Yep, I agree, the intro can capture attention and imagination. It's never to be taken lightly. Peter Nero's intro's are invariably fantastic, involving skill and virtuoso performances. But then, he often goes on to make the intro look he played was just like a casual stroll in the park... Such is the genius he is.

Take for example, his rendition of Night and Day where his intro is the 2nd movement - Adagio Sostenuto - of Opus 27 by Beethoven, and he melodically transitions through it into Night and Day, as though Beethoven himself were performing. Then at about 1:35 he simply jumps 2 centuries.


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