Absolutely

+1

It's not just that the chord sheet ends up a mess of extended/altered dominant spellings. It's how you respond to it as a player. You're more likely to see 13susb9#11 or whatever as a V chord. Diatonic spellings lead to diatonic thinking.

The other thing is that BIAB rarely plays the whole extended chord at once. The limitations of it's C7 chord template become evident if for example the pattern doesn't have enough octave doublings to support extended dominant voicings. For example you need midi notes G5 and a G6 in every pattern's chord voicing to get #11 and the natural 5th to sound together consistently.




Regards

Alan

Last edited by alan S.; 06/16/13 05:09 AM.