What a loaded question:) You have to limit the eq on both ends low's and high's. This is then sent to the multi-bands to squeeze the freq's
and boost as needed, crossover's are very important to find the sweet stuff. Exciter's for tube or tape tickling, reverb for the sides middle and then feed the juice to the stereo processors then to the beast compressor/limiter with a soft compression and clip reduction. Post eq to cleanup, all "post" on a stereo master.

I am actually trying to get an even bigger sound without having to go over lets say 1/4 on the average sound system to hear it.


Hope this helps.

P.S.

I have one other secret, but I'm going to have to save it for a rainy day!

Hp Z Workstation - Akai MPK 49 - Intimate Headphone Listening http://soundcloud.com/digital-angel