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PRearden, The Good: So glad you enjoyed this! Thanks! The Bad: It is actually a 1/2 bar intro. So it's twice as abrupt as you thought, and I like it. The Ugly: I could have made the intro 3 bars, but that would made the guitar get tedious about 17 seconds earlier, but your point is noted.  The Beast: Why, thank you! HaHa! I never noticed the "Chicago Connection" before! You young whippersnapper! I was a junior in high school when 25 or 6 to 4 came out. Great song, great band! I was listening to an Aimee Mann song a couple of years ago, and it occurred to me that if you take some of the rhythm section out of the mix, the melody is basically "Happy Birthday To You"! Thanks for listening and posting! Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Very nice tune and production Steve ! Enjoyed that very much. I'll be checking out more of your music. Keep up the great work !
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Dang! You just keep raising the bar, don't you?
There's really nothing left to say that hasn't already been said. Nicely done - as usual, solid work with lots of nice detail all over the place.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Mitch, Thank you so very much. I have been listening to your stuff, and it's quite impressive. I especially enjoy the lap steel and dobro. I look forward to hear more from you, especially now that you are working with Band In A Box. Great stuff. And this is not the saccharin speaking.  David, I always appreciate your comments. Your words have helped me in the past. Appreciated. Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Quote:
Brallan,
Thanks so much! As to my mellow harmonies, I guess the secret is age. I'm getting old! But seriously, I layer my background vocals. In this song there are 4 part harmonies, and each part was recorded 3 times each. So there are 12 tracks of just background vocals. I don't copy and paste them, I actually sing them individually. I usually just one-take each part - I don't worry if I'm a little off on some of the tracks (only a little of, though). That way, when mixed, it gives it a little more of a real choir sound. Hopefully this answers your question.
Wow, that is heroic effort, and it pays off.
Apropos of this, and a couple of other recent threads which discuss singing and pitch-shifting and stuff, I think your approach nicely illustrates that the best way, maybe the only way, to come up with good singing is to practice, practice, etc. Over and over, and doing background vocals is a sure way of "tuning" the instrument.
There has been some recent commentary against software manipulation of voice, and I agree that it should be avoided, or at least used judiciously, but not for moral reasons, but simply because it takes away the practice effort.
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very well done kept me engaged all the way through thanks and it demostrates band in the box very well eric
AMD (TM) 5950 4.9 GHz 16Core Processor 64 bit 32 bits of ram windows 10 pro 64 bit os. sound card Antelope ZenQ guitars Ibanez 2202a 1968 les Paul Custom and Cavin ae 185 Guitar boss Gt-100,GT1000 pedal Yamaha HS8 studio monitors
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hmmm.. this was posted 4 days ago, and I didn't see it until now!
Many postings on the forum are easily identified as having been created with BIAB, but you made a lot of subtle choices here and the end result is a song that sounds very original and human. If I had heard it anywhere else, I would not have assumed it was built with real tracks. I'd guess you put a lot of effort into this song... you certainly didn't just enter some chords, pick a style and generate!
As stated already, your vocals are amazingly smooth! By our age, most people's vocal chords have been ravaged by a lifetime of detrimental influences.
I like the variety of ways you built the song up without allowing it to get redundant. The guitar solos were particularly suitable to the song... they didn't sound generic, but rather more like the sort of passage that was specifically tailored to one and only one song
Another thing I notice is that the choice of instruments was such that everybody wasn't emphasizing the same beat all the time... each instrument filled in the space with timing that was different enough to avoid the predictable tempo that undermines a lot of songs. It had a pleasant syncopation without risking the consistency of the tempo.
I liked the intro, the development and the conclusion... and no muddiness whatsoever.
I'd agree that there were moments when I was reminded of Chicago and Bread... plus:
Emerson Lake and Palmer (intro reminded me of "from the beginning") the Beatles (guitar solo reminded me of "my guitar gently weeps) the Association (due to the layered backing vocals in "Cherish")
Very nice! And high praise from all the heavy hitters here on the forum who routinely post excellent songs themselves, and know a good song when they hear one!
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Lovely development and end result! I too feel the guitar may be a bit exposed in the intro, and sadly out-of tune on the second chord following the Am7, which sounds like an Am7/F# with the F# somewhat sharp... That would be a sharp D string on my guitar... But it's a fly in the ointment, and perhaps only to my ears... and I ask your forgiveness given all the very positive responses, especially to your fine vocal work and the string arrangement, which are marvelous. I too, enjoy the Bread style affinities and tip my hat to you.
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Brad, Thanks once again for your kind comments! Eric, Thank you very much. I appreciate your listening time and comments! Pat, What do you mean, "at our age"?!?!?!? Why, I'm just getting started. If you want to get old, go ahead!  Seriously, thanks so much for your very kind words! Very much appreciated! DrDuBose, Thank you so much for your input! I do know the guitar is slightly out of tune. But it's a RealTrack, and I can't do much about it. It has the "sound" I was looking for. I tried the other fingerpicking tracks and they just didn't have what wanted. It does bug me just a little every time I hear the guitar but for now, that's just where it is. When I get to where I have some time I may record the guitar part myself. Just been swamped lately. With BIAB I can put together an entire song in an hour or 2. Awesome tool! Thanks again for your input! === Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Quote:
I do know the guitar is slightly out of tune. But it's a RealTrack, and I can't do much about it. It has the "sound" I was looking for.
Steve - I envy you guys with the good ears.
Maybe just use G-SNAP pitch correction - just highlight the out of tune section and try to fix that way - not much of a nudge.
What a wonderful production! Ian
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Thanks, Ian.
I use Logic (Mac), and it has its own (pretty decent) pitch correction plugin. I hadn't thought of using a pitch correction plugin, since this is not a single pitch, but rather a triad, and I was under the impression it would not work. I will give it a try next chance I have to go to it. Can't hurt to try!
Does anybody have any experience using pitch correction on a chord?
Thanks,
Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Melodyne handles polyphony. I only played around with the demo version, and managed to correct a chunk of music where the alto was way out of tune, where I didn't have the option for re-recording the track. Pretty amazing stuff.
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Quote:
Does anybody have any experience using pitch correction on a chord?
The Melodyne demo is 30-day that Dave is talking about. I've never tried the chord pitch correction but if Dave says it's so . . . I can't wait. . . . seriously.
Ian 
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Steve,
Absolutely beautiful. There are other superlatives I could use, but brevity is the soul of wit.
Regards,
Bob
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Quote:
Melodyne handles polyphony. I only played around with the demo version, and managed to correct a chunk of music where the alto was way out of tune, where I didn't have the option for re-recording the track. Pretty amazing stuff.
it should be noted that there are several versions of melodyne, and not all of them handle multiple notes.
Melodyne EDITOR and Melodyne STUDIO both handle polyphony (any of their products that say "DNA" on the box can handle chords.)
Melodyne ESSENTIAL and Melodyne ASSISTANT can only work with mono tracks that have no more than one note playing at a time
You see lots of negative reviews from people who thought they were getting the flagship DNA product for a cheap price only to learn that they bought the entry level product instead.
But the Editor really is SLICK! It does a lot more than just correct pitch. The videos on the celemony web site are worth watching.
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Thanks, David for the heads up on Melodyne. Thanks, Ian for confirming the heads up. I guess 2 heads are better than one!
Bob, thank you for listening and posting such a kind comment!
Pat, thanks for the heads up about the heads up about Melodyne! I hope to download the demo tomorrow night.
Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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I hate it when that happens! A Real Track with a flaw. It happens, and I was afraid of something like that. What to do...? Alternative instrument? Transform the chord where the flaw is less prominent? It's very rare whenever that happens, isn't it?... Throw a little chorusing at the track maybe? Wetten it a bit with some modulation effect... I still love your creation, and thank you for sharing it, and bringing back some of that lyrical quality in the melody and harmonies, that I recall from D. Gates.
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Quote:
I hate it when that happens! A Real Track with a flaw. It happens, and I was afraid of something like that. What to do...? Alternative instrument? Transform the chord where the flaw is less prominent? It's very rare whenever that happens, isn't it?... Throw a little chorusing at the track maybe? Wetten it a bit with some modulation effect... I still love your creation, and thank you for sharing it, and bringing back some of that lyrical quality in the melody and harmonies, that I recall from D. Gates.
sometimes just using a slight variation of the chord will yield better results.. instead of a C maybe a C7 or C2. I recently had the same situation, and a variant of the chord yielded results I could live with.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
Watch the video.
You can see all the 2026 videos on our forum!
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
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- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
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- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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Learn more about the Bonus PAKs for Band-in-a-Box® 2026 for Windows®!
Video: New User Interface (GUI)
Join Tobin as he takes you on a tour of the new user interface in Band-in-a-Box® 2026 for Windows®! This modern GUI redesign offers a sleek new look with updated toolbars, refreshed windows, and a smoother workflow. The brand-new side toolbar puts track selection, the MultiPicker Library, and other essential tools right at your fingertips. Plus, our upgraded Multi-View lets you layer multiple windows without overlap, giving you a highly flexible workspace. Many windows—including Tracks, Piano Roll, and more—have been redesigned for improved usability and a cleaner, more intuitive interface, and more!
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You can see all the 2026 videos on our forum!
Introducing XPro Styles PAK 10 – Now Available for Windows Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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