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I was looking through some loops and stumbled across this piano section. I worked up an approximation of the chords and added a chorus. The whole time I had Janice in mind for the vocal. She agreed to work on this and along with Bud's indispensable observations we came up with this. We hope everyone enjoys this. Comments/ Suggestions are welcome as always. http://tommyadamsmusic.com/musichttp://soundclick.com/share.cfm?id=12748108Style MIDI Instruments are : Fender Bass (34), RealTracks in song: 1883:Piano, Acoustic, Soloist Country12-8John Sw 065 RealTracks in song: ~970:Guitar, Electric, Rhythm CountrySwingCleanPedal Sw 085 RealTracks in song: ~688:Organ, B3, Background Pop Ev 065 MIDI SuperTracks in song: 1886:Piano, Solo-Accompaniment Bluesy12-8John Sw 060 RealTracks in song: ~743:Piano, Acoustic, Rhythm Jazz Ballad Sw 060 (A:simple) RealDrums: RealDrums in Style: Nashville128^08-a:Snare, b:Ride Vocal- Janice Merritt Guitar- Tom Adams Piano Loop - Logic Pro9 I Don't Want To Hear You Say Goodbye You don’t have to say a thing it’s written on your face i don’t understand it how we’ve gotten to this place But once i learned to love you and let you take my heart Now I can’t stand to watch us fall apart looking at you now a piece of me just died i don’t want to hear you say goodbye Guitar you don’t have to stay and talk I can’t change your mind there’s miles of smiles and years of tears in what we leave behind I guess I’ll have to straighten up to keep from falling down It’ll take some getting used to not having you around There’s nothing left to say so please don’t say a word Won’t you just walk away away from all this hurt looking at you now a piece of me just died i don’t want to hear you say goodbye Guitar There’s nothing left to say so please don’t say a word Won’t you just walk away away from all this hurt looking at you now a piece of me just died i don’t want to hear you say goodbye looking at you now a piece of me just died i don’t want to hear you say goodbye ©2014 Thomas Adams / Janice Merritt
Last edited by tommyad; 04/08/14 01:35 PM.
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Hi Janice and Tommy,
Where to start????
The minute the piano began playing I thought, "Wow! That's a great piano loop". When the guitar came in I thought, "Nice. Very nice".
Then Janice started singing against the piano and I was mesmerised, transfixed, glued to my headphones. My ears were overwhelmed with the velvet luxuriousness of the sound. It was such an amazing and outstanding combination - Janice + piano.
The production and the arrangement, Tommy's playing, Janice's singing, the melody, the lyrics, every single thing about this work is solid gold quality through and through.
Oh, one last thing, I absolutely love the chord progression.
Overall ... stunning!
All the best,
Noel
MY SONGS...Audiophile BIAB 2026
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WOW!!! Just great! This would be a great one to pitch to Bonnie Raitt, although her vocal couldn't be much better than Janice's. Killer stuff!
there’s miles of smiles and years of tears in what we leave behind (one of the best lines I've ever heard!!!) Take care. Greg
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Hi Janice and Tommy,
Where to start????
The minute the piano began playing I thought, "Wow! That's a great piano loop". When the guitar came in I thought, "Nice. Very nice".
Then Janice started singing against the piano and I was mesmerised, transfixed, glued to my headphones. My ears were overwhelmed with the velvet luxuriousness of the sound. It was such an amazing and outstanding combination - Janice + piano.
The production and the arrangement, Tommy's playing, Janice's singing, the melody, the lyrics, every single thing about this work is solid gold quality through and through.
Oh, one last thing, I absolutely love the chord progression.
Overall ... stunning!
All the best,
Noel That is very kind of you Noel. Tom had an idea for the melody and it was easy and fun to work with the arrangement. I really appreciate your comments. Janice
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
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Tom and Janice...
This is STUNNING. BEAUTIFUL. GORGEOUS. DELICIOUS!!!
What an incredible production. The opening piano sounds like you've known it all your life. It grabs you immediately and never lets you go.
The guitar sings. Like the best of Jeff Beck. Tom - you seem to have blossomed before our eyes into some Guitar Superhero.
Gotta know how you processed the drums. Every piece of the kit sounds PERFECT! Big, full. The organ - perfect. There's that guitar again - gorgeous... And the pianos - details please - 2 RTs, a midi, the loop - what's where?
and... Janice... OH! MY! GOD! - a vocal that careers are made from. I couldn't hear a single word - all I could hear was THE VOICE - SINGING. In a league with Linda Ronstadt. Honestly. I do not say that lightly. Pure Joy To Listen To. WOW. Pure emotion. Like it came from your very soul.
A beautiful song - lyric and melody. The sound of an instant classic.
Stunning.
floyd
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Noel, thanks very much for your kindness. We all look forward to what you have to say. We actually said that we wondered what Noel will say. Now we know. Thanks again.
Greg, I thought of that line in the middle of the night and almost got up to write it down. Then I second guessed it and Bud talked me into keeping it. This songwriting thing can get a little tricky. Thanks for the compliments.
Floyd, thanks for all the nice things that you come up with to say. We hold your opinion in high regard. There are 15 tracks, the loop is the intro and outro, midi piano throughout, midi piano for little fills, 2 generations of real track piano all separate tracks faded in and out to make one instrument, organ, bass, drums, real track guitar 2 generations sliced and diced, lead guitar and 3 tracks of vocal comped to 1. All instruments were run through alloy2. The vocal is a natural and soulful setting in Nectar2. Last but not least the drums were run through alloy2. The big bottom sound was used. The toms were so hot they are dropped 3.5 db in every fill and they're still pretty loud. I also used nectar breath control on the outro vocal. I think all of us here on the forum recognize that Janice has got something very special. Something that you only run across a few times in a lifetime and I am glad that I was able to work with her on this. Thanks again. Tom
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That song is so good in so many ways.
Yup.. loved the clarity and fatness of the mix, the chord progressions and the unexpected chords, the drums are my kind of drums, the guitar tone is to die for, sweet and tasteful picking, amazing B3 in the background just rocks this to a different level, the piano is classic, the vocals are spot on and of the finest quality, and the writing..... without the writing, none of the other matters.
Simply saying "good job" to this seems insufficient.... so...
Damn Good job.
Last edited by Guitarhacker; 04/09/14 04:43 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Nice arrangement, my compliments for finding inspiration based on an idea (loop) and then working around that limitation.
Mix holds up @ 100% power captain on this end with no damage to report!
Best wishes on new projects.
DA...
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Hi Janice and Tommy,
everything has been said.
What a song! Great piano and guitar. And Janice
seems to get better from time to time. What a voice!
The overall mix is just superb.
Guenter
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Hi again Janice and Tom, Sorry! I couldn't stay away  Since I first heard it this morning, your song has been on my mind. Right now, it's just on midnight here and, only seconds ago, the song finished playing for the ninth or tenth time (I haven't kept count). A question that has been ringing around in my head is, "After it's stripped back to its bare bones (i.e. ignore performances, arranging and production), What is it about this song that makes it work so well?" There's something (or some things, even) that really appeal to me and I'm never satisfied until I can understand the 'why it is so!' (to paraphrase Prof. Julius Sumner Miller). Firstly, the form complements the lyrics perfectly. From a lyric perspective, it's pretty much a 2-verse composition with a 2-line refrain at the end of each verse. I interpret this as a truncated variation on the AAA form that Janice and Bud are extremely familiar with from their folk/bluegrass music. Maybe that familiarity has helped brighten the feeling of competence that is an aura around every aspect of the song. After multiple listens, I think the fact that many of the melodic phrases start after beat 1 is what really makes these lyrics tug at my heart strings. I also like the way you've mixed perfect rhymes and other rhyme types in the lyric structure. In addition, the two characters in the song are vividly real and it's so very easy to see the singer looking at the other person and singing. Emotional truth and honesty stand tall in these lyrics. They are 100% believable. I also compliment you both on your strong verse development with verse 2 becoming just a little more philosophical and, as a consequence, gaining just the right amount of emotional weight to make the listening journey satisfying. Lastly, repeating the back half of verse 2 as the song's third lyric section packs a great emotional punch (at least that's how I felt it). My observation is that repetition, when used wisely as in these lyrics, nearly always strengthens and amplifies meaning. Anyway, you've both given me lots of food for thought when I sit down to write my next song. Thank you for that. All the best, Noel
MY SONGS...Audiophile BIAB 2026
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Wow!! Great Job!!
Janice's vocals are spot on perfect.
The guitar is great and I love the way you use it to build the dynamics of the tune.
In fact, the dynamics really make the song. This is a piece worthy of greater attention.
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Hi Tommy, Janice and Bud
This is just spectacular. I love everything about it. I love the guitar solo and the piano and of course Janice's vocals are, as always, outstanding
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Herb, I was hoping to hear from you on this one. I am glad that we won your approval. You no doubt have excellent ears and a wealth of knowledge about recording, so we feel real good to get a thumbs up from you. As you well know all these different hats that we wear make this an ongoing learning experience. It's nice to know we are heading in a good direction. Thanks for the comments.
DA, Thanks for the mix power report. The loop was in the right key for Janice and seemed to be about the right tempo for what I had in mind, so that was just plain old blind luck. Rather be lucky than good. Thanks again.
Guenter, Thanks for your kind words. Yes Janice has got quite an instrument.
Noel, I don't even know what to say about your observations except this is the kind of thing we have come to expect from you. It is always an education in song structure when we read your comments. Although I find it all very interesting I must confess I never think too much about it. It's kind of how I feel about reading music, I know just enough not to hurt me. I do hope to continue to learn more from you. You certainly are a wealth of knowledge when analyzing a song. Thank you so much for coming back again and taking the time to comment. We all appreciate it greatly. Tom
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Hi, Tommy, Bud and Janice !
I fully agree with everyone else !
This is really outstanding in every
possible way ! Really don´t know
when or if I´ve heard such a perfomance
ever before ?
My sincerest gratulations for
this outstanding collaboration !:))
Cheers
Da ni
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David, Thanks for listening and commenting. The dynamics were also the product of a well played piano loop and Janice's control on the intro and outro. Her soft low range is packed with emotion and the mix was tweaked to help bring that to life. Thanks again and welcome to the forum. i will be by to comment on your remixed song. By the way i listened to Bloomfield's Blues on your sound cloud page. Nice guitar work- he was one of my guys.
Josie, Thank you for your generous comments. I again want to applaud your activism on the Rhino song. That is so cool.
Dani, Thanks for your kind words. Bud and Janice are so easy to work with. We seem to share a common vision and we are all willing to compromise, listen to suggestions and make the necessary changes for the greater good. It has been all my pleasure to be associated with such wonderful people. Thanks again Dani, we can always count on you to take the time to listen and comment. Tom
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WOW!!! Just great! This would be a great one to pitch to Bonnie Raitt, although her vocal couldn't be much better than Janice's. Killer stuff!
there’s miles of smiles and years of tears in what we leave behind (one of the best lines I've ever heard!!!) Take care. Greg Thank you Greg. Your mention of myself and Bonnie Raitt in the same sentence is very kind. Isn't that a good line? It felt right when I sang it. Thanks again!! Tom and Janice...
This is STUNNING. BEAUTIFUL. GORGEOUS. DELICIOUS!!!
What an incredible production. The opening piano sounds like you've known it all your life. It grabs you immediately and never lets you go.
The guitar sings. Like the best of Jeff Beck. Tom - you seem to have blossomed before our eyes into some Guitar Superhero.
Gotta know how you processed the drums. Every piece of the kit sounds PERFECT! Big, full. The organ - perfect. There's that guitar again - gorgeous... And the pianos - details please - 2 RTs, a midi, the loop - what's where?
and... Janice... OH! MY! GOD! - a vocal that careers are made from. I couldn't hear a single word - all I could hear was THE VOICE - SINGING. In a league with Linda Ronstadt. Honestly. I do not say that lightly. Pure Joy To Listen To. WOW. Pure emotion. Like it came from your very soul.
A beautiful song - lyric and melody. The sound of an instant classic.
Stunning.
floyd Floyd, you are just too kind. You know how much I admire your writing and your voice. I have learned so much lately from listening to your phrasing. It is and will continue to be an inspiration. Thank you!! Janice That song is so good in so many ways.
Yup.. loved the clarity and fatness of the mix, the chord progressions and the unexpected chords, the drums are my kind of drums, the guitar tone is to die for, sweet and tasteful picking, amazing B3 in the background just rocks this to a different level, the piano is classic, the vocals are spot on and of the finest quality, and the writing..... without the writing, none of the other matters.
Simply saying "good job" to this seems insufficient.... so...
Damn Good job. Thank you Herb very much. When Tom sent me the first draft I knew he had created something special. I tried very hard to do it justice. Janice
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
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Hi Janice and Tommy,
everything has been said.
What a song! Great piano and guitar. And Janice
seems to get better from time to time. What a voice!
The overall mix is just superb.
Guenter Thank you so much Guenter! Wow!! Great Job!!
Janice's vocals are spot on perfect.
The guitar is great and I love the way you use it to build the dynamics of the tune.
In fact, the dynamics really make the song. This is a piece worthy of greater attention. I appreciate that! And, yes, dynamics are everything in music for me. Hi Tommy, Janice and Bud
This is just spectacular. I love everything about it. I love the guitar solo and the piano and of course Janice's vocals are, as always, outstanding Thanks! This one was a lot of fun and Tom did a great job on it.
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
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Beautiful song. Excellent playing and awesome singing.
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Scott, thanks for checking this one out. We appreciate your kind words. Tom
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Expert
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Tom & Janice,
You two have just raised the bar for all of us! Like Herb said, this is good in so many ways. I pretty much like everything about it. Janice, your vocals are as good as I have heard from you on this, and Tom, your guitar is impeccable. The arrangement really works from start to finish.
Excellent!
Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
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