Quote:



The one thing that can make the experience exasperating is the making of assumptions here, such aa stopping the song and thinking that is where the Stylemaker itself also "stops" in an effort to find a pattern. It don't work that way.

BTW *MANY* "extraneous* notes are actually there to create realism. Cleaning them all out of the thing may make for a rather dull sounding performance. For example, MIDI Bass parts are often full of "ghost" notes that I wouldn't want to eleiminate.


--Mac



re: assumptions.

So, according to your logic, I should instead assume that if I want to fix a bar from bum notes that the program throws in, I should examine all the patterns sequentially, i.e. from no. 1 to no. 198
Just like opening a book and having to read from the beginning when all I want to read is a single chapter.

re: 'realism'

What you call 'realism', I call 'bum notes that I don't want/ need/ find fitting for my song' . Especially considering that I know my harmony and theory very well, and I know exactly what's fitting for my song. Unless, of course, you have the presumption to believe that I should just accept the above mentioned bum notes in my music as 'realistic'.