My reply to Floyd's post in the other thread:
I agree with Floyd's assessment and comments including his thoughts on use of a cello or other instrument. New instruments/sounds become the rage throughout the history of both rock and country. Rockers seem to have more leeway than country for the most part it seems to me. I would suggest that its use be part of the artists/writers overall image of the completed work.

I agree with Floyd that Nashville does not need us. They do have a large pool of writers/songs to draw from but I suggest that is not an entirely inclusive pool. Outsiders do get in.

A producer's familiarity with writers and their style sometimes get them off the short list. The producer knows in outline form what is going to be offered stylistically and lyrically. They are constantly seeking new styles and sounds. Other times, a producers personal stake in an artist/writer gets them included simply for the benefit the producer receives from his portion of the pie.

Producers, staff members, artists and AR rep's do look at Soundcloud, YouTube, Itunes, CD Baby and other independent outlets for breakout songs. Your chance of getting heard is increased if your songs are available on line somewhere. I think the trick here is to be sure you've placed your song in the right genre, have a catchy song title and capture the listener's interest in the first 10-20 seconds of the song. Your song needs to be strong out the gate. I agree with Floyd that what is on the radio now will be slightly different in 6 months to a year, I think you have a better chance of a producer listening to your song longer if he 'hears' a Blake Shelton, Florida Georgia, Zak Brown Band sound than if he hears Charlie Rich, Willie Nelson or Glen Campbell sound. I would also suggest there are a multitude of the 2nd tier record labels and producers trying to emulate the sound on the radio in order to ride the coat tails of a major hit by a major artist.

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