Ron

I'm in your debt, again.

I think those references, checked in the relevant style, pretty much nail the issue, and show that I could keep the C7 'lean and spare' if I preferred. It's interesting, mind, how clearly Biab targets that chord, which is the Dom 7th of the home key, so I suppose it's not surprising. But pretty much all the other chords (some vanilla, some much more interesting) are rendered as spec, and it gets piled on that C7. Which probably suggests there are some strings we can't see or get at ?

Mac

I understand what in real music-making Biab is trying to emulate - I was just interested how much control I had.

At least it shows the old ears are getting more discriminating !

BW

Ian G.


Late-developing enthusiast for jazz / blues. Principally pianist