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Floyd,
Beautiful.
Don Gaynor said it all for me so +4 for his comments.
Also thanks for the info re acoustic guitars, I never thought of generating 2 tracks of the same RT at the same time.
Another Floyd classic!
Alyn
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Floyd, hope you don't mind but I linked Hayley Oliver, nominated Best Country Female Vocalist In Britain by BCMA. She absolutely loves it! I think it would survive a gender change if Hayley decides to sing it.
You are an extremely talented gentleman.
Last edited by Don Gaynor; 03/30/14 10:19 AM.
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Floyd, hope you don't mind but I linked Hayley Oliver, nominated Best Country Female Vocalist In Britain by BCMA. She absolutely loves it! I think it would survive a gender change if Hayley decides to sing it.
Hey Don.. of course I don't mind... I have the original Nashville demo which was a female demo - so I can send that somewhere if you let me know... I'll send ya a PM....
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floyd, Another in a long line of beautifully crafted songs. I really liked the drum editing in the verses. Nice touch. Nobody gets those acoustic guitars to sound like that. Perfect placement of the instruments. The viola and cello work well here. George Strait should have had you on retainer. That well you draw from never runs dry. I think your overall sound is getting fuller it seems to improve a little more with each production. Looks like Danny made some nice mailbox money. Those are some good tunes in his catalogue. I always look forward to hearing your latest post. You never disappoint. Great job! Tom Tom - Glad you noticed the drums - I knew you would... don't often need that particular pattern, but when you do, you have to build it.. The cello and viola do "play nice together" and I would think that for most things, not much more is needed - the quartet strings violins are a little too busy for this type background work.. The acoustics always seem pretty easy to me - don't really do much to them - just the panning - occasionally a bit of eq on one side.. "mailbox money" - I like that! - yeah, Danny made his share - once when we were writing, his daughter Aimee dropped by for a few minutes - and he suggested to Aimee and I that we needed to get together and write some. Not following up on that one was a BIG mistake - Aimee went on to be huge... oh, well... one more "miss".. Thanks for the listen...
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"Big studio sound" is a term that's getting a bit over worked I guess in this day and age with the power of our PC's and Mac's. Janice and I listen to a LOT of music of all genres (with the exception of rap and opera). We shuffle songs that play throughout the day whether we are streaming from the pod or pandora. I have good sound systems in the home and in the vehicles. I'm not an ace mixer but I've had off and on involvement in mixing since the mid 60's. Bottom line -- I listen to the mix. And your country mixes compare extremely well to those of Alan Jackson and George Strait and Garth Brooks and Lee Ann Womack and others. This speaks volumes re your ability and the quality of RT's. When you were in Nashville you must have paid huge attention to some of best producers, arrangers and engineers.
We all have access to the same RT's and we all have access to powerful DAW's and effects. But I've quickly learned that there is a heckuva lot more to it than "access." This production is a great demonstration of what I'm trying to articulate. Listen to it loud or low. Listen to the soundstage. Listen to how the vocal sits. I want to be able to do this when I grow up. Do I mention that it's a great write and vocal?
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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What a great song and listen! You have such a strong, powerful and stunning voice. Everything about this is top shelf...perfect mix and fabulous vocal delivery. Heck, if I could sing only half as good as you, I'd be twice as good as most.
Totally enjoyed it! Another great song!!! Al & Di Al & Di - Thanks, y'all! Do appreciate all the nice comments... This is very good. The lyrics and production are fine.
Thanks for posting. John Thanks, John. I've been away from this forum for so long that the list of songs I need to listen to is at least a mile long. I'm presently working through that mile, or 1.6 kilometers as we'd say here in Australia, step by step. I'm coming back to this one when I have enough time to give it my full attention  See you again sooner or later! Noel We miss ya, buddy! Life gets in the way sometimes... but, we'll leave the dogs tied up and the latch string out...
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Floyd,
I've listened to this about 5 times now. I echo all of the compliments you received on the song and on your fine vocal performance, and I can't get over how well it is produced.
I find myself drawn to the mix continually asking, 'How did he do that?'
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Hi Floyd
Its all been said, my friend - another top song from you.
I will admit to being a little confused (OK - it doesnt take much) with the lyrics of the last two lines in V2. Did he actually say it to her and if he did did she turn around and if she did - where's the verse 3 happy ending?
LOL
Wonderful work, Floyd
cheers
ian.
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Beautiful.
Don Gaynor said it all for me so +4 for his comments.
Also thanks for the info re acoustic guitars, I never thought of generating 2 tracks of the same RT at the same time.
Another Floyd classic! Alyn Alyn - Thanks for the +4's - now I can play golf! I guess someone should have asked about those acoustics a long time ago - I've been doing that right along - it works especially well for that 356 RT "Big studio sound" is a term that's getting a bit over worked I guess in this day and age with the power of our PC's and Mac's. Janice and I listen to a LOT of music of all genres (with the exception of rap and opera). We shuffle songs that play throughout the day whether we are streaming from the pod or pandora. I have good sound systems in the home and in the vehicles. I'm not an ace mixer but I've had off and on involvement in mixing since the mid 60's. Bottom line -- I listen to the mix. And your country mixes compare extremely well to those of Alan Jackson and George Strait and Garth Brooks and Lee Ann Womack and others. This speaks volumes re your ability and the quality of RT's. When you were in Nashville you must have paid huge attention to some of best producers, arrangers and engineers.
We all have access to the same RT's and we all have access to powerful DAW's and effects. But I've quickly learned that there is a heckuva lot more to it than "access." This production is a great demonstration of what I'm trying to articulate. Listen to it loud or low. Listen to the soundstage. Listen to how the vocal sits. I want to be able to do this when I grow up. Do I mention that it's a great write and vocal? Geez, Bud.... music to my ears! Humbling comparisons there. As you know, so much of the credit goes to the PG family and the incredible tools that they have created to allow us to do this... I certainly do appreciate such praise coming from you - you ain't no slouch, yourself, buddy...
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I've listened to this about 5 times now. I echo all of the compliments you received on the song and on your fine vocal performance, and I can't get over how well it is produced.
I find myself drawn to the mix continually asking, 'How did he do that?' Scott - appreciate that. If there's anything in particular... I've got a few secrets but most of the mixing stuff is fair game - ask away... Its all been said, my friend - another top song from you.
I will admit to being a little confused (OK - it doesnt take much) with the lyrics of the last two lines in V2. Did he actually say it to her and if he did did she turn around and if she did - where's the verse 3 happy ending?
LOL Wonderful work, Floyd cheers ian. Ian - perhaps we find out in a later episode... thanks for the listen, buddy...
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Wonderful song and story. Really like your arrangement, singing and harmonies. Thanks for sharing.
Ray
Keep on Rockin'
Sonny Ray
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Hi Floyd great production plus +10 you a very talented man thanks eric
AMD (TM) 5950 4.9 GHz 16Core Processor 64 bit 32 bits of ram windows 10 pro 64 bit os. sound card Antelope ZenQ guitars Ibanez 2202a 1968 les Paul Custom and Cavin ae 185 Guitar boss Gt-100,GT1000 pedal Yamaha HS8 studio monitors
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Wonderful song and story. Really like your arrangement, singing and harmonies. Thanks for sharing.
Ray Ray - Thanks. Appreciate you dropping in for a listen... Hi Floyd great production plus +10 you a very talented man thanks eric eric - thanks, man... do appreciate it.
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Ask sales and support questions about Band-in-a-Box using natural language.
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
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We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
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XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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