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Floyd,
Beautiful. Don Gaynor said it all for me so +4 for his comments.
Also thanks for the info re acoustic guitars, I never thought of generating 2 tracks of the same RT at the same time.
Another Floyd classic!
Alyn
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Floyd, hope you don't mind but I linked Hayley Oliver, nominated Best Country Female Vocalist In Britain by BCMA. She absolutely loves it! I think it would survive a gender change if Hayley decides to sing it.
You are an extremely talented gentleman.
Last edited by Don Gaynor; 03/30/14 11:19 AM.
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Floyd, hope you don't mind but I linked Hayley Oliver, nominated Best Country Female Vocalist In Britain by BCMA. She absolutely loves it! I think it would survive a gender change if Hayley decides to sing it.
Hey Don.. of course I don't mind... I have the original Nashville demo which was a female demo - so I can send that somewhere if you let me know... I'll send ya a PM....
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floyd, Another in a long line of beautifully crafted songs. I really liked the drum editing in the verses. Nice touch. Nobody gets those acoustic guitars to sound like that. Perfect placement of the instruments. The viola and cello work well here. George Strait should have had you on retainer. That well you draw from never runs dry. I think your overall sound is getting fuller it seems to improve a little more with each production. Looks like Danny made some nice mailbox money. Those are some good tunes in his catalogue. I always look forward to hearing your latest post. You never disappoint. Great job! Tom Tom - Glad you noticed the drums - I knew you would... don't often need that particular pattern, but when you do, you have to build it.. The cello and viola do "play nice together" and I would think that for most things, not much more is needed - the quartet strings violins are a little too busy for this type background work.. The acoustics always seem pretty easy to me - don't really do much to them - just the panning - occasionally a bit of eq on one side.. "mailbox money" - I like that! - yeah, Danny made his share - once when we were writing, his daughter Aimee dropped by for a few minutes - and he suggested to Aimee and I that we needed to get together and write some. Not following up on that one was a BIG mistake - Aimee went on to be huge... oh, well... one more "miss".. Thanks for the listen...
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"Big studio sound" is a term that's getting a bit over worked I guess in this day and age with the power of our PC's and Mac's. Janice and I listen to a LOT of music of all genres (with the exception of rap and opera). We shuffle songs that play throughout the day whether we are streaming from the pod or pandora. I have good sound systems in the home and in the vehicles. I'm not an ace mixer but I've had off and on involvement in mixing since the mid 60's. Bottom line -- I listen to the mix. And your country mixes compare extremely well to those of Alan Jackson and George Strait and Garth Brooks and Lee Ann Womack and others. This speaks volumes re your ability and the quality of RT's. When you were in Nashville you must have paid huge attention to some of best producers, arrangers and engineers.
We all have access to the same RT's and we all have access to powerful DAW's and effects. But I've quickly learned that there is a heckuva lot more to it than "access." This production is a great demonstration of what I'm trying to articulate. Listen to it loud or low. Listen to the soundstage. Listen to how the vocal sits. I want to be able to do this when I grow up. Do I mention that it's a great write and vocal?
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
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What a great song and listen! You have such a strong, powerful and stunning voice. Everything about this is top shelf...perfect mix and fabulous vocal delivery. Heck, if I could sing only half as good as you, I'd be twice as good as most. Totally enjoyed it! Another great song!!! Al & Di Al & Di - Thanks, y'all! Do appreciate all the nice comments... This is very good. The lyrics and production are fine. Thanks for posting. John Thanks, John. I've been away from this forum for so long that the list of songs I need to listen to is at least a mile long. I'm presently working through that mile, or 1.6 kilometers as we'd say here in Australia, step by step. I'm coming back to this one when I have enough time to give it my full attention  See you again sooner or later! Noel We miss ya, buddy! Life gets in the way sometimes... but, we'll leave the dogs tied up and the latch string out...
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Floyd,
I've listened to this about 5 times now. I echo all of the compliments you received on the song and on your fine vocal performance, and I can't get over how well it is produced.
I find myself drawn to the mix continually asking, 'How did he do that?'
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Hi Floyd Its all been said, my friend - another top song from you. I will admit to being a little confused (OK - it doesnt take much) with the lyrics of the last two lines in V2. Did he actually say it to her and if he did did she turn around and if she did - where's the verse 3 happy ending? LOL Wonderful work, Floyd cheers ian.
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Beautiful. Don Gaynor said it all for me so +4 for his comments.
Also thanks for the info re acoustic guitars, I never thought of generating 2 tracks of the same RT at the same time.
Another Floyd classic! Alyn Alyn - Thanks for the +4's - now I can play golf!  I guess someone should have asked about those acoustics a long time ago - I've been doing that right along - it works especially well for that 356 RT "Big studio sound" is a term that's getting a bit over worked I guess in this day and age with the power of our PC's and Mac's. Janice and I listen to a LOT of music of all genres (with the exception of rap and opera). We shuffle songs that play throughout the day whether we are streaming from the pod or pandora. I have good sound systems in the home and in the vehicles. I'm not an ace mixer but I've had off and on involvement in mixing since the mid 60's. Bottom line -- I listen to the mix. And your country mixes compare extremely well to those of Alan Jackson and George Strait and Garth Brooks and Lee Ann Womack and others. This speaks volumes re your ability and the quality of RT's. When you were in Nashville you must have paid huge attention to some of best producers, arrangers and engineers.
We all have access to the same RT's and we all have access to powerful DAW's and effects. But I've quickly learned that there is a heckuva lot more to it than "access." This production is a great demonstration of what I'm trying to articulate. Listen to it loud or low. Listen to the soundstage. Listen to how the vocal sits. I want to be able to do this when I grow up. Do I mention that it's a great write and vocal? Geez, Bud.... music to my ears! Humbling comparisons there. As you know, so much of the credit goes to the PG family and the incredible tools that they have created to allow us to do this... I certainly do appreciate such praise coming from you - you ain't no slouch, yourself, buddy...
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I've listened to this about 5 times now. I echo all of the compliments you received on the song and on your fine vocal performance, and I can't get over how well it is produced.
I find myself drawn to the mix continually asking, 'How did he do that?' Scott - appreciate that. If there's anything in particular... I've got a few secrets  but most of the mixing stuff is fair game - ask away... Its all been said, my friend - another top song from you. I will admit to being a little confused (OK - it doesnt take much) with the lyrics of the last two lines in V2. Did he actually say it to her and if he did did she turn around and if she did - where's the verse 3 happy ending? LOL Wonderful work, Floyd cheers ian. Ian - perhaps we find out in a later episode... thanks for the listen, buddy...
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Wonderful song and story. Really like your arrangement, singing and harmonies. Thanks for sharing. Ray
Keep on Rockin' Sonny Ray
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Hi Floyd great production plus +10 you a very talented man thanks eric
AMD (TM) 5950 4.9 GHz 16Core Processor 64 bit 32 bits of ram windows 10 pro 64 bit os. sound card Antelope ZenQ guitars Ibanez 2202a 1968 les Paul Custom and Cavin ae 185 Guitar boss Gt-100,GT1000 pedal Yamaha HS8 studio monitors
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Wonderful song and story. Really like your arrangement, singing and harmonies. Thanks for sharing. Ray Ray - Thanks. Appreciate you dropping in for a listen... Hi Floyd great production plus +10 you a very talented man thanks eric eric - thanks, man... do appreciate it.
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Ask sales and support questions about Band-in-a-Box using natural language.
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
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Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
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-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
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-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
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What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
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Band-in-a-Box 2026 for Mac Videos
With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.
Check out this forum post for "One Stop Shopping" of our Band-in-a-Box® 2026 Mac Videos!
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Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
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Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Mac packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49.
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