Hi David. Thanks again for the comments.

As I said earlier in the thread, back in the days when I did this for a living, it was hard to produce a mix about which even the band members could agree, so I always expect some conflict between opinions and in this case most of seems to center around the reverb. (In actual fact it's a delay on the vox.) If you listen to each of the instruments in the mix, you'll hear a lot of reverb on everything - the piano, the tambourine, the lead guitar and of course the big snare. This is unashamedly an 80s mix! With all that going on, unless the vox has the same treatment it sounds like it's in a different environment.

Now, some people can hear the words and some can't and I think some of this is down to individual hearing, the listening room, headphones, speakers and many other factors. In the final analysis, I may have sacrificed some intelligibility in favor the general effect.

Your point about the vox at 2.16 and the following section up to 2.30 - at 2.16 a low harmony comes in and there's possibly a few milliseconds sync between that and the main vox which smears the word "I". The harmony is mixed in very low because it's really out of Jessie's comfort range which means her voice takes on a more husky quality, which I think is the effect you are hearing. I didn't think anyone would spot this, but you obviously analyse things in minute detail!

The only other thing is that there are artifacts in the track which I can hear, which are not on the master and they are the product of Soundcloud's compressed format and internet streaming. This is the price we pay for the convenience of the technology.

Once again, thanks for taking the time to listen in so much detail - all comments are most welcome.

ROG.

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