There are techniques in the song form itself, such as using a four-bar ending, which allows a cymbal to fade longer. Or, as I normally do, make your own ending and put a hold on the chord, then lengthen the ending bar to six or so bars farther forward. Then, as I'm sure you have discovered, place a different chord at the end with a single dot to rest all instruments. Any chord will do, as long as it is not the one that was held.

If these do not help, look for a different variation on the RealDrum pattern, or choose a different RealDrum.

ps Ian, I'm assuming you are referring mostly to an ending. If that's not the case, let us know some more specifics.



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