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Joined: Dec 2013
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Journeyman
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OP
Journeyman
Joined: Dec 2013
Posts: 674 |
Howdy all. Here is my latest BB creation,a lively folk/rock piece written about 25 minutes ago! Hope you like it I used real tracks for all the parts,and I do think they sound superb. https://soundcloud.com/riccledy/electric-crockCya.
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This has a lot of potential. That fiddle part was perfect but I wasn’t sold on the piano part. I thought that it was too far out front and not necessarily the sound or style that I would use. But please remember that this is just my opinion and yours and others may differ. I would also change that ending, maybe a fad out would be better, don’t know.
I think this is a diamond that just needs a little polishing.
It takes courage for a man to admit his wife was wrong.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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Journeyman
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Hi Mario.
Thanks for the opinions,yes that's the first time I have used a realtracks soloist for the solo sections,i'm glad you think it works well.
More stuff will follow in due course.
cya.
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The piano part could use some reverb to make it fit in with the tone of the other instruments, the guitars and the fiddle have the same tone but the piano because it is so dry stands out. Still a great piece of work either way. Thanks for sharing!
My TunesPsalm 57:7 My heart, O God, is steadfast, my heart is steadfast; I will sing and make music.
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Expert
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Expert
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It's got a neat groove, and I like the fiddle, but agree regarding the piano, too up front at times, and the ending is quick. Just needs a couple of tweaks and a little mixing. The story of my musical life:)
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I love real tracks and once I compose the song in BB I work almost exclusively with the Real Band real tracks along with live musicians tracking their instruments. The real tracks are totally amazing in many respects and I love how they sound.
I liked parts of your song creation pretty well and others not so much. Let me explain.
I like the progression at the very beginning of the song, but without the piano lead. I'd go back and replace that piano part with a piano soloist real track player. It will have more compatibility than the part that's there now. Use envelopes to bring the parts in and out as needed.
OK, the fiddle part starts off absolutely fine and where the fiddle comes in is superb. I love the sound of the RT fiddles. BUT, at 48 thru 56, the song jumps out of it's key and goes off into something that totally doesn't fit or work. Drop those 2 chords out. Just because you can put those chords in there and the soloists will follow them, doesn't mean it's a good idea to do so. There are ways to drop unusual chords into songs, I've done that, and others have done that as well. You need to try to find a way make it work better. Perhaps using one chord that is close kin to the key you're in to start with.
Same thing with the stops at 2:20. I was totally puzzled by them. What? Why? Stops are great tools to break or add tension to a song, but indiscriminate use does nothing. In an instrumental it's harder to use them because there is no vocalist to add that third dimension to the music that calls for a pause. Perhaps you should try a partial stop..... let everything stop except maybe drums and bass.... that give the music a pause but there is continuity maintained.
Note: In BB if you input the chord as C.bd , it will stop all the other instruments except the bass and drums. I'm working on a tune right now where I'm using that in the intro to keep it sparse.
OK I know that you are experimenting, and sometimes we gotta try something to see how it works. Kudo's on what you did....
Like MarioD, I do think you have some really sweet stuff in this tune. He used the phrase "diamond that needs polishing". I agree. All you have to do is refine it, fix a few things and waa laa, a tune that flows smoothly and doesn't grate the proverbial fingernails across the chalkboard of our listening experience....
None of this is meant to be "mean spirited, snarky" criticism. It's intended to be constructive and help you understand what we.... no....what I, hear in this tune.
Last edited by Guitarhacker; 02/26/14 05:19 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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I love real tracks and once I compose the song in BB I work almost exclusively with the Real Band real tracks along with live musicians tracking their instruments. The real tracks are totally amazing in many respects and I love how they sound.
I liked parts of your song creation pretty well and others not so much. Let me explain.
I like the progression at the very beginning of the song, but without the piano lead. I'd go back and replace that piano part with a piano soloist real track player. It will have more compatibility than the part that's there now. Use envelopes to bring the parts in and out as needed.
OK, the fiddle part starts off absolutely fine and where the fiddle comes in is superb. I love the sound of the RT fiddles. BUT, at 48 thru 56, the song jumps out of it's key and goes off into something that totally doesn't fit or work. Drop those 2 chords out. Just because you can put those chords in there and the soloists will follow them, doesn't mean it's a good idea to do so. There are ways to drop unusual chords into songs, I've done that, and others have done that as well. You need to try to find a way make it work better. Perhaps using one chord that is close kin to the key you're in to start with.
Same thing with the stops at 2:20. I was totally puzzled by them. What? Why? Stops are great tools to break or add tension to a song, but indiscriminate use does nothing. In an instrumental it's harder to use them because there is no vocalist to add that third dimension to the music that calls for a pause. Perhaps you should try a partial stop..... let everything stop except maybe drums and bass.... that give the music a pause but there is continuity maintained.
Note: In BB if you input the chord as C.bd , it will stop all the other instruments except the bass and drums. I'm working on a tune right now where I'm using that in the intro to keep it sparse.
OK I know that you are experimenting, and sometimes we gotta try something to see how it works. Kudo's on what you did....
Like MarioD, I do think you have some really sweet stuff in this tune. He used the phrase "diamond that needs polishing". I agree. All you have to do is refine it, fix a few things and waa laa, a tune that flows smoothly and doesn't grate the proverbial fingernails across the chalkboard of our listening experience....
None of this is meant to be "mean spirited, snarky" criticism. It's intended to be constructive and help you understand what we.... no....what I, hear in this tune. +1 on most of that. Saved me a lot of typing (lol) except that I quite liked the chord change at 0.48-0.56 and also the chord introduced around 3.18 - that sounded nice. The three "stops" - Nope!! cheers ian
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Journeyman
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OP
Journeyman
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Posts: 674 |
Hi all.
Thanks for the opinions,yes I do have predilection for abrupt stops,as I think they provide a nice surprise and change to a ordinary section.
As to the placing of the voices I always prefer the melody and the solo to be very prominent in the mix,as the majority of the themes are included in those 2 sections.
I appreciate you taking the time to giving hints etc and I like the constructive criticism.
I'm pleased this track has garnered such interest and I shall try some different soloist ideas in future mixes.
Cya.
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Hi...
Loved the listen. Agree with a lot of what has been said. Not fond of the stops and the piano is a tad too much out front for our taste. That said, everything else about this is great! Good luck with it!
Al & Di
BIAB 2024 Ultra Plus-all StylePaks*Win11*32GB DDR5*Rhyzen 9745x*AT 2035 Mic*Peavey Nashville 112 Amp*Ibanez ART120* Acoustic/Electric/Washburn D200S Acoustic*Stromberg Monterey Jazz Guitar Loops: https://aldavidmusic.wixsite.com/bestmusicloops
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Ask sales and support questions about Band-in-a-Box using natural language.
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
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Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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