MarioD gave you the SHORT answer - before my long winded diatribe response below:


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First, I KNOW a BC-3 is NOT on par with a WIND controller (like the AKAI mentioned) just answering mail about Motif's

The Motif ES had ( has) a built-in breath controller (BC 3) input jack (a mini 1/8 " stereo input jack). I had an ES7 and still have a BC-3. The BC-3 worked well with ES on patches that were made specifically to respond to those controller inputs. However, the XS and XF DO NOT have this direct input jack anymore (I now have a XS7 I traded ES for XS). So for the XS7 I have to use a MIDI Solutions Breath Controller (MSBC) interface. The BC-3 1/8" "stereo" cable end plugs into the MSBC box , which then converts the BC-3 data (that itself is nothing more than a breath pressure sensor data stream) into standard MIDI data that is in-turn output on a standard 5-pin MIDI DIN cable. Then that info gets to my XS7 (and my other synths ) via my MIDI patch bays. Patches on the XS7 (or on any of those synths) that are built/tweaked to respond to that kind of CC input sounds the SAME as it did on ES-7.

It's not ONLY which CC the MIDI synth will and won't respond to - it is what a particular PATCH (or program : e.g., Trumpet, Flute, Nylon Guitar, SAW Lead, PAD, Glockenspiel ) is/can be built to do when it gets ANY CC (1, 2, 5, 6, 7, 10, 11,33, 34, NRPNs, etc.) - within reasonable limits of course.

In other words, how can that synths patches/program parameters be creatively built to respond to any given CC and WHICH CC's can that synth and its parameters be programmed to respond to.

Now back to your AKAI - it outputs a lot more than a BC-3 over a standard MIDI cable. So the AKAI should work with any synth (even SW synth) it will just work better (easier to program a "wind" type patch - trumpet, flute, sax, etc. ) if those modules respond directly to CC 2 (and/or 34).

Good luck
Larry

Last edited by Larry Kehl; 07/16/12 08:02 PM.
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