Quote:
Another way of thinking about extensions and organizing them coherently is provided by using a common or group of closely related upper structures (e.g. the first triad inversion of each major minor diminished chord) over a slash bass note. This is the sort of late romantic/ impressionist approach which is now synonymous with a lot of modern jazz music created in what might be called a post-Bill Evans/Herbie Hancock style.


Alan, I read this a couple of times and did not really understand it. Could you spell it out or unpack the idea a bit please?

I know of "Upper Structure Triads" added RH major triads added on the 9th, b3rd, #11, b13th,but there does not seem to be much logic to them...to me..I can play them, but not really feel them.

Z


Win 11 64, Asus Rog Strix z390 mobo, 64 gig RAM, 8700k