rid of unnecessary words. Specifically "and" "that" "but" should be used sparingly. Try eliminating some of them and see how much better your song reads and sings.
Josie
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Here's the story as I see it from the lyrics only (the "Down by the big lake with a broad in a tent" approach) -- Girl comes from one or more abusive relationships -- you become a couple and spend two years trying to convince her that you are different and this love will work -- she can't accept that or decides that she is not in love and "sends you away" Is that it? The first thing that jumps out at me is that I know nothing about this girl. I don't know the color of her hair, the way her eyes sparkle when she laughs, the way she tilts her head when she smirks at you, how she looks romping through a field of clover (OK, OK, you get the picture). I also know nothing of you and maybe the things you did together. All you have done is string a bunch of words together that are all feeling/emotion with no concrete facts to back them up. A song has to be around a 3:30 "mini-movie" where you paint visual pictures that let us get into the scene(s). How you watched any of those MAB videos (or visited his forum) where he discusses "visual furniture"? MAB also says there are two kinds of audience listeners to these depressing tales of woe that are just line after line of misery: 1) those who don't care and 2) those who are glad that they are your problems and not theirs (ha, ha). You have to make us care about the characters in the song. Look, if you are doing these songs as a cathartic exercise, make them five+ minutes all you want. If your goal is to pitch these songs to an artist, then you have to make it easy for the singer to relate to the song -- and make it interesting for the audience. OK, enough of all that -- just have fun. Now a few comments on the other stuff. Quote:
Quote:
How many tracks are in there -- and what is your panning? Everything seems sort of centered to me.
8, and everything is indeed dead center.
Any reason why you have to do it that way? Your recordings will always sound muddy and unprofessional if everything is panned to the center.
Quote:
Quote:
Remove all the effects from your lead vocal -- it sounds like you are in a tin can and it pushes the vocal too far to the back.
This track in this take suffers from "equalizus over effectsus" disease. I tried to EQ the vocals using a plug in effect. This was before I have my MOTU working and can now mix outside the software like I want to. Unfortunately there is no "remove all the bad attempts to EQ" button on Real Band that I am aware of. I plan to someday sing it again dry and direct into the interface.
RealBand allows "non-destructive" EQ and effect plugins, so you your original vocal take is never changed. Isn't this true?
-----------------------------------------------------------------------------
I hope this is helpful. If it isn't let me know -- it takes a lot of time to think about all this stuff in a constructive manner. Just remember that I am no big expert here. If you go through my songs you can point out the same problems (and others!).
Kevin
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Quote:
I don't know how she looks romping through a field of clover
Naked or clothed?
Kevin, you hit on something with precision. This album was a cathartic effort for me. My drummer friend calls them "You stepped on my [junk] and I hate you" songs. Once she realized I was okay and wouldn't hurt her soul like the other guy did, things went well until she got too attached to me for her comfort zone and backed out in fear that if we married it would turn out like the last one (I promised you I'd never hurt you that way but that was something you weren't quite sure of). I wrote these songs to get rid of it, and it worked.
The 5 minute part comes partly from my age. I grew up listening to Pink Floyd and Genesis, both of whom wrote opus length songs, Todd Rundgren (my HERO) and his theme albums (ever heard the Broadway play he scored?), and jam bands like the Allman Brothers, who often played long enough for me to run out to the car to get my wallet, give the car a quick wash and wax, use the bathroom, hit the beer stand, and come back to Duane and Dickey playing the same song. I NEVER, and I mean that literally, listen to the radio so I don't know anything about radio. (If I want 4 commercials between songs I will ask for them....) I do pay a little bit of attention to the song lengths on the CDs I listen to for driving music, but again, I listen to Tower of Power LIVE, Average White Band LIVE, Earth Wind and Fire LIVE, Genesis LIVE, Pink Floyd LIVE, Allman Brothers LIVE (at the Fillmore).... I don't hear much studio music. Commercial radio sucks.
The NEXT batch is back a little more to my rock roots and they are coming in at 3:50-4:20, but that is not conscious. Just how they are turning out.
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I just listened to a Tower of Power Live CD (~1998 or '99) on the ride back from Tennessee over the holidays. I sure wish BIAB could figure out how to do a RealHorns (and RealStrings) product! Commercial radio (in any genre) is always hit and miss with a few great, some good, most OK and some bad -- and with lots of commercials. I tend to listen to a local alt rock station, with a country station in the mix. But most of my listening is really peer stuff on web sites like this. Here's a great current rock/country tune by Eric Church: Put a Drink in My Hand. I wish I could have written that one, but I am not in the club scene anymore, so I would never think of it unless I was with a younger co-writer. (Warning: It does glorify drinking a little!) Keep writing.
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Ask sales and support questions about Band-in-a-Box using natural language.
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We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Holiday Weekend Hours
It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:
Saturday, May 16: Closed
Sunday, May 17: Closed
Monday, May 18: 8:00am - 4:00pm
Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Don't wait - order today!
Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
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