I would be happy to hear a longer intro. It seems so short now as to be unsymmetrical. 4 bars at least, with a sustained 1 chord to give the incoming lead vocal a place to stand.

I am thinking about how the cello countermelody at 1:00 will work with a high vocal. I am getting goosebumps already.

There seems to be a set-up here for a great whacking orchestral crescendo at the last verse. Good job avoiding that.

At 1:55 the harps arpeggio up to a dissonance, several times. Kinda left me hanging. I would find it more comfortable if the harps took part in the resolution at 2:17.

So maybe your orchestral samples are not the most authentic ever. So what? I am sure your daughter is prettier than all those studio cats put together...[8{>

Last edited by flatfoot; 11/28/13 08:30 PM.
Flatfoot sez: Call me when 'Talent-in-a-Box' is ready to ship! -- [8{>

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