|
Log in to post
|
Print Thread |
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Feb 2010
Posts: 678
Journeyman
|
OP
Journeyman
Joined: Feb 2010
Posts: 678 |
I settled for the Steinberg ur22, and it works great, now I want to invest in monitors at a somewhat low price tag. I went to Guitar Center in Milwaukee, 72 miles one way for a monitor review in house. I was at the start leaning towards the KRK rokits, they were good as the first button push, then it was the new JBL LSR series, they sounded like tin cans, the third I don't remember, fourth was the Tonnoy new Reveal series, they were great. Behringer truth were next, also ok. Then the Focal Alpha series, which is not in stock yet, also very good, $299.99 each. I would like some input on the choice of monitors that do not go over the $300.00 each category. My space is about 10ft x 10ft, I don't need a 8 inch woofer but your input would be helpful, also I need a front bass port because of a corner on the left and a very close to wall spot on the right side. I hope this helps in the responses. Thanks
Critter
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Apr 2010
Posts: 5,139
Veteran
|
|
Veteran
Joined: Apr 2010
Posts: 5,139 |
If you could stretch your budget a bit, you might want to look at the Event 20/20's. Excellent near fields. http://www.sweetwater.com/store/detail/2020BAS/Regards, Bob
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Feb 2011
Posts: 81
Enthusiast
|
|
Enthusiast
Joined: Feb 2011
Posts: 81 |
Auditioning monitors in the store is a crap shoot at best due to the listening environment. Research the reviews of the ones your interested in and then buy the ones that offer the best reviews for the price range your interested in. Save the packaging and receipts and return them if your not completely satisfied and get a different brand.
I do have the KRK Rockit 5's and I like them. Keep in mind that your studio setup (desk, position of your ears and the monitors, sound absorption) will all affect the sound of the monitors. You tube reviews are really bad at determining the sound of the monitors also. You will never get the monitors true sound reproduction through the video or your computer speakers. You are left with the reviewers word on the matter.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Apr 2010
Posts: 5,139
Veteran
|
|
Veteran
Joined: Apr 2010
Posts: 5,139 |
Or, you could try to find a pair of these. A bit out of your price range, though. 
Last edited by 90 dB; 07/05/14 02:09 AM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2011
Posts: 2,458
Veteran
|
Veteran
Joined: Dec 2011
Posts: 2,458 |
Critter, I went with the same decision process about a year ago. Although I don't do any super critical pro level mixing, I do have the same corner mount room dynamics as you. I went with the KRK 8's for the extra frequency response. I really have come to appreciate the bi-amped setup, front port, the many connector options on the back, the volume adjustments and the HF level adjustment to tweak the monitors to my room environment. Sound wise, must admit, they are not as clean as the VXT 8's especially the mid-range, but for $350 less each, I think that they are really well built entry level monitors that produce excellent results.
Win11, Intel i7 7700K 4.2Ghz, 32Gb RAM, 2x1Tb HD, 500Gb NVMe, BIAB/RB 2025, MOTU 828MK3 audio, MOTU Midi Express, Yamaha Montage 7, DX7II, TX802, Motif XS Rack, Roland Fantom XR Rack, Oberheim Matrix 1000, VoiceLive3 Extreme, Kontakt 6, SampleTank 4.3
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: May 2000
Posts: 22,391
Veteran
|
|
Veteran
Joined: May 2000
Posts: 22,391 |
A bit out of your price range, though. Apparently so are these now. The last run of this model has doubled in price in a year. Early models had a problem, so unless you get the last run, I don't recommend getting used. I think I got mine for around $450 a couple years ago right after they manufactured this last run (just luck; I had to wait for the next run when I ordered). They were a great deal. http://www.amazon.com/M-Audio-Studiophile-130-Watt-Bi-Amplified-Monitor/dp/B001AX7BY4But really?? A grand now?!
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2011
Posts: 15,836
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 15,836 |
I'm pleased with my KRK Rokit 5's. Interestingly if I get the bass right with them in the mix then the low end still sounds fine when listening through a much bigger system. Small and reasonable price first attracted me to them.
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Apr 2010
Posts: 5,139
Veteran
|
|
Veteran
Joined: Apr 2010
Posts: 5,139 |
A bit out of your price range, though. Apparently so are these now. The last run of this model has doubled in price in a year. Early models had a problem, so unless you get the last run, I don't recommend getting used. I think I got mine for around $450 a couple years ago right after they manufactured this last run (just luck; I had to wait for the next run when I ordered). They were a great deal. http://www.amazon.com/M-Audio-Studiophile-130-Watt-Bi-Amplified-Monitor/dp/B001AX7BY4But really?? A grand now?! The prices on some of this stuff are insane. Look at what they're asking for a pair of NS-10's! These days, there is a fantastic selection of good near-fields available at good prices. I love my Events, but I still check mixes on my little secret weapons, my Optimus Pro-7's. If you can get a mix to sound good on these, it will translate anywhere. http://www.ebay.com/itm/Pair-of-Optimus-Pro-7AV-speakers-in-very-good-condition/111373848338?_trksid=p0.c100204.m3164&_trkparms=aid%3D222007%26algo%3DSIC.MBE%26ao%3D1%26asc%3D23346%26meid%3D8051245865801734966%26pid%3D100204%26prg%3D9919%26rk%3D14%26rkt%3D20%26sd%3D351107982733 And the Optimus are a lot cheaper than these: http://www.sweetwater.com/store/detail/M...opyxJxSIKvw_wcB
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Sep 2007
Posts: 3,926
Veteran
|
|
Veteran
Joined: Sep 2007
Posts: 3,926 |
Critter, I've been using the Behringer Truth B2031A active biamped two-way monitors since 2007 and couldn't be more pleased. These do have the 8-inch woofs and cost considerably more than they did back then, so they are overkill for you in more ways than one. Check out Don G.'s suggestion and see what you think. Do remember that speaks in this range have a hard cutoff at the low end, mine at 50 Hz--they simply don't reproduce anything below that point. If you deal with bass at all you will need to find a way to address this. I did it with a JBL sub and Beyerdynamic DT 770 cans; how you do it will depend on your budget and living arrangements.
HTH,
Richard
"My primary musical instrument is the personal computer."
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: May 2000
Posts: 22,391
Veteran
|
|
Veteran
Joined: May 2000
Posts: 22,391 |
The prices on some of this stuff are insane. Look at what they're asking for a pair of NS-10's! These days, there is a fantastic selection of good near-fields available at good prices.
I love my Events, but I still check mixes on my little secret weapons, my Optimus Pro-7's. If you can get a mix to sound good on these, it will translate anywhere.
http://www.ebay.com/itm/Pair-of-Optimus-Pro-7AV-speakers-in-very-good-condition/111373848338?_trksid=p0.c100204.m3164&_trkparms=aid%3D222007%26algo%3DSIC.MBE%26ao%3D1%26asc%3D23346%26meid%3D8051245865801734966%26pid%3D100204%26prg%3D9919%26rk%3D14%26rkt%3D20%26sd%3D351107982733
And the Optimus are a lot cheaper than these: ...
There's a little confusion on the 'Pro' vs regular version in the link. I think the product description is for a different speaker than the listing. Correct me if I'm wrong, but if they are the ones I'm thinking of they are not 'floor standing' speakers .. nor have a 100 watt sub, etc. If you mean the Minimus type model; I still have a pair of the 'Minnie Mouse' speakers (RS Minimus). Plannin' to keep them too. They are indeed a good way to check a mix for some aspects.
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jan 2002
Posts: 10,198
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 10,198 |
Bob,
I just checked M-Audio's website, and there is no BX8A, however, there is a BX8 D2, which are $499 a pair. Also, all the listings for the BX8A were from Japan, so I don't know.
Critter, I have two pair of Rokit RP-5, a Gen 1 and Gen 2 pair. I like the Gen 2 slightly better. I did have a failure with one of the Gen 1 units awhile ago, a capacitor went bad. I replaced it (it's been several years now) and the unit continues to function well for me.
If you could afford the Tannoys or even the KRK VX series, I would say go with them, but I think the Rokit RP5s are a good choice, and are my go to recommendation.
What I would recommend, though, would be to spend the extra $100, and purchase the Rokit 6s, or if you want to spend a total of $500, get the Rokit 8s.
My two cents, for what it's worth.
Gary
I'm blessed watching God do what He does best. I've had a few rough years, and I'm still not back to where I want to be, but I'm on the way and things are looking far better now than what they were!
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2013
Posts: 7,052
Veteran
|
|
Veteran
Joined: Dec 2013
Posts: 7,052 |
A friend of mine just bought Presonus Sceptre 6s. They are amazing. The list about $700 each, but on ebay, the had used ones listed at $369 each. If you click on that ad, there is a store with an 800 number. I called, and they sell them new for $399 each which is an incredible price. When I have the space, I will jump on that deal. A little higher than you're looking at but probably worth the extra $. Just a thought. Take care. Greg
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: May 2008
Posts: 5,085
Veteran
|
|
Veteran
Joined: May 2008
Posts: 5,085 |
Critter,
I must say that I am shocked to read you saying that the JBL LSR305's sounded like "tin cans". I was thinking of getting some because they've got the best reviews of any monitors in their price range that I've researched - and when I research believe me - I research...
Now you've blown my mind. Of course that doesn't take much LOL! But seriously....tin cans???
Josie
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jan 2002
Posts: 10,198
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 10,198 |
Josie, and Critter,
Studio Monitors are one of the most subjective 'hard' objects in musical recording. What I mean by that is this; you can look up all the specs you want, listen to all the reviews you want, talk to people that you want to who have their own experience with monitors, and you may hate the sound.
I work for a company that makes Digital Audio Converters. We make some of the best on the market. In a dollar to sound reproduction ratio, I think we are the clear winners, meaning that you will get the most accurate reproduction or recording of whatever sound you put into the converter versus anyone else at the same price point.
But, one of the biggest issues that we have as a small company is that people don't really know what they are listening to. I could record a Steinway Grand Piano in a concert hall with two mics, and the present it to you in three forms, a.) unaltered, b.) with a small amount of harmonic distortion, and c.) louder, and you would probably pick 'B' or 'C' as the better sounding. Why? Because most people do not know what a properly mic'd piano in a concert hall really sounds like. Oh, they can get a Classical Recording and listen all the they want, but if the conversion process from analog to digital, either recording directly, or taken from old analog tapes, isn't the absolute best performed on good gear, you're going to hear something that's not there. Furthermore, before it gets to your ears, it goes through a recording and Mastering Engineer, who understands what it's SUPPOSED to sound like, but is also concerned about what WILL SELL THE MOST ALBUMS. If you have a recording that is accurate, but sounds thin and gutless, or you have a nice 'warm' recording that has so much harmonic distortion, overtones, and stuff that's not even there, which do you think is going to sell more?
The absolute best way to check studio monitors is to do it in person at your local music store, with source material that you've recorded. A single instrument, a vocal and a single instrument all the way up to a full blown recording with multiple tracks and vocals with effects processing added in. All of these tracks will give you the best feel for what you're hearing, because you KNOW what it's supposed to sound like. If you're a singer and you can't hear your own voice, take someone with you who can listen to the monitors and say Yay or Nay on how realistic they are.
Everything from your vocals or your fingertips, to the microphones, to the mixer, to the A/D and D/A Converters to the monitors are in the chain, but the monitors are where it all comes together. If everything else is good and decent quality, then the monitors are where things are going to get messed up, and where your recording chain will let you down. If your monitors are good, accurate and you like the sound, and they really DO sound like what you're putting into your recording chain, then get them.
Now, I just did an impromptu hearing test the other day, and at 0dBFS, my hearing dies out around 11.5-12KHz. So, I may not hear the highs accurately, but you younger folks should hear them well enough to be able to decide what the best monitors for your budget and price point are.
Gary
Last edited by Gary Curran; 07/04/14 07:50 PM.
I'm blessed watching God do what He does best. I've had a few rough years, and I'm still not back to where I want to be, but I'm on the way and things are looking far better now than what they were!
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Feb 2010
Posts: 678
Journeyman
|
|
OP
Journeyman
Joined: Feb 2010
Posts: 678 |
Sorry about that but When I went into Guitar Center I was pretty much set on KRK Rockit 5, for my cd choice for what I used to use for setting up PA for a band was Molly Hatchet song, "Dreams" it has all the highs lows and all in between. First was the KRK 5, second was LSR 305, third I don't remember, fourth was the Tonney reveal, and assorted others. At first the KRK sounded great, then he switched to the JBL 305 and it was all high end and reminded me of the old piezo tweeters from long ago. The Tonney sounded the best all around, but after looking in depth, like you they are not a good choice. So now here I am still looking for a good pair. Now looking into Presonus Eris 5 and 8, Focal Alpha 50, and Yamaha MSP 5, these only because in my situation I need front bass porting. Hope this helps.
Steve
Critter
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Apr 2010
Posts: 5,139
Veteran
|
|
Veteran
Joined: Apr 2010
Posts: 5,139 |
"JBL 305 and it was all high end and reminded me of the old piezo tweeters from long ago." The LSR305 has HF and LF trim controls. I'm guessing that the "expert" at Guitar Satan had them set up improperly (like - backwards  ). Just a guess, although a GS expert "tested" a pair of my PA speaker tweeters with a 9-volt battery last week, and probably blew them up. You test woofers with a 9-V, not tweeters. The KRKs are good speakers, but the JBLs are getting some killer reviews. http://www.sweetwater.com/store/detail/LSR305/reviews
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2013
Posts: 7,052
Veteran
|
|
Veteran
Joined: Dec 2013
Posts: 7,052 |
I think Gary makes a lot of good points. What does one want from their monitors? I remember seeing a rep demoing Event 20/20s and saying "And this was mixed through these monitors", trying to impress everyone. The speakers sounded very good, but all mixes should sound their best on the monitors they were mixed through. The big question is: What will the mix sound like on other people's systems, or in cars? A friend of mine who reads a lot about these things (he owns a music store) read that most engineers rely on NS-10s. I've heard some mixes that sound like garbage on those monitors. Some people say, if you can get a decent mix on NS-10s, it will sound great on anything else. My best advice is to listen on as many systems as you can. That said, I rely on Sennheiser cans and then listen on computer speakers and in my car. I hope to get a quality playback system someday. Hope someone finds something useful in this perspective. Take care. Greg
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Apr 2010
Posts: 5,139
Veteran
|
|
Veteran
Joined: Apr 2010
Posts: 5,139 |
"I think Gary makes a lot of good points. What does one want from their monitors? I remember seeing a rep demoing Event 20/20s and saying "And this was mixed through these monitors", trying to impress everyone. The speakers sounded very good, but all mixes should sound their best on the monitors they were mixed through." What, exactly, does that mean? "all mixes should sound their best on the monitors they were mixed through" The speakers 'sounded very good', because they are very good speakers. Mixes done on them translate. They are not Genelecs, or Meyers, but they translate. How much do you want to spend on a song that probably shouldn't have been recorded in the first place?
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Feb 2010
Posts: 678
Journeyman
|
|
OP
Journeyman
Joined: Feb 2010
Posts: 678 |
I know that it's all relevant stuff above, and I know it all depends on the users ears, etc. but I have to get whatever I decide from Sweetwater, have the Sweetwater credit card, and can string payments out for 24 months, I just want to get one pair and not have to keep sending them back for the next ones. That's why I keep looking at every option, yes Guitar Center is what it is but at least I could hear what I think was ten different monitors. Credit cards are nice but I don't want huge payments or the whole 24 months to pay thing. For my final thoughts on what to get are: Presonus Eris series, Focal Alpha Series, (New), Yamaha MSP series, all front ported, any thoughts on these.........Thanks
Critter
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
Watch the video.
You can see all the 2026 videos on our forum!
Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Windows®
With your version 2026 for Windows Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- Android Band-in-a-Box® App (included)
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAKs for Band-in-a-Box® 2026 for Windows®!
Video: New User Interface (GUI)
Join Tobin as he takes you on a tour of the new user interface in Band-in-a-Box® 2026 for Windows®! This modern GUI redesign offers a sleek new look with updated toolbars, refreshed windows, and a smoother workflow. The brand-new side toolbar puts track selection, the MultiPicker Library, and other essential tools right at your fingertips. Plus, our upgraded Multi-View lets you layer multiple windows without overlap, giving you a highly flexible workspace. Many windows—including Tracks, Piano Roll, and more—have been redesigned for improved usability and a cleaner, more intuitive interface, and more!
Watch the video.
You can see all the 2026 videos on our forum!
Introducing XPro Styles PAK 10 – Now Available for Windows Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Windows Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics85,345
Posts791,141
Members39,859
| |
Most Online25,754
Jan 24th, 2025
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean