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... Protools, Reaper, Sonar, Logic, Bob's DAW..... all the stalwart defenders of those programs have yet to give me a specific "Reaper does this thing <insert specific feature here> and RB does not.

Outside of not being able to use mixer fade automation, I see nothing that another DAW can do that RB can't. That takes me to the point of "Is it just that you know <insert DAW name here> better and rather than learn where RB does things you keep using your old choice?"...



There it is -- the simple and correct answer. If you get the results you want out of the DAW you have, why should you spend the time learning a completely new one? I know how BIAB and Sonar works well enough, I guess, so why should I evaluate RB? The only advantage in RB seems to be that you can re-gen a few bars of RT's instead of the whole track in BIAB. I don't know what "mixer fade automation" is, but I have to have it! (so that's another strike against RB -- ha, ha).

Eddie, by the way, in a couple of threads you've mentioned that someone said you had too much reverb on a vocal -- but your vocal was 100% dry. I don't know if it was me (probably), but if the vocal was dry and you still had too much reverb on it -- then it was room reverb due to your recording setup. Just because your vocals were boxy and reverby in the older times doesn't mean they were caused by a reverb plugin.

Now at bandcamp: Crows Say Vee-Eh @ bandcamp or soundcloud: Kevin @ soundcloud