There are other options involved, like how is the MIDI actually getting to the Helicon?
Most of us Midiots have a personal MIDI channel format we use .. like drums on 10, bass on 2, piano on 3, etc, then you could tell the Helicon which channel to receive.
You may also be able to assign which tracks are allowed 'out' (sent to the Helicon) to begin with.

TBH, sending All channels shouldn't be an issue IMHO. If it was me I'd actually 'play/record' the notes I wanted for harmony on a given MIDI channel, so it was consistent each time, and send that one track to the TCHelicon unit. But that's just me.

I often reserve channel 15, 14 and 13 for effects units, so I'd use one of those (or decide on another), set the Helicon to receive on that channel, and then assign PT to send that track (the one holding that MIDI channel data) out to the Helicon.

We used PT like this for many years to send to FX units, lights, anything that accepted MIDI!

Last edited by rharv; 08/31/14 11:58 AM.
I do not work here, but the benefits are still awesome
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