Thank y'all. We appreciate it. Oddly enough given that I played in 4 Bluegrass bands I find it the hardest genre for me to mix. I used to multi-track our bands for years and mix our CDs but now with RealTracks I have to make the decisions on what the lead instruments are playing, i.e., think like a fiddle, banjo or mandolin picker. It's very easy to generate and regenerate tracks with BIAB but the tracks while in perfect time and key may not always fit with melody. I end up putting together solos that are made of snippets of many generations of the same RealTrack as I'm sure many other folks do. Bluegrass is improvisational but the solo needs to at least hint of the melody and that is what I try to achieve with all of the cutting and splicing. And while it may not always be melodic it doesn't (or so I hope) distract from the melody. So I typically end up with, for example, one fiddle track for the final mix. And that track is spliced up from a rhythm RealTrack and many generations of a RealTrack solo. Actually, the backup or rhythm track is often segmented so I can get the right "fill" or guitar run where I want it. I'll regenerate a rhythm guitar track repeatedly to get a certain run that I can use in several places of the mix. Yep, it'd be easier for me or Janice just to play the rhythm track but I find it a fun challenge to create everything with RealTracks. It's an amazing technology. And what is extra cool is that we know several of the folks that created the Bluegrass RealTracks. Fun.

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