Originally Posted By: Mac
Originally Posted By: MarioD
...I used this rig to compete with our B3/Leslie player.

Those were the days crazy



Standby one, Houston, I think we've localized the problem...



Yep!

Also, recall that to get 'distortion' from guitar amps took extra effort, whether it was cranking it to 10 (or 11 if you are Tufnel), or cutting cones of speakers, or whatever - to get the distorted sound originally took some serious volume. And then the B3 player and drummer had to be heard, etc. Why were guitars electrified to begin with? To 'COMPETE' with the rest of the band. I have to admit, I hated playing with a brass section as either a keyboard player, or guitar player or as the sound engineer because their levels were so uncontrolled in our little church. Pain inducing loud with 4 trumpets, 2 bone players, a euphonium player and a couple saxes. Dang, I couldn't get a good mix when they played in the room. For one Easter season, we put them in a back room and stuck a single little AT choir mic in that room and then I had mixing bliss with the rest of the live musicians. But I lost that battle.

Maybe a better word here is 'blend' rather than 'compete' though 'compete' has a lot of truth in it!