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Recording, Mixing, Performance and Production
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Joined: Apr 2009
Posts: 10,157
Veteran
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Veteran
Joined: Apr 2009
Posts: 10,157 |
In the real world (not the theoretical one), one cannot “... adjust the mix.... bass, highs, level, to any club/venue situation easily with the tone controls on the PA mixer board...” without interrupting the performance; never a good thing.
you took my words totally out of context by leaving off 4 words which refer to the paragraph above it. The preceding paragraph sets the proper context for what comes next. If you are going to quote me, attempt to get the context right next time so you are not misquoting me in this manner. here's what I said: This goes back to the beginning of the process.... it starts when you are recording the tracks. It continues as you enter the mix down stage, and continues through the polishing and exporting and final audio editing stage. At the end, when you export the wave, it should already be at or very near it's final volume level and consistent with everything else you have exported. If it's off noticeably, you should reevaluate what's going wrong.
With that goal accomplished, you can adjust the mix.... bass, highs, level, to any club/venue situation easily with the tone controls on the PA mixer board, and with consistent levels throughout, you aren't grabbing and adjusting the volume control on every song. IN OTHER WORDS: If you get a consistent mix from one song to the next while mixing in your studio, you can SAFELY set the level, and the tone controls ONE TIME and since the songs are consistent from one to the next regarding EQ and volume, there will be no need to adjust it again during the show. (edited for spelling)
Last edited by Guitarhacker; 04/03/14 04:46 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Ask sales and support questions about Band-in-a-Box using natural language.
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Band-in-a-Box 2025 French Version is Here!
Bonjour à tous,
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
BIAB 2025 - francisation
RealBand 2025 - francisation
Voilà, enjoy!
Band-in-a-Box 2025 German Version is Here!
Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!
Already using Band-in-a-Box 2025 for Windows®? Download Build 1128 now from our Support Page to enjoy the latest enhancements and improvements from our team.
Stay up to date—get the latest update now!
Update to RealBand® 2025 Build 5 Windows Today!
Already using RealBand® 2025 for Windows®? Download Build 5 now from our Support Page to ensure you have the latest enhancements and improvements from our team.
Get the latest update today!
PowerTracks Pro Audio 2025 for Windows is Here!
PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!
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www.pgmusic.com/powertracks.htm
Video: Summary of the New Band-in-a-Box® App for iOS®
Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.
Band-in-a-Box® for iOS® :Summary video.
Check out the forum post for more information.
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